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10:38:39 [post_content] => [post_title] => Estratto dalla performance dal vivo “kuu on taevalamp” [post_excerpt] => cd name: Alcune Composizioni by e.g.o 2001-2004 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2443 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 144 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2475 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Think don't think [post_excerpt] => Artist statement: Flávia's current work deal with setting up a relationship with the viewer by involving the viewer with something of her, and with how her intervention as a person can produce an effect in the world. Born in Brazil, Flávia completed her Associate Research Fine Art program at Goldsmiths College in 2004, where she also graduated the year previously with an MA in Fine. Between 1999 and 2002 Flávia lived in America where she received major art commissions to produce and present her artwork. Based in London since 2002, Flávia has participated in group exhibitions at Jeffrey Charles Gallery, Arch Gallery, Nth Art, and fa Projects Gallery. As part of her work, she has curated Examining My Own Practice, a group exhibition that included collaborations with Emma Kay, Jemima Stheli and four other artists concerned with performativity. Flávia also utilizes video to make her work, her project Failed, Emerging and Young is an ongoing compilation of interviews with established and emerging curators/artist-curators including Lisa Le Feuvre, Gavin Wade and Nicolas Bourriaud. The work is a subtle re-appropriation of the didactic language and the languages of documentary and interview, to subvert the art world language and the ideas of the market and art. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2475 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 176 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 2507 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => What the Apples Sound Like? [post_excerpt] => Federico Muelas is a new media artist living and working in New York. He bore in Madrid, Spain where he obtained his undergraduate degree in fine arts. In 1998 He founded d2ec creative group developing artistic and commercial pro-jects for companies and individuals, In 1999 he was granted with a scholarships to study a MFA in Computer arts at the School of visual arts, where he specia-lized in computer aided installations Having a formation both in academic fine arts and in new media technology his work ranges from audiovisual pieces to high complex installations incorpo-rating sensors and microcontrollers. From 1997 to the present his awarded work has been exhibited throughout Europe, unites States and South Ame-rica. In Federico Muelas's Art works there is an obsessive purpose to piece apart the reality he is surrounded by, in an attempt to establish correspondences among the messages of different nature we perceive by our sense organs and to reveal the chaos around us as the clum-siness to apprehend the underlying order of natural phenomena. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2507 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 210 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2633 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => A Birdsong Sampler (track 4) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-birdsong-sampler-track-4 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:19 [post_modified_gmt] => 2014-09-25 10:34:19 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2633 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 338 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2665 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Il brano è il track 11 di un Cd (T. T. 50' 10") dove sono raccolti alcuni lavori dell'artista. 1. un testo che illustra le occasioni e i modi di realizzazione dei brani che compongono il CD; 2. Materiale illustrativo + dvd (FC3) relativi al lavoro Lignes d'air (Orléans, 2004); 3. C.v.; 4. Materiale illustrativo del lavoro "Swell" (5/11/2004); 5.Brochure dell'istallazione"Station 3". [post_title] => Deux murs et des oreilles [post_excerpt] => Dominique Leroy Né en 1970 aux Sables d’Olonne / Born in 1970 in Sables d’Olonne (F). Études et formation / Education: -2003-2004/ HISK (Hoger Institut voor Schone Kunsten), Antwerpen -1991-1996/ École Régionale des Beaux-Arts de Tours et de Nantes Bourses et résidences / Grants: -2003-2004/ Programme MAP, Pépinières européennes pour jeunes artistes, Mons -2002/ Résidence à Saint-Setiers, Association « Appelboom » -1999/ Aide à l’installation d’atelier, DRAC Pays de la Loire Expositions individuelles / Solo exhibitions: -2003/ Idem+Arts, Maubeuge -2002/ La Pommerie, Saint-Setiers Idem+Arts, Maubeuge Expositions de groupe et performances / Collective exhibitions and performances -2003/ W139, Amsterdam « ’été + », Mons Musée des Beaux-Arts de Mons « Station 2 », galerie 7m3, médiathèque de Mons -2002/ « Sous le soleil », Saint-Herblain Théâtre de l’Agora, Ivry -2001/ « Station1 », Journées du patrimoine, Nantes « Champ de traces et ligne de loup », galerie du Haïdouc, Bourges « Aller-retour », Nantes et Bordeaux « SBAM+ », Centre commercial Beaulieu, Nantes -2000/ « Festival des labos », musique et cinéma expérimental, Grenoble « Actif-Réactif », Le Lieu Unique, Nantes Galerie pédagogique, Collège Victor Segalen, Châteaugiron Ancienne gare SNCF, Oudon -1999/ « Un samedi soir en mouvement », Oudon Ancienne gare SNCF, Oudon [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => deux-murs-et-des-oreilles [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:23 [post_modified_gmt] => 2014-09-25 10:34:23 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2665 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 370 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2698 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Valsuka Vaubn's "A day in the good life" [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => valsuka-vaubns-a-day-in-the-good-life [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:26 [post_modified_gmt] => 2014-09-25 10:34:26 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2698 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 403 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2709 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => The concept of multiples and doubles (the theme of this CD's) and the re-cycling of the works sometimes from many years ago is a process that began in the early nineties and co-incided with three artist colony sojourns. First at Mac dowell Colony, then at Yaddo Colony and last at the Headlands center. The reflective look over an entire oeuvre became a mechanism that accelerated. At first it consisted of the Cageian gloss of playing entire works with other works, either simoultaneously on top of each other or sequentially in parts or sections. Then with digital network musics and the home computer came the text-radio works, creating new sound designs, playing them with old often ambient analog tape works. Finally the process became quite complex using simulation and photo-real aural sound soundscape in creating sonic atmospheres and doubles of all kinds. This De Chirico-like aping of former material has became quite developed and culminates in the Wave Fugue. [post_title] => Chorale Injured Bird/Multiple [post_excerpt] => Rocco Di Pietro was born in Buffalo, New York in 1949. He studied composition and piano with Hans Hagen and Lukas Foss in Buffalo and at the Berkshire Music Center, Tanglewood. He studied in New York and Darmstadt with Bruno Maderna and was a freelance composer for twenty years before earning degrees from SUNY Buffalo and Vermont College. He became an interdisciplinary adjunct professor teaching in prisons and on many college campuses throughout New York, Ohio, and California. He toured California prisons as artist-in-residence and conducted four years of interviews in Chicago with Pierre Boulez. The resulting book, DIALOGUES WITH BOULEZ, was recently published by Scarecrow Press. He composed Prison Dirges I for the Kronos String Quartet. Di Pietro's music has been performed by many musicians in venues throughout the world. These include: Christiane Edinger, Christobal Halffter, Lukas Foss, Julius Eastman, Bruno Maderna, Frances Marie Uitti, Yvar Mikhasoff, Jan Williams, Anthony Miranda, Gunther Schuller, Dennis Russell Davies, the Buffalo Philharmonic Chamber Orchestra, The Brooklyn Philharmonic, the Bavarian Radio Orchestra, Pro Musica Chamber Orchestra, CETA Orchestra, Ojai Ensemble Sonor, St. Paul Chamber Orchestra, Columbus Wind Orchestra, Earlham String Orchestra, the Avant Collective, and the Madd Lab Orchestra. Venues include: The Kitchen, La Mama, Bang On A Can Festival, in New York, Contemporary Music Society of Seoul, South Korea and American Academy in Rome among others. Recent performances of LOST have been featured at Dartmouth College and Stanford University. Recently, his work has developed on several fronts. Sound text radio works have developed simultaneously with his teaching at Columbus State College of electronic music and other courses in the Humanities. These works have been broadcast on radio stations in Seattle, Chicago, Baltimore, Detroit, New York and in Europe, in Naples, Rome, Vienna, Prague, Budapest etc. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => chorale-injured-birdmultiple [to_ping] => [pinged] => [post_modified] => 2019-07-04 12:39:11 [post_modified_gmt] => 2019-07-04 10:39:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2709 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 414 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2741 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => As Ocean af Nerves [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => as-ocean-af-nerves [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:30 [post_modified_gmt] => 2014-09-25 10:34:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2741 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 446 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2773 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => tokyospace 4 [post_excerpt] => Cd T. T. 46' 48": selected sound tracks from Stefano Cagol's videos (1997-2004). The sound tracks can be heard without the video images. Sound, editing, post-production by Stefano Cagol. Copyright 2005 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => tokyospace-4 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:56 [post_modified_gmt] => 2014-09-25 10:34:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2773 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 478 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2805 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Johns Brook [post_excerpt] => David Gibson studied composition from Dorrance Stalvey in the early 1970's in Los Angeles. Dorrance, who was a student of and copyist for Igor Stravinski at U.C.L.A., was the program director of the Monday Evening Concert Series at the Bing Theater of the Los Angeles County Art Museum - LA's contemporary music series. Gibson's first works were played on the student portion of that series. David has scored children's theater and films, and has explored a variety of styles and compositional approaches. His first film scores were all electronic, culminating in two films which won Oscar recognition, first place at the American and Atlanta Film Festivals, and first prize at the Trieste, Italy, Film Festival awards, in 1976 and 1977. He has explored abstract symbolic scoring, jazz, serial, atonal, modal, and mathematical approaches to composition, and has recently returned to tonal and modal harmonies. Since moving to Vermont in 1979, David has spent most of his time in educational leadership positions, playing jazz, and accompanying his wife Mary (a violinist with the Vermont Symphony) in her teaching and casual performances. He recently returned to composition with Easter Cantata, a four movement work for chorus and orchestra which received its world premiere at the Stowe Community Church in the Spring of 1996, conducted by Cy Bryant. Another recent work is A Mighty Fortress, an arrangement of Martin Luther's hymn set for chorus, organ, French horn and trumpet which received its world premiere in the Fall of 1996. He is currently working on a doctorate from the University of Vermont, researching the area of complex systems; especially focusing on the potential usefulness of the mathematical foundations of complexity, fuzzy logic, and related areas for social research. Dr. David Gibson is the Director of Research at the Vermont Institutes, concentrating on partnership development and new programs, systems analysis, policy development, evaluation, higher education reform and statewide professional development planning. With the Evaluation Center, David manages the evaluation of Community Connections. David is also a leader in other state, national and international education innovation initiatives, including the National Institute for Community Innovations. His research and publications include work on complex systems analysis and modeling of education and the use of technology to personalize education for the success of all students. This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => johns-brook [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:59 [post_modified_gmt] => 2014-09-25 10:34:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2805 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 510 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 2443 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Estratto dalla performance dal vivo “kuu on taevalamp” [post_excerpt] => cd name: Alcune Composizioni by e.g.o 2001-2004 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2443 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 144 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 980 [max_num_pages] => 98 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 32eea3bda0a64339d248b147b9c9a542 [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )