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T. 46' 48": selected sound tracks from Stefano Cagol's videos (1997-2004). The sound tracks can be heard without the video images. Sound, editing, post-production by Stefano Cagol. Copyright 2005 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => tokyospace-13 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:56 [post_modified_gmt] => 2014-09-25 10:34:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2774 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 479 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2806 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => The Spider's death and Epitaph [post_excerpt] => GROUP 180 new music ensemble (1979-1989) over 400 concerts all over Europe. (Cooperation with Steve Reich, Petr Kotik, Alvin Curran, Chris Newman, György Szabados, László Vidovszky and others. Various Music Festivals, Hungarian Radio, Süddeutscher Rundfunk, Hessischer Rundfunk, Radio France, Hungarian TV, ORF/Austria, etc.). Tibor Szemző (b. 1955) is a native of Budapest. His compositions for live performance incorporate spoken word, film, and other media, but a considerable part of his output is for use as soundtracks for films - both his own productions and those of others. As a musician, Szemző was the founder of the acclaimed Hungarian modern ensemble Group 180 during the 1980s; his current performance group, The Gordian Knot, was founded in 1998. This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-spiders-death-and-epitaph [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:59 [post_modified_gmt] => 2014-09-25 10:34:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2806 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 511 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 2840 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_title] => Tudor Loops [post_excerpt] => My work often focuses on exploration of abject,invisible/inaudible, or ignored streams of information. I perform and present work regularly in Europe and North America. Recent projects include: a series of performance and installation works exploring radio silences (Diapason Gallery, New York; Sleeper Gallery, Edinburgh; SoundPlay Festival, Toronto) a commission from the Berliner Festspiele for a new version of John Cage's Fontana Mix performances of the music of Phill Niblock at the Barbican (London UK) / Mixtophonics series (Vancouver Canada) / Tone Deaf Festival (Kingston Canada) collaborative performances with violinist Jane Henry at Diapason Gallery (New York City) a series of collaborative exhibitions in the UK and Canada with UK artist Chloë Steele entitled Perfect Imperfect t he sound installation Auricle in Norwich Cathedral (UK) a tour of improvisational performances in the Netherlands and Germany with Anne La Berge and Anne Wellmer a sound installation entitled Digital to Analog Converter, making audible digital sources via tin-can telephones, for the touring exhibition Sound Machines (UK) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => tudor-loops [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:02 [post_modified_gmt] => 2014-09-25 10:35:02 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2840 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 546 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2872 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 158.a.2,4,5; 183.59; 186.a [post_title] => Milano Mix [post_excerpt] => Scanner - British artist Robin Rimbaud - traverses the experimental terrain between sound, space, image and form, creating absorbing, multi-layered sound pieces that twist technology in unconventional ways . From his early controversial work using found mobile phone conversations, through to his focus on trawling the hidden noise of the modern metropolis as the symbol of the place where hidden meanings and missed contacts emerge, his restless explorations of the experimental terrain have won him international admiration from amongst others, Bjork, Aphex Twin and Stockhausen. Scanner is committed to working with cutting edge practitioners and has collaborated with artists from every imaginable genre: musicians Bryan Ferry and Laurie Anderson, The Royal Ballet and Random Dance companies, composers Michael Nyman and Luc Ferrari, and artists Mike Kelley and Derek Jarman. As well as producing compositions and audio CDs, his diverse body of work includes soundtracks for films, performances, radio, and site-specific intermedia installations. He has performed and created works in many of the world's most prestigious spaces including SFMOMA USA, Hayward Gallery London, Pompidou Centre Paris, Kunsthalle Vienna, Bolshoi Theatre Moscow, Tate Modern London and the Royal Opera House London. Paul Farrington, AKA TONNE This prize-winning visual artist and designer has made visible the work of Scanner, Pole and Spring Heel Jack among others, linking sound with visuals that vary between elegantly simple lines to multiple layers of superimposed imagery. Tonne's interactive sound interfaces allow music to be produced as responses to the movement of graphics, and vice-versa. By manipulating sound utilities, Tonne builds toys, games, interactive environments and soundbanks. Developing and producing controlled systems for sound and image interaction, Tonne has performed live at Sonar (Barcelona 2000), FCMN (Montréal), Expanded Cinema (Milan), Lovebytes (Sheffield), and Steim (Amsterdam). Tonne was awarded Creative Review's Creative Futures Up-And-Coming Graphic Designer of 1999. Recently Tonne has been commissioned by the music label Meta to release recordings of his sound toys. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => milano-mix [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:05 [post_modified_gmt] => 2014-09-25 10:35:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2872 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 578 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2904 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => functional [post_excerpt] => Gianluca Codeghini Nato a Milano il 02.09.1968 Diplomato all’Accademia di Brera Milano al corso di Pittura. Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. 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And previous pieces: Little Music .. - 1999, Little Litany - 2002, Little Chronicles - 2005. [post_title] => Funeral of Wish [post_excerpt] => ZBIGNIEW PENHERSKI, composer, born January 26, 1935 in Warsaw, Poland. Studied composition with B. Poradowski at the State Academy of Music [PWSM] in Poznan (1955-56), followed by studies with Tadeusz Szeligowski in Warsaw (1956-59). Penherski has also studied conducting under Bohdan Wodiczko (1960-63). Holder of a Dutch government scholarship, studied at the Institute of Sonology in Utrecht (1969). Prize winner of composition competition such as: Grzegorz Fitelberg Competition (1964) for Musica humana; Artur Malawski Competition (1976) for Masurian Chronicles [Kroniki Mazurskie]; Composing Competition in Gdansk (1992) for Cantus; Polish Radio Competition (1995) for Genesis. Honorary citizen of Kragujevac in Yugoslavia, Russe in Bulgaria, and Ho-Chi-Minh in Vietnam. Awarded the Silver Cross of Merit (1975) and the Award of the Prime Minister of Poland, for works for children and youth (1982). Member of Stage Artist and Composers' Association [ZAIKS] since 1961, Polish Composers' Union [ZKP] since 1963, Polish Contemporary Music Association [PTMW], Warsaw Music Society [WTM]. Honorary member of the Scottish Society of Composers (1987). Penherski's music has been performed in Poland and abroad, including Austria, Belgium, Denmark, France, Germany, Great Britain, Italy, Korea, Mexico, the Netherlands, Norway, the Soviet Union and USA. LITERATURE: - Polish Opera and Ballet of the Twentieth Century, PWM, Kraków 1986 - Who is Who in Poland, Interpress, Warszawa 1989 - Chomiński Józef The Music of Polish People’s Republic [Muzyka Polski Ludowej], PWN, Warszawa 1968 - Hanuszewska Mieczysława, Schaeffer Bogusław Almanac of Present Polish Composers [Almanach polskich kompozytorów współczesnych], PWM, Kraków 1982 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => funeral-of-wish [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:47 [post_modified_gmt] => 2014-09-25 10:35:47 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3043 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 751 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 3108 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Vox (track 3) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => vox-track-3 [to_ping] => [pinged] => [post_modified] => 2019-07-04 14:28:19 [post_modified_gmt] => 2019-07-04 12:28:19 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3108 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 817 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 2774 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => tokyospace 13 [post_excerpt] => Cd T. T. 46' 48": selected sound tracks from Stefano Cagol's videos (1997-2004). The sound tracks can be heard without the video images. Sound, editing, post-production by Stefano Cagol. 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