Archivio Sonoro: SoundArtMuseum
WP_Query Object
(
[query] => Array
(
[post_type] => sounds
[settori] => sound-art-museum
[paged] => 1
[posts_per_page] => 10
)
[query_vars] => Array
(
[post_type] => sounds
[settori] => sound-art-museum
[paged] => 1
[posts_per_page] => 10
[error] =>
[m] =>
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[category_name] =>
[tag] =>
[cat] =>
[tag_id] =>
[author] =>
[author_name] =>
[feed] =>
[tb] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[title] =>
[fields] =>
[menu_order] =>
[embed] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[post_name__in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[post_parent__in] => Array
(
)
[post_parent__not_in] => Array
(
)
[author__in] => Array
(
)
[author__not_in] => Array
(
)
[search_columns] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_menu_item_cache] =>
[lazy_load_term_meta] => 1
[update_post_meta_cache] => 1
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[taxonomy] => settori
[term] => sound-art-museum
[order] => DESC
)
[tax_query] => WP_Tax_Query Object
(
[queries] => Array
(
[0] => Array
(
[taxonomy] => settori
[terms] => Array
(
[0] => sound-art-museum
)
[field] => slug
[operator] => IN
[include_children] => 1
)
)
[relation] => AND
[table_aliases:protected] => Array
(
[0] => wp_term_relationships
)
[queried_terms] => Array
(
[settori] => Array
(
[terms] => Array
(
[0] => sound-art-museum
)
[field] => slug
)
)
[primary_table] => wp_posts
[primary_id_column] => ID
)
[meta_query] => WP_Meta_Query Object
(
[queries] => Array
(
)
[relation] =>
[meta_table] =>
[meta_id_column] =>
[primary_table] =>
[primary_id_column] =>
[table_aliases:protected] => Array
(
)
[clauses:protected] => Array
(
)
[has_or_relation:protected] =>
)
[date_query] =>
[queried_object] => WP_Term Object
(
[term_id] => 562
[name] => SoundArtMuseum
[slug] => sound-art-museum
[term_group] => 0
[term_taxonomy_id] => 582
[taxonomy] => settori
[description] =>
[parent] => 0
[count] => 980
[filter] => raw
)
[queried_object_id] => 562
[request] => SELECT SQL_CALC_FOUND_ROWS wp_posts.ID
FROM wp_posts LEFT JOIN wp_term_relationships ON (wp_posts.ID = wp_term_relationships.object_id) JOIN wp_icl_translations wpml_translations
ON wp_posts.ID = wpml_translations.element_id
AND wpml_translations.element_type = CONCAT('post_', wp_posts.post_type)
WHERE 1=1 AND (
wp_term_relationships.term_taxonomy_id IN (582)
) AND ((wp_posts.post_type = 'sounds' AND (wp_posts.post_status = 'publish'))) AND ( ( ( wpml_translations.language_code = 'it' OR (
wpml_translations.language_code = 'it'
AND wp_posts.post_type IN ( 'page' )
AND ( (
( SELECT COUNT(element_id)
FROM wp_icl_translations
WHERE trid = wpml_translations.trid
AND language_code = 'it'
) = 0
) OR (
( SELECT COUNT(element_id)
FROM wp_icl_translations t2
JOIN wp_posts p ON p.id = t2.element_id
WHERE t2.trid = wpml_translations.trid
AND t2.language_code = 'it'
AND (
p.post_status = 'publish' OR p.post_status = 'private' OR
( p.post_type='attachment' AND p.post_status = 'inherit' )
)
) = 0 ) )
) ) AND wp_posts.post_type IN ('post','page','attachment','wp_block','wp_template','wp_template_part','wp_navigation','mc4wp-form','projects','events','sounds' ) ) OR wp_posts.post_type NOT IN ('post','page','attachment','wp_block','wp_template','wp_template_part','wp_navigation','mc4wp-form','projects','events','sounds' ) )
GROUP BY wp_posts.ID
ORDER BY wp_posts.post_date DESC
LIMIT 0, 10
[posts] => Array
(
[0] => WP_Post Object
(
[ID] => 2428
[post_author] => 1
[post_date] => 2014-08-22 10:38:39
[post_date_gmt] => 2014-08-22 10:38:39
[post_content] => Cfr. n. Arch. 190.15 Copyright Simona Barbera 2004
[post_title] => Butterflies (track 1) [post_excerpt] => S. Barbera unisce arti visive, sperimentazione vocale. Interessata alla dimensione contemporanea della ricerca sul suono ha esteso le basi dei lavori in un percorso finalizzato soprattutto alla relazione che si crea fra spazio e suono. Ha realizzato progetti con il cinema sperimentale, teatro, danza, in Brasile, Germania, Finlandia, partecipando a concerti in diversi Festival e progetti visivi e intervenendo direttamente in edifici occupati, favelas, teatri occupati,ex fabbriche. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2428 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 129 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2460 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CD Heckle [post_title] => Senza titolo [post_excerpt] => Matteo Pittoni is Italian and born in 1976. He has a background in rock music but has worked his way through many different musical genres. At present he is especially concerned with ethnic music, and he produces sound for the theater. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2460 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 161 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 2492 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => a stone's throw….. [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2492 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 194 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2618 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => earth study song [post_excerpt] => Aaron Acosta is a graduate from the College of Santa Fe with a BA in Sound Design in Media in 2002. This is a Self Designed major that consists of studies in Theatre, Film, and Music. He enjoys designing soundscapes for theatre and film and he has many skills as far as theatre and film production. What he loves most is sound. Sound helps us interpret the world in a unique way with frequency, amplitude and time: he chooses to explore these realms. He is involved with electro acoustic composition as well as more traditional composition. He is currently working as Technical Director/ Resident Designer for Santa Fe Performing Arts. FESTIVALS. - Wave under 60, Vox Novus, New York, november 2004. - Traffic, Lunel (France) June 6th 2004, The Electrolune performance. - Traffic under 60, 60x60 concert, Vox Novus, New York, november 2003. - Reflection on "Eye of God", (2002) featured in 2003 Electric Rainbow Coalition Festival and Sixth Annual Santa Fe International Festival of Electro-Acoustic Music. - Traffic and Nebulous, performed at a special tape music reception on sept. 25 at the Santa Cruz Cayuga Vault for local audience and members of the Woodstockhausen Staff. Music copyright Aaron Acosta; all artwork + design herein is the copyright of Leona Graham: www.home.earthlink.net/~leonamae/leona.html R.G.: Aaron Acosta “frequency, amplitude and time” – archivio SAM n. 124/b,13 tracce, compl. 59’18” Lavoro musicale. Fasce elettroniche, che spesso risolvono in ritmo. Timbriche interessanti ma un po’ datate. Uso di strumenti e voci campionate, afferenti soprattutto al mondo della musica indiana (sitar, tablas, solfeggio sillabico), ma anche pianoforte acustico, zampogna, ecc. Lavoro piuttosto vario, lungo, vagamente noioso e non particolarmente innovativo, eppure non privo di un suo fascinaccio: in particolare nei momenti più estatici e “immobili” (vedi traccia 11). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => earth-study-song [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:18 [post_modified_gmt] => 2014-09-25 10:34:18 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2618 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 321 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2650 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Track 12 del CD "Canoni Pitagorici"; T. T.: 49' 41" [post_title] => Canone pitagorico 11 [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => canone-pitagorico-11 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:21 [post_modified_gmt] => 2014-09-25 10:34:21 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2650 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 355 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2683 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Blue Bell [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => blue-bell [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:24 [post_modified_gmt] => 2014-09-25 10:34:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2683 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 388 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2715 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => The concept of multiples and doubles (the theme of this CD's) and the re-cycling of the works sometimes from many years ago is a process that began in the early nineties and co-incided with three artist colony sojourns. First at Mac dowell Colony, then at Yaddo Colony and last at the Headlands center. The reflective look over an entire oeuvre became a mechanism that accelerated. At first it consisted of the Cageian gloss of playing entire works with other works, either simoultaneously on top of each other or sequentially in parts or sections. Then with digital network musics and the home computer came the text-radio works, creating new sound designs, playing them with old often ambient analog tape works. Finally the process became quite complex using simulation and photo-real aural sound soundscape in creating sonic atmospheres and doubles of all kinds. This De Chirico-like aping of former material has became quite developed and culminates in the Wave Fugue. [post_title] => Chamber LOST2 for Christian Boltanski - Chelsea Smith [post_excerpt] => Rocco Di Pietro was born in Buffalo, New York in 1949. He studied composition and piano with Hans Hagen and Lukas Foss in Buffalo and at the Berkshire Music Center, Tanglewood. He studied in New York and Darmstadt with Bruno Maderna and was a freelance composer for twenty years before earning degrees from SUNY Buffalo and Vermont College. He became an interdisciplinary adjunct professor teaching in prisons and on many college campuses throughout New York, Ohio, and California. He toured California prisons as artist-in-residence and conducted four years of interviews in Chicago with Pierre Boulez. The resulting book, DIALOGUES WITH BOULEZ, was recently published by Scarecrow Press. He composed Prison Dirges I for the Kronos String Quartet. Di Pietro's music has been performed by many musicians in venues throughout the world. These include: Christiane Edinger, Christobal Halffter, Lukas Foss, Julius Eastman, Bruno Maderna, Frances Marie Uitti, Yvar Mikhasoff, Jan Williams, Anthony Miranda, Gunther Schuller, Dennis Russell Davies, the Buffalo Philharmonic Chamber Orchestra, The Brooklyn Philharmonic, the Bavarian Radio Orchestra, Pro Musica Chamber Orchestra, CETA Orchestra, Ojai Ensemble Sonor, St. Paul Chamber Orchestra, Columbus Wind Orchestra, Earlham String Orchestra, the Avant Collective, and the Madd Lab Orchestra. Venues include: The Kitchen, La Mama, Bang On A Can Festival, in New York, Contemporary Music Society of Seoul, South Korea and American Academy in Rome among others. Recent performances of LOST have been featured at Dartmouth College and Stanford University. Recently, his work has developed on several fronts. Sound text radio works have developed simultaneously with his teaching at Columbus State College of electronic music and other courses in the Humanities. These works have been broadcast on radio stations in Seattle, Chicago, Baltimore, Detroit, New York and in Europe, in Naples, Rome, Vienna, Prague, Budapest etc. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => chamber-lost2-for-christian-boltanski-chelsea-smith [to_ping] => [pinged] => [post_modified] => 2019-07-04 13:19:29 [post_modified_gmt] => 2019-07-04 11:19:29 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2715 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 420 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2747 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Senza titolo [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => senza-titolo [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:30 [post_modified_gmt] => 2014-09-25 10:34:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2747 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 452 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2779 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => grey energy [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => grey-energy [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:56 [post_modified_gmt] => 2014-09-25 10:34:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2779 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 484 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2811 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Untitled [post_excerpt] => Pauline Oliveros, composer, performer, author and philosopher has influenced American music extensively through her works with improvisation, electronic music, teaching, myth, ritual and meditation. Her recent commissions include Ghost Dance in collaboration with Boston-based choreographer Paula Josa Jones and commissioned by Lincoln Center 1995, music for the Mabou Mines production of Lear, and Contenders for the Susan Marshall Dance Co. (Bessie Award for the music from Dance Theater Workshop in 1991). She has performed at the John F. Kennedy Center for the Performing Arts in Washington, DC, New Music America Festivals, and in countless concert halls and performance spaces worldwide. Oliveros received a $25,000 award for her work in 1995 from the Foundation for Contemporary Performance - New York City. In 1985 she founded The Pauline Oliveros Foundation, Inc., to support all aspects of the creative process for a worldwide community of artists. The foundation, under her direction (along with Co-Artistic Director and playwright Ione) most recently produced a music theater work, Njinga the Queen King, with Pauline's original music and sound. Njinga had its premiere at the Brooklyn Academy of Music in December, 1993. The Foundation is now celebrating its tenth year with a series of concerts and readings in Kingston, NY. From her early years as the first Director of the Tape Music Center at Mills College to her fourteen year term as Professor of Music at the University of California of San Diego, and from Sonic Meditations to Deep Listening, her compositions, performances and innovations have already established her place in music history. This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => untitled-12 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:59 [post_modified_gmt] => 2014-09-25 10:34:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2811 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 516 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 2428 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 190.15 Copyright Simona Barbera 2004
[post_title] => Butterflies (track 1) [post_excerpt] => S. Barbera unisce arti visive, sperimentazione vocale. Interessata alla dimensione contemporanea della ricerca sul suono ha esteso le basi dei lavori in un percorso finalizzato soprattutto alla relazione che si crea fra spazio e suono. Ha realizzato progetti con il cinema sperimentale, teatro, danza, in Brasile, Germania, Finlandia, partecipando a concerti in diversi Festival e progetti visivi e intervenendo direttamente in edifici occupati, favelas, teatri occupati,ex fabbriche. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2428 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 129 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 980 [max_num_pages] => 98 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 5f1389d758557ec2c6d9430cccc6d72b [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )
[post_title] => Butterflies (track 1) [post_excerpt] => S. Barbera unisce arti visive, sperimentazione vocale. Interessata alla dimensione contemporanea della ricerca sul suono ha esteso le basi dei lavori in un percorso finalizzato soprattutto alla relazione che si crea fra spazio e suono. Ha realizzato progetti con il cinema sperimentale, teatro, danza, in Brasile, Germania, Finlandia, partecipando a concerti in diversi Festival e progetti visivi e intervenendo direttamente in edifici occupati, favelas, teatri occupati,ex fabbriche. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2428 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 129 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2460 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CD Heckle [post_title] => Senza titolo [post_excerpt] => Matteo Pittoni is Italian and born in 1976. He has a background in rock music but has worked his way through many different musical genres. At present he is especially concerned with ethnic music, and he produces sound for the theater. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2460 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 161 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 2492 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => a stone's throw….. [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2492 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 194 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2618 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => earth study song [post_excerpt] => Aaron Acosta is a graduate from the College of Santa Fe with a BA in Sound Design in Media in 2002. This is a Self Designed major that consists of studies in Theatre, Film, and Music. He enjoys designing soundscapes for theatre and film and he has many skills as far as theatre and film production. What he loves most is sound. Sound helps us interpret the world in a unique way with frequency, amplitude and time: he chooses to explore these realms. He is involved with electro acoustic composition as well as more traditional composition. He is currently working as Technical Director/ Resident Designer for Santa Fe Performing Arts. FESTIVALS. - Wave under 60, Vox Novus, New York, november 2004. - Traffic, Lunel (France) June 6th 2004, The Electrolune performance. - Traffic under 60, 60x60 concert, Vox Novus, New York, november 2003. - Reflection on "Eye of God", (2002) featured in 2003 Electric Rainbow Coalition Festival and Sixth Annual Santa Fe International Festival of Electro-Acoustic Music. - Traffic and Nebulous, performed at a special tape music reception on sept. 25 at the Santa Cruz Cayuga Vault for local audience and members of the Woodstockhausen Staff. Music copyright Aaron Acosta; all artwork + design herein is the copyright of Leona Graham: www.home.earthlink.net/~leonamae/leona.html R.G.: Aaron Acosta “frequency, amplitude and time” – archivio SAM n. 124/b,13 tracce, compl. 59’18” Lavoro musicale. Fasce elettroniche, che spesso risolvono in ritmo. Timbriche interessanti ma un po’ datate. Uso di strumenti e voci campionate, afferenti soprattutto al mondo della musica indiana (sitar, tablas, solfeggio sillabico), ma anche pianoforte acustico, zampogna, ecc. Lavoro piuttosto vario, lungo, vagamente noioso e non particolarmente innovativo, eppure non privo di un suo fascinaccio: in particolare nei momenti più estatici e “immobili” (vedi traccia 11). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => earth-study-song [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:18 [post_modified_gmt] => 2014-09-25 10:34:18 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2618 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 321 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2650 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Track 12 del CD "Canoni Pitagorici"; T. T.: 49' 41" [post_title] => Canone pitagorico 11 [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => canone-pitagorico-11 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:21 [post_modified_gmt] => 2014-09-25 10:34:21 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2650 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 355 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2683 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Blue Bell [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => blue-bell [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:24 [post_modified_gmt] => 2014-09-25 10:34:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2683 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 388 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2715 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => The concept of multiples and doubles (the theme of this CD's) and the re-cycling of the works sometimes from many years ago is a process that began in the early nineties and co-incided with three artist colony sojourns. First at Mac dowell Colony, then at Yaddo Colony and last at the Headlands center. The reflective look over an entire oeuvre became a mechanism that accelerated. At first it consisted of the Cageian gloss of playing entire works with other works, either simoultaneously on top of each other or sequentially in parts or sections. Then with digital network musics and the home computer came the text-radio works, creating new sound designs, playing them with old often ambient analog tape works. Finally the process became quite complex using simulation and photo-real aural sound soundscape in creating sonic atmospheres and doubles of all kinds. This De Chirico-like aping of former material has became quite developed and culminates in the Wave Fugue. [post_title] => Chamber LOST2 for Christian Boltanski - Chelsea Smith [post_excerpt] => Rocco Di Pietro was born in Buffalo, New York in 1949. He studied composition and piano with Hans Hagen and Lukas Foss in Buffalo and at the Berkshire Music Center, Tanglewood. He studied in New York and Darmstadt with Bruno Maderna and was a freelance composer for twenty years before earning degrees from SUNY Buffalo and Vermont College. He became an interdisciplinary adjunct professor teaching in prisons and on many college campuses throughout New York, Ohio, and California. He toured California prisons as artist-in-residence and conducted four years of interviews in Chicago with Pierre Boulez. The resulting book, DIALOGUES WITH BOULEZ, was recently published by Scarecrow Press. He composed Prison Dirges I for the Kronos String Quartet. Di Pietro's music has been performed by many musicians in venues throughout the world. These include: Christiane Edinger, Christobal Halffter, Lukas Foss, Julius Eastman, Bruno Maderna, Frances Marie Uitti, Yvar Mikhasoff, Jan Williams, Anthony Miranda, Gunther Schuller, Dennis Russell Davies, the Buffalo Philharmonic Chamber Orchestra, The Brooklyn Philharmonic, the Bavarian Radio Orchestra, Pro Musica Chamber Orchestra, CETA Orchestra, Ojai Ensemble Sonor, St. Paul Chamber Orchestra, Columbus Wind Orchestra, Earlham String Orchestra, the Avant Collective, and the Madd Lab Orchestra. Venues include: The Kitchen, La Mama, Bang On A Can Festival, in New York, Contemporary Music Society of Seoul, South Korea and American Academy in Rome among others. Recent performances of LOST have been featured at Dartmouth College and Stanford University. Recently, his work has developed on several fronts. Sound text radio works have developed simultaneously with his teaching at Columbus State College of electronic music and other courses in the Humanities. These works have been broadcast on radio stations in Seattle, Chicago, Baltimore, Detroit, New York and in Europe, in Naples, Rome, Vienna, Prague, Budapest etc. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => chamber-lost2-for-christian-boltanski-chelsea-smith [to_ping] => [pinged] => [post_modified] => 2019-07-04 13:19:29 [post_modified_gmt] => 2019-07-04 11:19:29 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2715 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 420 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2747 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Senza titolo [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => senza-titolo [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:30 [post_modified_gmt] => 2014-09-25 10:34:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2747 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 452 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2779 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => grey energy [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => grey-energy [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:56 [post_modified_gmt] => 2014-09-25 10:34:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2779 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 484 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2811 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Untitled [post_excerpt] => Pauline Oliveros, composer, performer, author and philosopher has influenced American music extensively through her works with improvisation, electronic music, teaching, myth, ritual and meditation. Her recent commissions include Ghost Dance in collaboration with Boston-based choreographer Paula Josa Jones and commissioned by Lincoln Center 1995, music for the Mabou Mines production of Lear, and Contenders for the Susan Marshall Dance Co. (Bessie Award for the music from Dance Theater Workshop in 1991). She has performed at the John F. Kennedy Center for the Performing Arts in Washington, DC, New Music America Festivals, and in countless concert halls and performance spaces worldwide. Oliveros received a $25,000 award for her work in 1995 from the Foundation for Contemporary Performance - New York City. In 1985 she founded The Pauline Oliveros Foundation, Inc., to support all aspects of the creative process for a worldwide community of artists. The foundation, under her direction (along with Co-Artistic Director and playwright Ione) most recently produced a music theater work, Njinga the Queen King, with Pauline's original music and sound. Njinga had its premiere at the Brooklyn Academy of Music in December, 1993. The Foundation is now celebrating its tenth year with a series of concerts and readings in Kingston, NY. From her early years as the first Director of the Tape Music Center at Mills College to her fourteen year term as Professor of Music at the University of California of San Diego, and from Sonic Meditations to Deep Listening, her compositions, performances and innovations have already established her place in music history. This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => untitled-12 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:59 [post_modified_gmt] => 2014-09-25 10:34:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2811 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 516 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 2428 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 190.15 Copyright Simona Barbera 2004
[post_title] => Butterflies (track 1) [post_excerpt] => S. Barbera unisce arti visive, sperimentazione vocale. Interessata alla dimensione contemporanea della ricerca sul suono ha esteso le basi dei lavori in un percorso finalizzato soprattutto alla relazione che si crea fra spazio e suono. Ha realizzato progetti con il cinema sperimentale, teatro, danza, in Brasile, Germania, Finlandia, partecipando a concerti in diversi Festival e progetti visivi e intervenendo direttamente in edifici occupati, favelas, teatri occupati,ex fabbriche. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2428 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 129 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 980 [max_num_pages] => 98 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 5f1389d758557ec2c6d9430cccc6d72b [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )
Matteo Pittoni
Senza titolo
Jacki Apple, Julie Adler
a stone’s throw…..
Cyprian Li
Blue Bell
