Archivio Sonoro: SoundArtMuseum
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[post_content] => Raphael Lyon is American and was born in 1975. He graduated from Brown University and makes experimental music and performance art under his alias Mudboy. He is also the man behind the record company FreeMatterfortheBlind.
Raphael Lyon is a multidisciplinary artist and activist who has been living, working and performing in Providence since his graduation from Brown. His latest works, including his sixth film, Eye of the Storm, have appeared in a variety of showcases in and beyond Rhode Island. [post_title] => Psicklops [post_excerpt] => City on the Net
The listening posts of Technical Breakdown install sound art in the city, and mix it with everyday soundscapes. In the listening post City on the Net, the exhibition moves on to other cultures, other cities and countries. The cities are brought into private homes. The most comprehensive studies and far-reaching sound art projects are presented in City on the Net. All of them with long playing times and all of them exploring the social as a main theme. The unwanted, accidental, intrusive and violent sounds – the noises of the densely populated city became an art object in itself as early as 1913, with Luigi Russolo’s futuristic manifest L’arte dei Rumori (The Art of Noise). Since then, the effort to integrate real life sounds into sound art has developed in many different directions. The common denominator for this listening post is the collage form, the zapping and the cacophonic.
Psicklops should be heard in the dark. The work is an acoustic counterpart to the Dark Cinema of film, where themes from the shady sides of our culture, violence, perversions and life in the underworld make up the content. Through being anarchistic, fluttering and hard to navigate in, the work demands that the listeners let themselves be engulfed and hypnotised. The title is pronounced ‘cyclops’ and refers to the myth of the brutal, cannibalistic, one-eyed giants from the mythological underworld. The work is a collage of sound material, not from a concrete city space, but consisting of samplings of conversations and sounds from previously produced sound works, music and media clips. The conversations circle around themes like interrogation and surveillance. Lyon himself draws parallels to Franz Kafka’s The Process. The work is the first part of a series of sound theatre works. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => psicklops [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:53 [post_modified_gmt] => 2014-09-25 10:39:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4002 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1873 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 4036 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Bios-sfere [post_excerpt] => Nato a Napoli, Italia (1961). Vive e lavora a Roma.
Raphael Lyon is a multidisciplinary artist and activist who has been living, working and performing in Providence since his graduation from Brown. His latest works, including his sixth film, Eye of the Storm, have appeared in a variety of showcases in and beyond Rhode Island. [post_title] => Psicklops [post_excerpt] => City on the Net
The listening posts of Technical Breakdown install sound art in the city, and mix it with everyday soundscapes. In the listening post City on the Net, the exhibition moves on to other cultures, other cities and countries. The cities are brought into private homes. The most comprehensive studies and far-reaching sound art projects are presented in City on the Net. All of them with long playing times and all of them exploring the social as a main theme. The unwanted, accidental, intrusive and violent sounds – the noises of the densely populated city became an art object in itself as early as 1913, with Luigi Russolo’s futuristic manifest L’arte dei Rumori (The Art of Noise). Since then, the effort to integrate real life sounds into sound art has developed in many different directions. The common denominator for this listening post is the collage form, the zapping and the cacophonic.
Psicklops should be heard in the dark. The work is an acoustic counterpart to the Dark Cinema of film, where themes from the shady sides of our culture, violence, perversions and life in the underworld make up the content. Through being anarchistic, fluttering and hard to navigate in, the work demands that the listeners let themselves be engulfed and hypnotised. The title is pronounced ‘cyclops’ and refers to the myth of the brutal, cannibalistic, one-eyed giants from the mythological underworld. The work is a collage of sound material, not from a concrete city space, but consisting of samplings of conversations and sounds from previously produced sound works, music and media clips. The conversations circle around themes like interrogation and surveillance. Lyon himself draws parallels to Franz Kafka’s The Process. The work is the first part of a series of sound theatre works. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => psicklops [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:53 [post_modified_gmt] => 2014-09-25 10:39:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4002 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1873 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 980 [max_num_pages] => 98 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 5ac2017680d2f2ff5d104d21379ad99a [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )
Raphael Lyon is a multidisciplinary artist and activist who has been living, working and performing in Providence since his graduation from Brown. His latest works, including his sixth film, Eye of the Storm, have appeared in a variety of showcases in and beyond Rhode Island. [post_title] => Psicklops [post_excerpt] => City on the Net
The listening posts of Technical Breakdown install sound art in the city, and mix it with everyday soundscapes. In the listening post City on the Net, the exhibition moves on to other cultures, other cities and countries. The cities are brought into private homes. The most comprehensive studies and far-reaching sound art projects are presented in City on the Net. All of them with long playing times and all of them exploring the social as a main theme. The unwanted, accidental, intrusive and violent sounds – the noises of the densely populated city became an art object in itself as early as 1913, with Luigi Russolo’s futuristic manifest L’arte dei Rumori (The Art of Noise). Since then, the effort to integrate real life sounds into sound art has developed in many different directions. The common denominator for this listening post is the collage form, the zapping and the cacophonic.
Psicklops should be heard in the dark. The work is an acoustic counterpart to the Dark Cinema of film, where themes from the shady sides of our culture, violence, perversions and life in the underworld make up the content. Through being anarchistic, fluttering and hard to navigate in, the work demands that the listeners let themselves be engulfed and hypnotised. The title is pronounced ‘cyclops’ and refers to the myth of the brutal, cannibalistic, one-eyed giants from the mythological underworld. The work is a collage of sound material, not from a concrete city space, but consisting of samplings of conversations and sounds from previously produced sound works, music and media clips. The conversations circle around themes like interrogation and surveillance. Lyon himself draws parallels to Franz Kafka’s The Process. The work is the first part of a series of sound theatre works. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => psicklops [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:53 [post_modified_gmt] => 2014-09-25 10:39:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4002 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1873 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 4036 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Bios-sfere [post_excerpt] => Nato a Napoli, Italia (1961). Vive e lavora a Roma.
Musicista, compositore, performer, sound artist, produttore. Lavora essenzialmente su sensazioni ritmiche, dinamiche, temporali, tattili e cinetiche, utilizzando indifferentemente sia il canale sonoro che quello visivo. Inizia la sua attività professionale trasferendosi a Roma negli anni ‘90, e fonda gruppi di musica d'avanguardia e di sperimentazione.
Nel 1995 fonda i gruppi di lavoro e di ricerca sperimentale Martusciello, Ossatura, Metaxu, Zelle e Dogon: gruppi italiani che da subito si impongono sulla scena sperimentale internazionale. Con questi gruppi, collabora con artisti come: Michiko Hirayama, M.E.V. (Musica Elettronica Viva), Dagmar Krause, Tim Hodgkinson. Nel 2000 l'etichetta discografica francese Metamkine, nella collezione Cinema pour l'oreille pubblica CD Unsettled Line, una composizione di musica concreta che è stata oggetto di numerose segnalazioni internazionali ed è stata premiata al Concorso Internazionale di Musica Elettronica di S. Paulo in Brasile nel 2001. Nel 2001 è invitato in Francia per un Composer in Residence presso il Centro di Ricerca di Albi (GMEA, Groupe de Musique Electroacoustique d'Albi). Negli studi francesi del GMEA compone “Dissectio” un'opera di musica concreta. Partecipa ai maggiori festival in tutto il mondo. Nel 2003, presenta nel festival RomaEuropa2003 presso l'Auditorium Parco della Musica di Roma, nella sala Santa Cecilia, il progetto sperimentale MOV1. Il lavoro prende spunto dalla seconda Sinfonia di Mahler. MOV1 nasce in collaborazione con il pianista Danilo Rea. Progetta anche le due installazioni audiovisive: “Exceptio” commissionata dal Comune di Roma, nel suggestivo luogo delle Terme di Diocleziano, e "Fronte D'onda" . Nel 2004, sempre in Roma per la Fondazione Armellini. Numerose le collaborazioni con gruppi di arte audiovisiva, fra queste con il gruppo di cinema sperimentale Cane capovolto e Atelier MTK (Marsiglia) e Metamkine e Skoltz_Kolgen. Compone lavori per la Radio Nazionale Italiana RAI Radio Tre e per Journees Electro-Radio Days Canadese e per la televisione suonando nella trasmissione Mediamente. A Parigi, alla Villette Numérique presenta il progetto elettronico “Rumors of war” un lavoro di denuncia contro ogni tipo di guerra. E’ invitato alla Biennale Musica di Venezia presentando il progetto X-Scape. Con il compositore di musica contemporanea Giorgio Battistelli nasce il lavoro “Experimentum Mundi Remix”, che viene presentato in prima mondiale all'Auditorium Parco della Musica di Roma nella serata elettronica del Festival RomaEuropa 2004.
Nel 2005 riceve un nuovo invito dal Ministero della Cultura Francese per una composizione sul tema della "Resistenza", eseguita in novembre nella Cinémathèque de Toulouse. Lo stesso anno compone ed esegue presso l'Auditorium Parco della Musica di Roma Sala Santa Cecilia il progetto “Saunscape”, con la partecipazione di Markus Stockhausen alla tromba, Tara Bouman al clarinetto basso e Mark Nauseef alle percussioni. Un anno dopo dalla collaborazione con Enrico Ghezzi nasce un progetto performativo audio-visivo dal titolo “Fuorioraria: D(r)rive Out Of Time”, una performance realizzata in un classico "Blob Style". Nel 2007 crea il progetto Gazelab, una produzione Auditorium Parco della Musica, un progetto live in omaggio alla prestigiosa etichetta tedesca ECM. Gazelab è creato in due parti, “Works e Sguardi”, ed è una reinterpretazione, in forma elettronica audio-visiva, delle due collane antologiche Works e :rarum della ECM. A completare il progetto live, alcuni tra i migliori musicisti di area ECM: Jon Hassell, Terje Rypdal, Jon Balke, Anja Lechner, Miki N'Doye e dell’elettronica di “M2” martux & mass. Pubblica anche per l’etichetta discografica Auditorium Parco della Musica il CD “Reminiscence” con il pianista Danilo Rea. Nel 2008 gli viene commissionata un installazione dall’Auditorium Parco della Musica, nella rassegna Artist’s Corner dal titolo X-Scape 07.
E' stato curatore della programmazione di Sensoralia, rassegna di arte elettronica audiovisiva, presso il teatro Palladium di Roma dal 2003 al 2005.
Raphael Lyon is a multidisciplinary artist and activist who has been living, working and performing in Providence since his graduation from Brown. His latest works, including his sixth film, Eye of the Storm, have appeared in a variety of showcases in and beyond Rhode Island. [post_title] => Psicklops [post_excerpt] => City on the Net
The listening posts of Technical Breakdown install sound art in the city, and mix it with everyday soundscapes. In the listening post City on the Net, the exhibition moves on to other cultures, other cities and countries. The cities are brought into private homes. The most comprehensive studies and far-reaching sound art projects are presented in City on the Net. All of them with long playing times and all of them exploring the social as a main theme. The unwanted, accidental, intrusive and violent sounds – the noises of the densely populated city became an art object in itself as early as 1913, with Luigi Russolo’s futuristic manifest L’arte dei Rumori (The Art of Noise). Since then, the effort to integrate real life sounds into sound art has developed in many different directions. The common denominator for this listening post is the collage form, the zapping and the cacophonic.
Psicklops should be heard in the dark. The work is an acoustic counterpart to the Dark Cinema of film, where themes from the shady sides of our culture, violence, perversions and life in the underworld make up the content. Through being anarchistic, fluttering and hard to navigate in, the work demands that the listeners let themselves be engulfed and hypnotised. The title is pronounced ‘cyclops’ and refers to the myth of the brutal, cannibalistic, one-eyed giants from the mythological underworld. The work is a collage of sound material, not from a concrete city space, but consisting of samplings of conversations and sounds from previously produced sound works, music and media clips. The conversations circle around themes like interrogation and surveillance. Lyon himself draws parallels to Franz Kafka’s The Process. The work is the first part of a series of sound theatre works. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => psicklops [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:53 [post_modified_gmt] => 2014-09-25 10:39:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4002 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1873 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 980 [max_num_pages] => 98 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 5ac2017680d2f2ff5d104d21379ad99a [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )
Bios-sfere
2009
