Archivio Sonoro: SoundArtMuseum

WP_Query Object ( [query] => Array ( [post_type] => sounds [settori] => sound-art-museum [paged] => 93 [posts_per_page] => 10 ) [query_vars] => Array ( [post_type] => sounds [settori] => sound-art-museum [paged] => 93 [posts_per_page] => 10 [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [monthnum] => 0 [year] => 0 [w] => 0 [category_name] => [tag] => [cat] => [tag_id] => [author] => [author_name] => [feed] => [tb] => [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => [embed] => [category__in] => Array ( ) [category__not_in] => Array ( ) [category__and] => Array ( ) [post__in] => Array ( ) [post__not_in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [search_columns] => Array ( ) [ignore_sticky_posts] => [suppress_filters] => [cache_results] => 1 [update_post_term_cache] => 1 [update_menu_item_cache] => [lazy_load_term_meta] => 1 [update_post_meta_cache] => 1 [nopaging] => [comments_per_page] => 50 [no_found_rows] => [taxonomy] => settori [term] => sound-art-museum [order] => DESC ) [tax_query] => WP_Tax_Query Object ( [queries] => Array ( [0] => Array ( [taxonomy] => settori [terms] => Array ( [0] => sound-art-museum ) [field] => slug [operator] => IN [include_children] => 1 ) ) [relation] => AND [table_aliases:protected] => Array ( [0] => wp_term_relationships ) [queried_terms] => Array ( [settori] => Array ( [terms] => Array ( [0] => sound-art-museum ) [field] => slug ) ) [primary_table] => wp_posts [primary_id_column] => ID ) [meta_query] => WP_Meta_Query Object ( [queries] => Array ( ) [relation] => [meta_table] => [meta_id_column] => [primary_table] => [primary_id_column] => [table_aliases:protected] => Array ( ) [clauses:protected] => Array ( ) [has_or_relation:protected] => ) [date_query] => [queried_object] => WP_Term Object ( [term_id] => 562 [name] => SoundArtMuseum [slug] => sound-art-museum [term_group] => 0 [term_taxonomy_id] => 582 [taxonomy] => settori [description] => [parent] => 0 [count] => 980 [filter] => raw ) [queried_object_id] => 562 [request] => SELECT SQL_CALC_FOUND_ROWS wp_posts.* FROM wp_posts LEFT JOIN wp_term_relationships ON (wp_posts.ID = wp_term_relationships.object_id) JOIN wp_icl_translations wpml_translations ON wp_posts.ID = wpml_translations.element_id AND wpml_translations.element_type = CONCAT('post_', wp_posts.post_type) WHERE 1=1 AND ( wp_term_relationships.term_taxonomy_id IN (582) ) AND ((wp_posts.post_type = 'sounds' AND (wp_posts.post_status = 'publish'))) AND ( ( ( wpml_translations.language_code = 'it' OR ( wpml_translations.language_code = 'it' AND wp_posts.post_type IN ( 'page' ) AND ( ( ( SELECT COUNT(element_id) FROM wp_icl_translations WHERE trid = wpml_translations.trid AND language_code = 'it' ) = 0 ) OR ( ( SELECT COUNT(element_id) FROM wp_icl_translations t2 JOIN wp_posts p ON p.id = t2.element_id WHERE t2.trid = wpml_translations.trid AND t2.language_code = 'it' AND ( p.post_status = 'publish' OR p.post_status = 'private' OR ( p.post_type='attachment' AND p.post_status = 'inherit' ) ) ) = 0 ) ) ) ) AND wp_posts.post_type IN ('post','page','attachment','wp_block','wp_template','wp_template_part','wp_navigation','mc4wp-form','projects','events','sounds' ) ) OR wp_posts.post_type NOT IN ('post','page','attachment','wp_block','wp_template','wp_template_part','wp_navigation','mc4wp-form','projects','events','sounds' ) ) GROUP BY wp_posts.ID ORDER BY wp_posts.post_date DESC LIMIT 920, 10 [posts] => Array ( [0] => WP_Post Object ( [ID] => 2470 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => This was a performance she did in Feb. 2004 in gallery Artkichten, Amsterdam. [post_title] => An Auspicious one [post_excerpt] => Producer: Harold Verbakel [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2470 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 171 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2502 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Chaotic Morning [post_excerpt] => Heath Hanlin is an Associate Professor of Art Media Studies|Computer Art at Syracuse University in the US teaching studio and theory classes in virtuality, computer animation and digital audio. He received his BFA in sculpture from the University of Iowa and his MFA in Art and Technology at the Ohio State University. His recent work is concerned with paradoxes in virtual space, the virtual subversion of the laws of physics, and aesthetic/procedural interpretation of natural motion. Hanlin's works have shown in galleries, film festivals, conferences, bars, and parties in New York, Los Angeles, Toronto, Tokyo, Kobe and many other places. His work has also been nationally broadcast on television in the US and Europe. Dynakit is a beacon for the dry ones. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2502 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 205 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 2628 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Let it be when it is mine, to be sure [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => let-it-be-when-it-is-mine-to-be-sure [to_ping] => [pinged] => [post_modified] => 2019-07-15 15:13:05 [post_modified_gmt] => 2019-07-15 13:13:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2628 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 333 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2660 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Il brano è il track 6 di un Cd (T. T. 50' 10") dove sono raccolti alcuni lavori dell'artista. 1. un testo che illustra le occasioni e i modi di realizzazione dei brani che compongono il CD; 2. Materiale illustrativo + dvd (FC3) relativi al lavoro Lignes d'air (Orléans, 2004); 3. C.v.; 4. Materiale illustrativo del lavoro "Swell" (5/11/2004); 5.Brochure dell'istallazione"Station 3". [post_title] => Plantation [post_excerpt] => Dominique Leroy Né en 1970 aux Sables d’Olonne / Born in 1970 in Sables d’Olonne (F). Études et formation / Education: -2003-2004/ HISK (Hoger Institut voor Schone Kunsten), Antwerpen -1991-1996/ École Régionale des Beaux-Arts de Tours et de Nantes Bourses et résidences / Grants: -2003-2004/ Programme MAP, Pépinières européennes pour jeunes artistes, Mons -2002/ Résidence à Saint-Setiers, Association « Appelboom » -1999/ Aide à l’installation d’atelier, DRAC Pays de la Loire Expositions individuelles / Solo exhibitions: -2003/ Idem+Arts, Maubeuge -2002/ La Pommerie, Saint-Setiers Idem+Arts, Maubeuge Expositions de groupe et performances / Collective exhibitions and performances -2003/ W139, Amsterdam « ’été + », Mons Musée des Beaux-Arts de Mons « Station 2 », galerie 7m3, médiathèque de Mons -2002/ « Sous le soleil », Saint-Herblain Théâtre de l’Agora, Ivry -2001/ « Station1 », Journées du patrimoine, Nantes « Champ de traces et ligne de loup », galerie du Haïdouc, Bourges « Aller-retour », Nantes et Bordeaux « SBAM+ », Centre commercial Beaulieu, Nantes -2000/ « Festival des labos », musique et cinéma expérimental, Grenoble « Actif-Réactif », Le Lieu Unique, Nantes Galerie pédagogique, Collège Victor Segalen, Châteaugiron Ancienne gare SNCF, Oudon -1999/ « Un samedi soir en mouvement », Oudon Ancienne gare SNCF, Oudon [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => plantation [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:22 [post_modified_gmt] => 2014-09-25 10:34:22 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2660 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 365 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2693 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 183.60 [post_title] => His Masters Voices [post_excerpt] => Janek was born in England to Polish and Canadian parents in 1970. While studying architecture at the Royal College of Art [RCA annual prize], he recorded the fragmented noises of a sound activated dictaphone travelling overnight through the Post Office. That work, titled 'Recorded Delivery' [1995] was made for the 'Self Storage' exhibition [Time Out critics choice] with one time postman Brian Eno and Artangel. Since then the multiple aspects of sound became his focus, resulting in many releases, installations, soundtracks for exhibitions, and concerts using his self built/invented record players with electroacoutisc collage. The 'Tri-phonic Turntable' [1997] is listed in the Guinness Book of Records as the 'World's Most Versatile Record Player'. He has performed, lectured and exhibited widely throughout Europe [Sonar, Tate Modern, ICA], USA/Canada, [The Walker, XI, Mutek, Princeton], Japan, and Australia [Sydney Opera House]. The context of each idea is central to its development and resolution. His concerts and installations explore the spatial and architectural aspect that sound can evoke and the twisting of technology. Hybrid analogue and digital techniques are used to manipulate field recordings with live modified vinyl and found sound to create evocative and involving environments. His CD 'Above Buildings' [2000] was released on Fat Cat to considerable praise, [The Guardian CD of the week]. He plays in a duo with Philip Jeck ['Songs for Europe' CD] and formed 'Comae' the improvisational electroacoustic duo with Robert Hampson [Main] in 1999. Janek runs his own label [audiOh!Recordings] and web site [audiOh.com] as well as releasing work with Asphodel, Sub Rosa, Staalplaat, Hot Air, Sirr, Rhiz, Alluvial, DSP and Diskono. He currently works as a full time sound artist/sound designer/musician/visiting lecturer and composer from the audiOh! Room in London. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => his-masters-voices [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:25 [post_modified_gmt] => 2014-09-25 10:34:25 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2693 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 398 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2725 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Original music by Mino Freda; produced by Freda editing, sound engineer, mastering and mixed: Mino Freda Interventi solistici: trombone: Sergio Battista, violino: Monica Castorina, percussioni: Francesco Mendolia. Auto produzione a tiratura limitata: es. ristampa seconda serie in vendita con il catalogo della mostra da Silenzio-Distribuzione (www.silenzio-distribuzione.it) [post_title] => Aira [post_excerpt] => Mino Freda (Roma 1963), compositore, percussionista, ha svolto studi di composizione e direzione di coro presso il Conservatorio S. Cecilia di Roma. Dal 1986 al 1996 è impeganto come percussionista in complessi sinfonici e lirici, compiendo tournées in Italia e all'estero. Da qualche anno è interessato alla musica elettronica e al trattamento digitale delle fonti sonore. Nel dic.'99 ha realizzato musiche per il programma radiofonico "L'occhio magico" (Radio Rai3) dedicato a Anselm Kiefer.Ha pubblicato musiche pianistiche per la ed. musicali Domani Musica e scritto per la rivista di musica contemporanea Konsequenz aderendo a un'iniziativa promossa da Giuseppe Chiari. Ha collaborato alla realizzazione di installazioni sonore con alcuni dei più autorevoli istituti italiani di ricerca di musica elettronica come l'Istituto Gramma de L'Aquila e il CRM di Roma. Dopo gli studi in lettere, in qualità di storico dell'arte contemporanea, si è spesso interesato allo studio dei fenomeni musicali nell'ambito dell'arte contemporanea. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => aira [to_ping] => [pinged] => [post_modified] => 2019-06-13 11:22:29 [post_modified_gmt] => 2019-06-13 09:22:29 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2725 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 430 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2757 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => SST! [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sst [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:31 [post_modified_gmt] => 2014-09-25 10:34:31 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2757 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 462 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2789 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Four nights (track 3) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => four-nights-track-3 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:57 [post_modified_gmt] => 2014-09-25 10:34:57 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2789 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 494 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2821 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Songs of one, two, three, four or more Notes [post_excerpt] => Democratic, irreverent and traditionally experimental, Curran travels in a computerized covered wagon between the Golden Gate and the Tiber River, and makes music for every occasion with any sounding phenomena -- a volatile mix of lyricism and chaos, structure and indeterminacy, fog horns, fiddles and fiddle heads. He is dedicated to the restoration of dignity to the profession of making non-commercial music as part of a personal search for future social, political and spiritual forms. Curran's music-making embraces all the contradictions (composed/improvised, tonal/atonal, maximal/minimal...) in a serene dialectical encounter. His more than 100 works feature taped/sampled natural sounds, piano, synthesizers, computers, violin, percussion, shofar, ship horns, accordion and chorus. Whether in the intimate form of his well-known solo performances, or pure chamber music, experimental radio works or large-scale site-specific sound environments and installations, all forge a very personal language from all the languages through dedicated research and recombinant invention. THE MAIN STORY With a fortuitous bang, he begins his musical journey (1965 in Rome) as co-founder of the radical music collective MUSICA ELETTRONICA VIVA, as a solo performer, and as a composer for Rome's avantgarde theater scene. In the 70's, he creates a poetic series of solo works for synthesizer, voice, taped sounds and found objects. Seeking to develop new musical spaces, and now considered one of the leading figures in making music outside of the concert halls -- he develops a series of concerts for lakes, ports, parks, buildings, quarries and caves -- his natural laboratories. In the 1980's, he extends the ideas of musical geography by creating simultaneous radio concerts for three, then six large ensembles performing together from many European Capitals. By connecting digital samplers to MIDI Grands (Diskklavier) and computers, since 1987, he produces an enriched body of work -- an ideal synthesis between the concert hall and all sounding phenomena in the world. In 1990, he begins a visually striking series of sound installations, in collaboration with Melissa Gould. Throughout these years he continues to write a significant amount of music for acoustic instruments. TEACHING From 1975-80 taught vocal improvisation at the Accademia Nazionale d'Arte Drammatica (Rome) and since 1991 has been the Milhaud Professor of Composition at Mills College in Oakland, California. FORMATIVE YEARS Born December 13, 1938, Providence, Rhode Island. From five years: piano lessons, trombone, marching bands, Synagogue chants, Jazz, and his father's dance bands. Becomes an artist at age 13 in an apple tree at the house of his lifelong friend, poet Clark Coolidge. Hears Spike Jones, the Rhode Island Philharmonic, Satchmo, The Boston Symphony Orcherstra, Art Tatum, Charlie Parker, The Band of America, Thelonius Monk, Gerry Mulligan, Miles Davis, Coltrane, Bartok and Christian Wolff. Studies composition with Ron Nelson (B.A. Brown University 1960) and with Elliott Carter and Mel Powell( M.Mus., Yale School of Music l963). During summer vacations, plays European crossings with the "Brunotes" on the Holland American Line, in a Greek Dance Band in the Catskills, and in the Dunes Hotel in Las Vegas. Continues studies and friendship with Carter in Berlin (1964 Ford Foundation Grant), meets Stravinsky, Xenakis, Berio, Yuji Takahashi, Andriessen, Remo Remotti, and above all Rzewski. Goes to Darmstadt, hangs with Babbitt and Earl Brown, hears Stockhausen and Ligeti. Goes to Rome with Joel Chadabe and plays piano in bars on via Veneto, meets Franco Evangelisti and Cornelius Cardew. In the MUSICA ELETTRONICA VIVA years (1966 -1971 in Rome), performs in over 200 concerts in Europe and the USA with Teitelbaum and Rzewski, Carol Plantamura, Ivan Vandor, Alan Bryant and Jon Phetteplace; and makes significant artistic encounters with: Giuseppe Chiari, Edith Schloss, AMM, Cardew, Steve Lacy, Michelangelo Pistoletto, Steve ben Israel, Anthony Braxton, Simone Forti, Steve Reich, Joan LaBarbara, Michael Nyman, La Monte Young, Trisha Brown, Ashley, Behrman, Gordon Mumma, Alvin Lucier, Larry Austin, Bill Smith, Ketoff, Robert Moog, Nuova Consonanza, MEV2, Meme Perlini, Mario Ricci, Maria Monti, Prima Materia, Ron Bunzl, Phil Glass, Charlemagne Palestine, Terry Riley, George Lewis, Evan Parker, Gregory Reeves, Serge Tcherepnin, Kosugi, Pulsa, Maryanne Amacher, John Cage, David Tudor, Morton Feldman. Scelsi becomes his friend and mentor. PRIZES AND AWARDS Bearns Prize, BMI award, National Endowment for the Arts (twice), DAAD (Berlin residencies 1963-4 and 1986-7), Ars Acoustica International (WDR), Prix Italia (special award l988), Premio Novecento (city of Pisa), Fromm Foundation (Harvard University), Hass Family Award (San Francisco), Meet the Composer (assistance to many concerts), Leonardo Award for Excellence (1995), Guggenheim Foundation (2004). This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => songs-of-one-two-three-four-or-more-notes [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:00 [post_modified_gmt] => 2014-09-25 10:35:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2821 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 527 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2855 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Concert in O.G.I. - track 2 [post_excerpt] => ALEXEI BORISOV: 1960 - born in Moscow 1983 - graduated from Moscow State University (History) 1980-1981 - guitarist of the first Russian new wave band "The Centre" 1981-1984 - vocalist/guitarist of mod band "Prospect" 1985 - organized (with Ivan Sokolovsky) the first Russian techno-industrial band “Notchnoi Prospect”, which is active until now Since 1989 - works periodically as a DJ, first primarily on different radio stations, after mid-90’s mostly in clubs Since 1992 - member of F.R.U.I.T.S. duo (with Pavel Jagun) Since 1994 - collaborates with Finnish experimental musician Anton Nikkila Since 1995 - music for the performances of Moscow art group “Sever” Since 1997 - collaborates with sax improviser Serguei Letov (as New Russian Alternative, Gosplan trio, playing live soundtracks to classic 1920's movies etc.) Since 1997 - producer of ethno-experimental project “Volga” 1998-2000 - one of the organizers of “Electric Future” (festival of electronic music in Moscow) Since 1999 - collaborates with Moscow multimedia artist A. Chernishov and V. Efimov. 1999-2000 - performances of the live soundtrack for FW Murnau’s “Faust” (1926) (with Serguei Letov, Richardas Norvila, Oleg Lipatov) 2000 - organised with Anton Nikkila the experimental label “N&B Research Digest” (www.nbresearchdigest.com) 2000-2003 – active touring in various lineups (solo, with Anton Nikkila, F.R.U.I.T.S., Notchnoi Prospekt, Sergui Letov and Volga) in Finland (Avanto Helsinki Media Art Festival and other events), Austria (Phonotaktik festival, Prototype festival, [d]vision festival, 4020.mehr als musik festival), Germany (Burg Herzberg Open Air 2000), France (Batofar), Belgium (Nova Cinema), Ukraine (Kiev Media Art Festival 2001), Spain (Sonar 2003 in Barcelona) etc. 2003 - Participation at “Finnexport 2003” tour in Russia (feat. Pan sonic, Pink Twins, Anton Nikkila) HUH Festival 2003 (Tallinn, Estonia) 2005 - Alexei Borisov - live in Chicago (2005), live at Le Placard headphone festival (MUTEK, Montreal 2005) F.R.U.I.T.S. - live at "Details of Sound" festival (Kiev, Ukrain 2005), "RADIUS" festival (Vienna, Austria 2005), "Noise and Fury" festival at DOM (Moscow 2005), "Garage" festival (Stralsund, Germany 2005) Alexei Borisov and Adam Ebringer (Australia) live at SKIF 9 (St. Petersburg 2005) SERGEY LETOV: Sergey Letov was born in Semipalatinsk, Eastern Kazakhstan, in 1956 and then lived in Omsk, Siberia, where still lives now his brother Egor Letov. Sergey Letov resides in Moscow since 1975. First public performance as a soloist with Percussion Ensemble of Mark Pekarsky took place in The Central House of Artist in 1982 in Moscow . 1983-1993 - collaboration with Sergey Kuryokhin (duo, combo and big band POP MECHANICS). Concerts with POP-MECHANICS and Sergey Kuryokhin - all over Soviet Union, Finland, Italy, France, Denmark. Since 1986 - collaboration with the Gypsy singer Valentina Ponomareva. Duo Ponomareva-Letov performed in USSR, Switzerland. In 1985 Sergey Letov has founded winds ensemble TRI-O (Arcady Shilkloper - French horn, Arcady Kiritchenko - tuba, euphonium, vocal, later - Alexander Alexandrov - bassoon, Youri Parfenov - trumpet). TRI-O performed at almost every jazz festival in USSR, since 1988 TRI-O played in Poland, Bulgaria, Switzerland, Lithuania (Vilnius Jazz Festival), Germany, Austria, Italy, Finland, Norway, the Netherlands, USA, including such clubs as Knitting Factory, Anyway (New York), Bimhuis (Amsterdam), Moods (Zurich), Sud des Alpes (Geneva), Blue Tomato (Vienna). Sergey Letov is interested in various projects, contacts, new partnerships. Among them - German World music band EMBRYO, Danish band NEW JUNGLE ORCHESTRA (concerts in Denmark, Germany and Russia), Italian composer and bass player Enrico Fazio (concert-performance in Noci Jazz Festival, 2 CDs), singer Sainkho Namchylak, American viola and violin player LaDonna Smith (concerts in USA and Russia), American guitar player and singer Misha Feigin, Lithuanian trombonist Vitautas Pilibavicius, German trombonist and dijeridoo player Heinz-Erich Goedecke. Sergey Letov participated in happenings and performances of Moscow conceptualists - Collective Actions, later with Andrei Monastyrsky, and TOTART since 1984, with Rea Nikonova since 1995, played at many art exhibitions in the galleries in Moscow, Bremen, Berlin, Smolensk. Sergey Letov performed also with modern poets and writers: Nina Iskrenko, Dmitry Alexandrovich Prigov, Lev Rubinstein, Gennady Katsov, Nina Sadur, Andrei Bitov, Vyacheslav Kupriyanov, Sergey Birjukow, Anna Alchuk, Vladimir Druk, Tatiana Scherbina, Nikolay Baitov and Svetlana Litvak, Yulia Skorodumova, Konstantin Kedrov, Elena Katsiuba, Liudmila Hodynskaia, Erkki Lappalainen (Finland -Sweden), Marina Kniazeva, Lesya Tyshkovska. In a duo with Alexander Alexandrov he participated in the international festival MILANOPOESIA-91 (Italy). Since 2002 Sergey Letov plays in Saxophone Quartet (or sometimes trio) Russian Sax Mafia. Since 1984 Sergey Letov plays with rock and alternative bands, such as Aquarium, Centre, DK, Alissa, DDT, Vesyolye Kartinki, Doctor, Nochnoi Prospect, Atonal Syndrom, Soft Animals and Ivan Sokolovsky,Grazhdanskaya Oborona. Since 1986 Sergey Letov collaborates with actress Nika Kossenkova. In the 1988-1989 he worked in Theatre of Improvisation in Moscow, in 1990-1991 in Moscow Creative Workshops (Mikhail Mokeev), in 1989-1992 and then since 1996 in the School of Dramatic Art of Anatoly Vassiliev, in 1991-1992 in Centro Sperimentale di Teatro a Roma (Sharoo and Reza Kheradmand), in 1991-1992 with clown company "Licedei-4" in France, Taganka Theatre since 1996 - "Moscow- Petushki" and "Marat/Sade", Kinetic Theatre of Sasha Pepelaev since 1997, Saumarkt Theater in Feldkirch, Austria in 1998, Moscow Art Academic Theatre (MKhAT by A.P.Chekhov) - 1999-2000, Theatre "Chelovek" in Moscow - since 2001 - "Entre Nous". Another form of Sergey Letov' activities is composing and playing music for cinema (Aleinikov brothers, Savva Kulish, Tatiana Chivikova, Yury Zmorovich a. o.), video, Radio and TV (more than 10 movies). Since 1996 Sergey Letov and Alexei Borisov play background music for the live performances of the German movie by Friedrich Wielhelm Murnau "Faust. Eine Folksage". Sergey Letov plays soprano, tenor, baritone saxophones, bass clarinet, flute, piccolo and alto flute, kuray. DIMITRII ALEKSANDROVICH PRIGOV: Dmitry Prigov (1940, Moscow, Russia) – poet, essay writer, artist, performer. Started his creative literary and artistic activities in the late 1950s. He is the author of numerous publications in magazines, literary miscellanies, catalogues and anthologies of contemporary poetry, as well as poetry books, essays and prose, issued by Russian and foreign publishing houses, including such as: Text Publishers, New Literary Review (Moscow), Limbach Publishing House (St.Petersburg), Michigan University Press (Chicago), Indiana University Press (Bloomington), Penguin (London), Iron Press (Culler Coats), Reclam Verlag, Oberbaum Verlag, Literarische Colloquium (Berlin), Space Umano (Milan), Triptyque Poesie, LRS-AMGA (Paris) and others. Among the recent poetry books are the following ones: 50 Drops of Blood (Moscow: Argo-Risk, 1994), Emergence of verse after its death (Moscow: Text, 1995), Militiaman and Others (Moscow: Obscuri Viri, 1996), Der Milizionär und die Anderen (Leipzig: Reclam Verlag, 1992), Les flauves de la vie (Paris: Triptyque, LRS-AMGA, 1994), Soviet texts – 1979-84 (St.Petersburg: Limbach Publishing House, 1997), Written since 1990 till 1994 (Moscow: NLO, 1998). He conducted a number of solo exhibitions at the Struve Gallery (Chicago), Contemporary Art Center (Saint Louis, 1989), Krings-Ernst Gallerie (Cologne, 1991), DAAD Gallery (Berlin, 1991), Guelman Gallery (Moscow, 1994), Russian Museum (St.Petersburg, 1994), Luedwig Museum (Budapest, 1995), Krings-Ernst Gallerie (Cologne, 1995), Muelcheim Museum (Muelcheim-on-Ruhr, 1995) and others, he also conducted a number of poetry readings and lectures on contemporary Russian art and literature at Harvard, Stanford, Columbia Universities, also at Berkeley, Los Angeles, and Ohio University College and so on (USA), London and Cambridge University colleges (Great Britain), as well as at the Universities of Munich, Frankfurt, Bochum, Bremen, Heidelberg (Germany) and others. Since the midst 1980s Prigov has participated in various festivals of contemporary poetry both in Russia and abroad, including such as: Novostroyka Avant-garde Festival (London, 1988), Festival of Avant-garde Classical Music (Moscow, 1990), Milanopoesia (Milan, 1991), Brighton Art Festival (Bridgetown, 1992), Rotterdam Poetry Festival (Rotterdam, 1993) and so on. In 1984-87 he performed as a vocalist and saxophone player with the group “Middle Russian Hills,” recorded several musical albums and solo poetry readings (MC, CD-format). Since 1989 till 1993 he hosted a program on the radio “Deutsche Welle.” In 1989 a documentary film was made about the poet’s creative activities, it was called “Dmitry Prigov: Poet and Rebel” (Moscow). He acted in the feature films “Taxi Blues”(1990), “Khrustalyov, Get into the Car!”(1995). Prigov participated in more than a hundred group exhibitions both in Russia and abroad. He is a laureate of various prizes, rewards and awards, including the Pushkin Prize for literature (Topfer-Foundation and Russian PEN Club, 1994), German Academy of Art Award (1991), also First Prize winner at the Paper Biennial (Duren, 1994). Dmitry Prigov lives and works in Moscow (Russia) and Cologne (Germany). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => concert-in-o-g-i-track-2 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:03 [post_modified_gmt] => 2014-09-25 10:35:03 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2855 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 561 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 2470 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => This was a performance she did in Feb. 2004 in gallery Artkichten, Amsterdam. [post_title] => An Auspicious one [post_excerpt] => Producer: Harold Verbakel [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2470 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 171 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 980 [max_num_pages] => 98 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 0d12116de1c6287ed7b0622b3952fcfa [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )