Archivio Sonoro: SoundArtMuseum

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Arch. 190.15 Copyright Simona Barbera 2004 [post_title] => Butterflies (track 2) [post_excerpt] => S. Barbera unisce arti visive, sperimentazione vocale. Interessata alla dimensione contemporanea della ricerca sul suono ha esteso le basi dei lavori in un percorso finalizzato soprattutto alla relazione che si crea fra spazio e suono. Ha realizzato progetti con il cinema sperimentale, teatro, danza, in Brasile, Germania, Finlandia, partecipando a concerti in diversi Festival e progetti visivi e intervenendo direttamente in edifici occupati, favelas, teatri occupati,ex fabbriche. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2429 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 130 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2461 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Works by Rolf Großmann [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2461 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 162 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 2493 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Installation/ performance: 35 mm projector, "licht swalloing device", beamer, 3 turntables. Dust, collecting the light beam of a film projector, is being recorded by a video camera. The light beam is being absorbed by a velvet "light bag", therefore the projection itself is invisible. [post_title] => Aufzeichnungen im Kellerloch [post_excerpt] => Achim Mohné born September 17th 1964 2004 Convocation to Deutsche Fotografische Akademie Artist in residence @ Castle Trebesice, Prag 2003 Artist in residence @ The Center for Land Use Interpretation, Los Angeles Teachership at Academy of Art Münster 2003 Kunststiftung Nordrheinwestfalen Grant 2001 Nomination for ZKM Award (Zentrum für Kunst und Medien Technologie, Karlsruhe) 2000 Villa Aurora Fellowship, Los Angeles 1999 Chargesheimer Fellowship, City of Cologne (autopsi) 1998 Bremer Videoförderpreis Award 1997 Hermann Claasen Award for creative photography & media art Masterdegree (Postgraduated) in Audio Visual Arts at Academy of Media Arts, Cologne (s. c. l.) 1994 Degree in Communication Design, University of Essen [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2493 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 195 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2619 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => phone calls [post_excerpt] => Aaron Acosta is a graduate from the College of Santa Fe with a BA in Sound Design in Media in 2002. This is a Self Designed major that consists of studies in Theatre, Film, and Music. He enjoys designing soundscapes for theatre and film and he has many skills as far as theatre and film production. What he loves most is sound. Sound helps us interpret the world in a unique way with frequency, amplitude and time: he chooses to explore these realms. He is involved with electro acoustic composition as well as more traditional composition. He is currently working as Technical Director/ Resident Designer for Santa Fe Performing Arts. FESTIVALS. - Wave under 60, Vox Novus, New York, november 2004. - Traffic, Lunel (France) June 6th 2004, The Electrolune performance. - Traffic under 60, 60x60 concert, Vox Novus, New York, november 2003. - Reflection on "Eye of God", (2002) featured in 2003 Electric Rainbow Coalition Festival and Sixth Annual Santa Fe International Festival of Electro-Acoustic Music. - Traffic and Nebulous, performed at a special tape music reception on sept. 25 at the Santa Cruz Cayuga Vault for local audience and members of the Woodstockhausen Staff. Music copyright Aaron Acosta; all artwork + design herein is the copyright of Leona Graham: www.home.earthlink.net/~leonamae/leona.html R.G.: Aaron Acosta “frequency, amplitude and time” – archivio SAM n. 124/b,13 tracce, compl. 59’18” Lavoro musicale. Fasce elettroniche, che spesso risolvono in ritmo. Timbriche interessanti ma un po’ datate. Uso di strumenti e voci campionate, afferenti soprattutto al mondo della musica indiana (sitar, tablas, solfeggio sillabico), ma anche pianoforte acustico, zampogna, ecc. Lavoro piuttosto vario, lungo, vagamente noioso e non particolarmente innovativo, eppure non privo di un suo fascinaccio: in particolare nei momenti più estatici e “immobili” (vedi traccia 11). 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T.: 49' 41" [post_title] => Canone pitagorico 12 [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => canone-pitagorico-12 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:21 [post_modified_gmt] => 2014-09-25 10:34:21 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2651 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 356 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2684 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Bagderdance [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => bagderdance [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:24 [post_modified_gmt] => 2014-09-25 10:34:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2684 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 389 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2716 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => The concept of multiples and doubles (the theme of this CD's) and the re-cycling of the works sometimes from many years ago is a process that began in the early nineties and co-incided with three artist colony sojourns. First at Mac dowell Colony, then at Yaddo Colony and last at the Headlands center. The reflective look over an entire oeuvre became a mechanism that accelerated. At first it consisted of the Cageian gloss of playing entire works with other works, either simoultaneously on top of each other or sequentially in parts or sections. Then with digital network musics and the home computer came the text-radio works, creating new sound designs, playing them with old often ambient analog tape works. Finally the process became quite complex using simulation and photo-real aural sound soundscape in creating sonic atmospheres and doubles of all kinds. This De Chirico-like aping of former material has became quite developed and culminates in the Wave Fugue. [post_title] => Chamber LOST2 for Christian Boltanski - Shaun Hornbeck [post_excerpt] => Rocco Di Pietro was born in Buffalo, New York in 1949. He studied composition and piano with Hans Hagen and Lukas Foss in Buffalo and at the Berkshire Music Center, Tanglewood. He studied in New York and Darmstadt with Bruno Maderna and was a freelance composer for twenty years before earning degrees from SUNY Buffalo and Vermont College. He became an interdisciplinary adjunct professor teaching in prisons and on many college campuses throughout New York, Ohio, and California. He toured California prisons as artist-in-residence and conducted four years of interviews in Chicago with Pierre Boulez. The resulting book, DIALOGUES WITH BOULEZ, was recently published by Scarecrow Press. He composed Prison Dirges I for the Kronos String Quartet. Di Pietro's music has been performed by many musicians in venues throughout the world. These include: Christiane Edinger, Christobal Halffter, Lukas Foss, Julius Eastman, Bruno Maderna, Frances Marie Uitti, Yvar Mikhasoff, Jan Williams, Anthony Miranda, Gunther Schuller, Dennis Russell Davies, the Buffalo Philharmonic Chamber Orchestra, The Brooklyn Philharmonic, the Bavarian Radio Orchestra, Pro Musica Chamber Orchestra, CETA Orchestra, Ojai Ensemble Sonor, St. Paul Chamber Orchestra, Columbus Wind Orchestra, Earlham String Orchestra, the Avant Collective, and the Madd Lab Orchestra. Venues include: The Kitchen, La Mama, Bang On A Can Festival, in New York, Contemporary Music Society of Seoul, South Korea and American Academy in Rome among others. Recent performances of LOST have been featured at Dartmouth College and Stanford University. Recently, his work has developed on several fronts. Sound text radio works have developed simultaneously with his teaching at Columbus State College of electronic music and other courses in the Humanities. These works have been broadcast on radio stations in Seattle, Chicago, Baltimore, Detroit, New York and in Europe, in Naples, Rome, Vienna, Prague, Budapest etc. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => chamber-lost2-for-christian-boltanski-saun-hornbeck [to_ping] => [pinged] => [post_modified] => 2019-07-04 13:20:10 [post_modified_gmt] => 2019-07-04 11:20:10 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2716 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 421 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2748 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Yellow Inferno - part 2 [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => yellow-inferno-part-2 [to_ping] => [pinged] => [post_modified] => 2019-06-12 15:10:00 [post_modified_gmt] => 2019-06-12 13:10:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2748 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 453 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2780 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => sistemi [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sistemi [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:56 [post_modified_gmt] => 2014-09-25 10:34:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2780 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 485 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2812 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Bowing [post_excerpt] => THE ORCHESTRA OF EXCITED STRINGS was founded by composer Arnold Dreyblatt in New York City in 1979 and has been based in Berlin since 1984. "Animal Magnetism", their latest CD, has been produced by John Zorn for his Zadik label in New York. The ensemble has performed throughout East and West Europe as well as in the States at numerous festivals, museums, galleries and other music venues. ARNOLD DREYBLATT has developed a unique and original approach to composition and performance. He has invented a set of new and original instruments, performance techniques, and a system of tuning. Working closely with his ensemble, THE ORCHESTRA OF EXCITED STRINGS; and in various other musical and theatrical projects; he creates a music with exciting rhythms and rich textures - an exploration of the potential inherent in the natural overtone series. ARNOLD DREYBLATT'S compositions involve a re-thinking of sound making tools. Modified and newly created acoustic instruments are utilized for specific timbral effect and perform in an unusual tuning system. Traditional and non-traditional percussion instruments accentuate the rhythmic character of the music. The musicians of "The Orchestra of Excited Strings" come from vastly varied musical backgrounds and interests. In common is a sensitivity for an approach to music making, sonority and hearing which Dreyblatt has been developing together with musicians over the last fifteen years. All the members of the ensemble contribute to this music with their own ideas and performance techniques, gradually forming an individual musical role within the ensemble dynamic. Just as this music essentially exists only in performance, so the combined acoustic effect results from a sum which is greater than its parts. The Instruments and tuning: The "cimbalom" is a rebuilt and restrung pre-war chinese children's piano which is played here horizontally with hand held hammers. The electric guitar has built-in magnetic driver-sustainers for each string and new frets have been installed in a just intonation. The "Basque string drum" is a acoustic guitar outfitted with snares and which is played percussively with sticks. It is functionally a copy of a traditional Basque instrument. The bass violin is adapted with unwound steel wire (the "excited strings") and is beaten with a bass bow. These instruments, along with the traditional string and wind instruments, perform in the just intoned microtonal scale derived from the overtone series with which he has composed since the late seventies. This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => bowing [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:59 [post_modified_gmt] => 2014-09-25 10:34:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2812 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 517 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 2429 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. n. Arch. 190.15 Copyright Simona Barbera 2004 [post_title] => Butterflies (track 2) [post_excerpt] => S. Barbera unisce arti visive, sperimentazione vocale. Interessata alla dimensione contemporanea della ricerca sul suono ha esteso le basi dei lavori in un percorso finalizzato soprattutto alla relazione che si crea fra spazio e suono. Ha realizzato progetti con il cinema sperimentale, teatro, danza, in Brasile, Germania, Finlandia, partecipando a concerti in diversi Festival e progetti visivi e intervenendo direttamente in edifici occupati, favelas, teatri occupati,ex fabbriche. 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