WP_Query Object ( [query] => Array ( [post_type] => sounds [settori] => sound-art-museum [paged] => 54 [posts_per_page] => 10 ) [query_vars] => Array ( [post_type] => sounds [settori] => sound-art-museum [paged] => 54 [posts_per_page] => 10 [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [monthnum] => 0 [year] => 0 [w] => 0 [category_name] => [tag] => [cat] => [tag_id] => [author] => [author_name] => [feed] => [tb] => [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => [embed] => [category__in] => Array ( ) [category__not_in] => Array ( ) [category__and] => Array ( ) [post__in] => Array ( ) [post__not_in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [search_columns] => Array ( ) [ignore_sticky_posts] => [suppress_filters] => [cache_results] => 1 [update_post_term_cache] => 1 [update_menu_item_cache] => [lazy_load_term_meta] => 1 [update_post_meta_cache] => 1 [nopaging] => [comments_per_page] => 50 [no_found_rows] => [taxonomy] => settori [term] => sound-art-museum [order] => DESC ) [tax_query] => WP_Tax_Query Object ( [queries] => Array ( [0] => Array ( [taxonomy] => settori [terms] => Array ( [0] => sound-art-museum ) [field] => slug [operator] => IN [include_children] => 1 ) ) [relation] => AND [table_aliases:protected] => Array ( [0] => wp_term_relationships ) [queried_terms] => Array ( [settori] => Array ( [terms] => Array ( [0] => sound-art-museum ) [field] => slug ) ) [primary_table] => wp_posts [primary_id_column] => ID ) [meta_query] => WP_Meta_Query Object ( [queries] => Array ( ) [relation] => [meta_table] => [meta_id_column] => [primary_table] => [primary_id_column] => [table_aliases:protected] => Array ( ) [clauses:protected] => Array ( ) [has_or_relation:protected] => ) [date_query] => [queried_object] => WP_Term Object ( [term_id] => 562 [name] => SoundArtMuseum [slug] => sound-art-museum [term_group] => 0 [term_taxonomy_id] => 582 [taxonomy] => settori [description] => [parent] => 0 [count] => 980 [filter] => raw ) [queried_object_id] => 562 [request] => SELECT SQL_CALC_FOUND_ROWS wp_posts.* FROM wp_posts LEFT JOIN wp_term_relationships ON (wp_posts.ID = wp_term_relationships.object_id) JOIN wp_icl_translations wpml_translations ON wp_posts.ID = wpml_translations.element_id AND wpml_translations.element_type = CONCAT('post_', wp_posts.post_type) WHERE 1=1 AND ( wp_term_relationships.term_taxonomy_id IN (582) ) AND ((wp_posts.post_type = 'sounds' AND (wp_posts.post_status = 'publish'))) AND ( ( ( wpml_translations.language_code = 'it' OR ( wpml_translations.language_code = 'it' AND wp_posts.post_type IN ( 'page' ) AND ( ( ( SELECT COUNT(element_id) FROM wp_icl_translations WHERE trid = wpml_translations.trid AND language_code = 'it' ) = 0 ) OR ( ( SELECT COUNT(element_id) FROM wp_icl_translations t2 JOIN wp_posts p ON p.id = t2.element_id WHERE t2.trid = wpml_translations.trid AND t2.language_code = 'it' AND ( p.post_status = 'publish' OR p.post_status = 'private' OR ( p.post_type='attachment' AND p.post_status = 'inherit' ) ) ) = 0 ) ) ) ) AND wp_posts.post_type IN ('post','page','attachment','wp_block','wp_template','wp_template_part','wp_navigation','mc4wp-form','projects','events','sounds' ) ) OR wp_posts.post_type NOT IN ('post','page','attachment','wp_block','wp_template','wp_template_part','wp_navigation','mc4wp-form','projects','events','sounds' ) ) GROUP BY wp_posts.ID ORDER BY wp_posts.post_date DESC LIMIT 530, 10 [posts] => Array ( [0] => WP_Post Object ( [ID] => 4008 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Con il singhiozzo [post_excerpt] => Nato/ Born in 1982 a/in Cremona. Vive e lavora a / Lives and works in Cremona e / and Berlin. Principali mostre personali / Selected Solo Exhibitions 2008 Time Code con / with Shona Illingworth a cura di / curated by Fabiola Naldi e / and Alessandra Pioselli – MAMbo, Museo d’Arte Moderna e Contemporanea Bologna 2006 Riccardo Benassi – Endless denial of Service, Galerie Davide Gallo, Berlin 2005 Decline Decadenza Tour! - Visita all'Ex-zona archelogica Ex-Feltrinelli, a cura di / curated by F. Pagliuca, CRAC – Centro Ricerca Arte Contemporanea, Cremona [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => con-il-singhiozzo [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:53 [post_modified_gmt] => 2014-09-25 10:39:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4008 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1879 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 4042 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Nato a Southend-on-sea, Inghilterra (1982). Vive e lavora tra Stoccolma e Londra. Con le sue energiche performances Tris Vonna-Michell aggiunge un nuovo tassello alla lunga tradizione del racconto. I suoi sono racconti non-lineari come d’altraparte le performance che accompagnano il racconto. Racconto e azione vengono sviluppate in parallelo e di tanto in tanto si intrecciano. Egli inserisce i propri racconti all’interno di installazioni appositamente concepite in cui si mescolano proiezioni, testi e oggetti. Il pubblico è trasportato in un lungo viaggio fisico e mentale, attraverso il quale gli oggetti all’interno della galleria acquisiscono ulteriori e nuovi significati. Le sue sono storie al limite tra la realtà e la finzione. L’incredibile rapidità con cui si esprime e la sconcertante ritmica dei suoi racconti diventano una composizione vocale astratta. L’uso del suono disvela il complesso rapporto tra parola e lingua, tra equilibrio e squilibrio, illusione e disillusione. La sua pratica è temporanea e i suoi racconti accadono una sola volta ed in modo del tutto spontaneo, influenzati dal contesto nel quale avvengono. Storie, immagini e situazioni sono in continuo divenire. La sua pratica artistica mostra tracce degli esperimenti vocali dai primi anni ‘20, come quelle di  Kurt Schwitters e delle forme di Spoken Word degli anni Sessanta di Allen Ginsberg e William S. Burroughs Premi e Riconoscimenti: Nel 2008 ha ricevuto i seguenti premi: Bâloise Art Prize (2Statements Art 39 Basel, con T293, Napoli, e l’Ars Viva Prize, 08, 09. [post_title] => Condensed Flashback: Eating an Apple [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => condensed-flashback-eating-an-apple [to_ping] => [pinged] => [post_modified] => 2015-01-08 18:23:43 [post_modified_gmt] => 2015-01-08 17:23:43 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4042 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1913 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 4138 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => RAM radioartemobile e Radio PicNic presentano DHRUVA HOVERING IN THE ROME SKY un progetto di Alexandre Joly in collaborazione con Jonathan Frigeri 21 Aprile 2013 HELICOTREMA Festival dell'Audio Registrato MACRO Roma [post_title] => DHRUVA HOVERING IN THE ROME SKY [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => dhruva-hovering-in-the-rome-sky [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:40:20 [post_modified_gmt] => 2014-09-25 10:40:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4138 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 2012 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2439 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Allegro per piano su lettore CD (Fryderyk Chopin) [post_excerpt] => cd name: Alcune Composizioni by e.g.o 2001-2004 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2439 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 140 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2471 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => If only I must, if only you were, if only pf course [post_excerpt] => C.P.: CLAIRE HOPE “If only”, n. archivio 92 una voce femminile con accento britannico snocciola una serie di frammenti “banali” come fossero presi da frasi nel mezzo a conversazioni qualunque: “I know I shouldn’t...”Of course, if possible...” “I must tell you...”, “Go, go, go...”, “If only...”, “If only you were here tonight” ecc. ecc. ascoltando cresce la sensazione che la voce si rivolga ad un partner che non risponde, che non c’è, che non è come lei lo vorrebbe. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2471 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 172 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2503 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Eric Moe (b. 1954), composer of what the NY Times calls "music of winning exuberance", has received numerous grants and awards for his work, including the Lakond Award from the American Academy of Arts and Letters and a Guggenheim Fellowship; commissions from the Pittsburgh Symphony Orchestra, the Fromm Foundation, the Koussevitzky Foundation, the Barlow Endowment, and Meet-the-Composer USA; fellowships from the Wellesley Composer's Conference and the Pennsylvania Council on the Arts; and residencies at the MacDowell Colony, Yaddo, Bellagio, the Virginia Center for the Creative Arts, the Millay Colony, the Ragdale Foundation, the Montana Artists Refuge, the Carson McCullers Center for Writers and Musicians, and the American Dance Festival.

     His sit-trag/one-woman opera Tri-Stan was hailed by the New York Times in 2005 as “a blockbuster” and “a tour de force”, a work of “inspired weight” that “subversively inscribe[s] classical music into pop culture”. In its review of the piece, the Pittsburgh Post-Gazette concluded, “it is one of those rare works that transcends the cultural divide while still being rooted in both sides.” The work is now available on a Koch International Classics compact disc. Other all-Moe CDs are available on Albany Records (Kicking and Screaming, Up & At ‘Em, Siren Songs), and Centaur (On the Tip of My Tongue). The Sienese Shredder, a fine arts journal, includes an all-Moe CD as part of its just-published third issue. Strange Exclaiming Music, a CD featuring Moe’s most recent chamber music, will be released soon by Naxos.

     Also a pianist and keyboard player, Moe has premiered and performed works by a wide variety of composers, from Anthony Davis to Stefan Wolpe. His playing can be heard on the Koch, CRI, Mode, Albany, and AK/Coburg labels in the music of John Cage, Roger Zahab, Marc-Antonio Consoli, Mathew Rosenblum, Jay Reise, and Felix Draeseke, in addition to his own. His solo recording The Waltz Project Revisited - New Waltzes for Piano, a CD of waltzes for piano by two generations of American composers, was recently released on Albany. Gramophone magazine says in its review of the CD, “Moe’s command of the varied styles is nothing short of remarkable.” A founding member of the San Francisco-based EARPLAY ensemble, he currently co-directs the Music on the Edge new music concert series in Pittsburgh.

            Moe studied composition at Princeton University (A.B.) and at the University of California at Berkeley (M.A., Ph.D.). He is currently Professor of Composition and Theory at the University of Pittsburgh and has held visiting professorships at Princeton University and the University of Pennsylvania. More information is available at his website, <www.ericmoe.net>. [post_title] => Mouth Music [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2503 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 206 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2629 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => ! [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 2629 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:19 [post_modified_gmt] => 2014-09-25 10:34:19 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2629 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 334 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2661 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Il brano è il track 7 di un Cd (T. T. 50' 10") dove sono raccolti alcuni lavori dell'artista. 1. un testo che illustra le occasioni e i modi di realizzazione dei brani che compongono il CD; 2. Materiale illustrativo + dvd (FC3) relativi al lavoro Lignes d'air (Orléans, 2004); 3. C.v.; 4. Materiale illustrativo del lavoro "Swell" (5/11/2004); 5.Brochure dell'istallazione"Station 3". [post_title] => Prothèses pour microphone [post_excerpt] => Dominique Leroy Né en 1970 aux Sables d’Olonne / Born in 1970 in Sables d’Olonne (F). Études et formation / Education: -2003-2004/ HISK (Hoger Institut voor Schone Kunsten), Antwerpen -1991-1996/ École Régionale des Beaux-Arts de Tours et de Nantes Bourses et résidences / Grants: -2003-2004/ Programme MAP, Pépinières européennes pour jeunes artistes, Mons -2002/ Résidence à Saint-Setiers, Association « Appelboom » -1999/ Aide à l’installation d’atelier, DRAC Pays de la Loire Expositions individuelles / Solo exhibitions: -2003/ Idem+Arts, Maubeuge -2002/ La Pommerie, Saint-Setiers Idem+Arts, Maubeuge Expositions de groupe et performances / Collective exhibitions and performances -2003/ W139, Amsterdam « ’été + », Mons Musée des Beaux-Arts de Mons « Station 2 », galerie 7m3, médiathèque de Mons -2002/ « Sous le soleil », Saint-Herblain Théâtre de l’Agora, Ivry -2001/ « Station1 », Journées du patrimoine, Nantes « Champ de traces et ligne de loup », galerie du Haïdouc, Bourges « Aller-retour », Nantes et Bordeaux « SBAM+ », Centre commercial Beaulieu, Nantes -2000/ « Festival des labos », musique et cinéma expérimental, Grenoble « Actif-Réactif », Le Lieu Unique, Nantes Galerie pédagogique, Collège Victor Segalen, Châteaugiron Ancienne gare SNCF, Oudon -1999/ « Un samedi soir en mouvement », Oudon Ancienne gare SNCF, Oudon [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => protheses-pour-microphone [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:22 [post_modified_gmt] => 2014-09-25 10:34:22 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2661 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 366 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2694 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Recorded Delivery (5min edit) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => recorded-delivery-5min-edit [to_ping] => [pinged] => [post_modified] => 2019-07-16 16:18:17 [post_modified_gmt] => 2019-07-16 14:18:17 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2694 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 399 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2726 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Original music by Mino Freda; produced by Freda editing, sound engineer, mastering and mixed: Mino Freda Interventi solistici: trombone: Sergio Battista, violino: Monica Castorina, percussioni: Francesco Mendolia. Auto produzione a tiratura limitata: es. ristampa seconda serie in vendita con il catalogo della mostra da Silenzio-Distribuzione (www.silenzio-distribuzione.it) [post_title] => Crudele Dardanio [post_excerpt] => Mino Freda (Roma 1963), compositore,percussionista, ha svolto studi di composizione e direzione di coro presso il Conservatorio S. Cecilia di Roma. Dal 1986 al 1996 è impeganto come percussionista in complessi sinfonici e lirici, compiendo tournées in Italia e all'estero. Da qualche anno è interessato alla musica elettronica e al trattamento digitale delle fonti sonore. Nel dic.'99 ha realizzato musiche per il programma radiofonico "L'occhio magico" (Radio Rai3) dedicato a Anselm Kiefer.Ha pubblicato musiche pianistiche per la ed. musicali Domani Musica e scritto per la rivista di musica contemporanea Konsequenz aderendo a un'iniziativa promossa da Giuseppe Chiari. Ha collaborato alla realizzazione di installazioni sonore con alcuni dei più autorevoli istituti italiani di ricerca di musica elettronica come l'Istituto Gramma de L'Aquila e il CRM di Roma. Dopo gli studi in lettere, in qualità di storico dell'arte contemporanea, si è spesso interesato allo studio dei fenomeni musicali nell'ambito dell'arte contemporanea. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => crudele-dardanio [to_ping] => [pinged] => [post_modified] => 2019-06-13 11:26:07 [post_modified_gmt] => 2019-06-13 09:26:07 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2726 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 431 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 4008 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Con il singhiozzo [post_excerpt] => Nato/ Born in 1982 a/in Cremona. Vive e lavora a / Lives and works in Cremona e / and Berlin. Principali mostre personali / Selected Solo Exhibitions 2008 Time Code con / with Shona Illingworth a cura di / curated by Fabiola Naldi e / and Alessandra Pioselli – MAMbo, Museo d’Arte Moderna e Contemporanea Bologna 2006 Riccardo Benassi – Endless denial of Service, Galerie Davide Gallo, Berlin 2005 Decline Decadenza Tour! - Visita all'Ex-zona archelogica Ex-Feltrinelli, a cura di / curated by F. Pagliuca, CRAC – Centro Ricerca Arte Contemporanea, Cremona [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => con-il-singhiozzo [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:53 [post_modified_gmt] => 2014-09-25 10:39:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4008 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1879 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 980 [max_num_pages] => 98 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 9e9f31857d2c25d8fff056308f3e92e8 [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )
!

Ann Lislegaard

!