Archivio Sonoro: SoundArtMuseum

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Arch. 183.19 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Etude for Victorua No.11 (fragment) [post_excerpt] => Born on August 12, 1958 in Sofia, Bulgaria. Gratuated at the Bulgarian State Academy of Music in Sofia in 1983 as a professional sound engineer and has been working as such since 1988 at the Stara Zagorabranch of the Bulgarian National radio. Participated twice at the "Muzika Nova" international festival of Contemporary Music held in Sofia. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => etude-for-victorua-no-11-fragment [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:46 [post_modified_gmt] => 2014-09-25 10:36:46 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3239 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 950 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 3271 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 183.51 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Maps and Celings [post_excerpt] => Other People Children (OPC) is about electro-future-pop, certainly swimming between the co-ordinates of lo and hi-fi. In existence since 1996, OPC has recorded various cassettes and has appeared on compilations. An upcoming 7" single and long-player are currently being devised for release on Melbourne labe, Library records. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => maps-and-celings [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:49 [post_modified_gmt] => 2014-09-25 10:36:49 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3271 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 982 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 3303 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 183.18, 184.20 ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_title] => Z.E.R.O. [post_excerpt] => Mostly Diledadafish are working as a duo. They explore new music and sounds by playing like kids who are playing with wooden cubes. First recording in 1984 - dadagraphy includes 3 cassettes, 1 LP, 32 CD's and participating in - or leading of - a lot of international projects (like "ReR Quarterly", "Pointof yucca", "Hope" CD, "Enhanced Gravity",…and many others). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => z-e-r-o [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:52 [post_modified_gmt] => 2014-09-25 10:36:52 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3303 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1015 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3335 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 183.67 ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_title] => Vertex [post_excerpt] => Born February 20, 1961. Living in Zemun, Serbia. Guitarist and co-author for several Yugoslav rock groups from 1980-1998. Worked as a sound engineer and computer programmer for various rock and artistic projects from 1988-1995. Among others, the artists include Miroslav Savic, Milimir Draskovic, Ivana Stefanovic, Natasa Bogojevic, etc. Collaborated with Zoran Simjanovic (distinguished Yugoslav film composer) as a sound engineer/computer programmer/music editor from 1990-1996. This collaboration resulted in musical scores for 11 feature films (directed by Goran Markovic, Goran Paskaljevic, Srdjan Karanovic, etc.), and over 50 TV, documentary and animated films. Worked as a NLE video editor at Cinema REX (former cultural centre of Radio B2-92) in 1998/99. During that period started collaborating with LOW-FI VIDEO Project (independent association of Serbian short film makers). Currently working with Dusan Bauk on a project entitled OUR PICTURES (soundscape/music creation and short computer animations). The project is a member of ZADRUGA (independent association of Serbian audio/visual creators) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => vertex [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:54 [post_modified_gmt] => 2014-09-25 10:36:54 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3335 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1047 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 3367 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Room Piece XI [post_excerpt] => Michael J. Schumacher is a composer, performer and installation artist from New York City. He works predominantly with electronic and digital media, specializing in computer generated sound environments which evolve continuously for long time periods. He imbues these self-creating structures with an abundance of sonic material, resulting in forms that flow through a wide range of moods, timbral combinations and textural densities. In their realization, Schumacher uses multiple speaker configurations which relate the sounds of the installation to the architecture of the exhibition space. Architectural and acoustical considerations thereby become basic structural elements. For these compositions, Schumacher has worked with instrumentalists Tim Barnes, Anthony Burr, Charles Curtis, Jane Henry, Kato Hideki, Rebecca Moore, David Shively, Peter Zummo and others, recording and manipulating their sounds. Schumacher’s sound installations have been heard at Art in General, Apex Art, PS 1, The Kitchen, the Queens Museum and Sculpture-Center in New York City, CCNOA in Brussels, the Technical University and Podewil in Berlin, the Museum for Applied Arts in Frankfurt , the Museum of Modern Art in Lyon, Triskel Intermedia in Cork, Ireland, Transmissions Festival in Chicago, SFIFEM in Sante Fe, the Waveform Festival in Sydney, Via 7 Festival in Paris, and others. Schumacher has been a close associate of the ground breaking composer La Monte Young since 1989 and has worked as a producer of events at the Dream House, Young’s and Marian Zazeela’s installation space in Tribeca. In this capacity he has produced concerts of classical Indian music as well as sound installations and concerts of contemporary music by composers associated with Young, such as Terry Jennings and Richard Maxfield. He has also worked as technical director of the Dream House and as a recording engineer at Dream House events. Since 1996, Schumacher has pioneered, first at his downtown gallery Studio Five Beekman and, since 2000, at Diapason Gallery located in midtown, sound art in New York City, by giving over 100 artists the opportunity to present, in environments with high quality multi-channel sound systems and free of outside noise, cutting edge installations with sound as their focus. He has produced premieres by David Behrman, David First, Tetsu Inoue, Ron Kuivila, Steve Roden, Marina Rosenfeld and Stephen Vitiello, to name a few. A complete listing of past presentations and upcoming events is viewable online at www.diapasongallery.org. Schumacher is a frequent collaborator with the video artist Ursula Scherrer, with whom he founded Studio Five Beekman. Their works have appeared in many festivals, including Media Test Wall at MIT in Cambridge, the Dissonanze in Rome, the 9e Biennale de l’Image en Movement in Geneva, and the BAC 36 Int’l Film and Video Festival at the Brooklyn Museum of Art. Schumacher has published six solo CDs, a duo CD with Donald Miller, and an LP with Miller and Charles Curtis. He is on the Sub Rosa anthology of noise and electronic music and the lower case 2002 compilation, as well as on an LP of remixes of music by Oren Ambarchi on the Touch label. Schumacher’s CD "Room Pieces", on the XI label, was rated best of 2003 for “modern composition” by The Wire magazine. Schumacher has lectured at Bard College, The New School, The School for Visual Arts and Juilliard. He taught electronic music at the Center for Media Arts in New York City in the mid 1980s. He has taught piano, composition, theory and ear training privately since 1983. Schumacher was awarded the prestigious Foundation for Contemporary Performance Arts Grant in 2001. He has also received awards and residencies from NYFA, Harvestworks, Rennsellaer Polytechnic Institute, Meet the Composer and others. Schumacher has degrees in music composition from Indiana University, where he won the composition prize in 1982, and the Juilliard School, where he earned the doctorate in 1988. His teachers have been Stanley Applebaum, Seymour Bernstein, Bernhard Heiden, John Eaton, John Ogden, Shigeo Neriki, La Monte Young and Vincent Persichetti. Born in 1961 in Washington, DC, he has lived in New York since 1983. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => room-piece-xi [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:14 [post_modified_gmt] => 2014-09-25 10:37:14 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3367 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1079 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 3604 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => selected by the artist for the live broadcasting of RAM at Utopia Station, 50° Biennale di Venezia [post_title] => Buenos Aires, sequenza sonora 1b [post_excerpt] => sound project [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => buenos-aires-sequenza-sonora-1b [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:38:12 [post_modified_gmt] => 2014-09-25 10:38:12 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3604 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1309 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 3828 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => on occasion of the exhibition 'Camere 6' [post_title] => You start your changing [post_excerpt] => sound of the installation of You start your changing [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => you-start-your-changing-4 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:19 [post_modified_gmt] => 2014-09-25 10:39:19 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3828 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1540 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 4026 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Il chitarrone a Mosca [post_excerpt] =>

Born in Stresa, Italy (1943). He lives in Rome.

The ideas of Emilio Prini greatly influenced the art critics of his day. He playfully uses light, photography, sound and written texts to explore the nature of experience and perception, and the relationship between reality and reproduction. In his many photographic works, the camera itself and the processes of photography are the subject of the work.

In one project he took thousands of photographs with a single camera over a period of years, until it wore out. In a similar piece he made an audio-cassette player record its own internal workings until it broke down. His series of Perimeter pieces were simple acts of theatre, intended to make the spectator physically aware of the space and boundaries of the room. For the first of these, made in 1967, neon lights were placed at the corners and centre of the gallery, activated by sound. In another work of the same year, a neon tube, cut to the size of the gallery in which it was shown, was coiled around a large wooden spool. Bent Pole, 1967, curves to fit the width of the room.

Prini is also interested in the infra-structure of the art world and its mechanisms. Five spots of Light on Europe, 1967-8, for example, is a map highlighting key cities in the European art world. In other map works he has marked the location of both real and imaginary projects.

Between 1967and 1971 Prini participated at all the major exhibition of the period and then he decided to his presence in the art world. In the last years, he had exhibited in the majors museum in Europe and USA; among the others: Fermi customs,Ancienne Douane of Strasbourg in 1995, Documenta X in Kassel in 1997,  Arte Povera at the Tate in London in 2001 and his "tour" in American.

[post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => il-chitarrone-a-mosca [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:55 [post_modified_gmt] => 2014-09-25 10:39:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4026 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1897 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 4073 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Globalgroove nasce alla fine degli anni novanta da un’idea di Michele Andreoni e Fabio Toffolo. Inizialmente l’interesse si rivolge al web con il sito www.globalgroove.it , una pubblicazione on-line al limite tra arte e advertising. In seguito il progetto ha ampliato il suo raggio d'azione con pittura, fotografia, collage, campionamenti audio e progetti editoriali. [post_title] => Elevator 666 [post_excerpt] => Spectrograms è un diario noir in formato microfilm. Dalla marcetta meccanica di Altenberg Maschinen al funk psichedelico di Bill In Whitfield Touch, vengono attraversati in modo obliquo generi e stili musicali come ambient, art rock, elettronica, torch song, hip hop. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => elevator-666 [to_ping] => [pinged] => [post_modified] => 2019-08-08 11:37:13 [post_modified_gmt] => 2019-08-08 09:37:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4073 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1946 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 3206 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Every [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => every [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:22 [post_modified_gmt] => 2014-09-25 10:36:22 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3206 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 917 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 980 [max_num_pages] => 98 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => d05ee7d9f4f93c2321319cd79629c488 [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )