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He is one of the world's leading recorders of wildlife and natural phenomena, and for Touch he edits his field recordings into a filmic narrative. For example. The unearthly groaning of ice in an Icelandic glacier is a classic example of, in Watson's words, putting a microphone where you can't put your ears. He was born in Sheffield where he attended Rowlinson School and Stannington College (now part of Sheffield College). In 1971 he was a founding member of the influential Sheffield-based experimental music group Cabaret Voltaire. His sound recording career began in 1981 when he joined Tyne Tees Television. Since then he has developed a particular and passionate interest in recording the wildlife sounds of animals, habitats and atmospheres from around the world. As a freelance recordist for film, tv & radio, Chris Watson specialises in natural history and documentary location sound together with track assembly and sound design in post production. [post_title] => Cima Verde [post_excerpt] => Daniela Cascella e Lucia Farinati invited him to create a work for Sound Threshold, a project that explore the relationship between sound and landscape, art and acoustic. Watson lived in residence in the Center for Alpine Ecology in Monte Bondone, Italy, to create 'Cima Verde'. Watson è stato ospitato in residenza presso il Centro di Ecologia Alpina del Monte Bondone - sopra Trento - dove ha realizzato Cima Verde Dosso d'Abramo, Cornetto e Cima Verde. Sulle tre cime del Monte Bondone soffia il vento; cristalli di ghiaccio, vapori acquei e variazioni di pressione si uniscono ogni anno in una danza, ne profondo blu del cielo. Questo è suono che diventa luce. Giuù per i pendii alpini attraverso pascoli d'alta quota e dentro le foreste, una montagna congelata di suono si scioglie da un blocco monolitico, in una distesa ordinata di sette stadi, atraverso tremila metri di habitat acustici senza uguali. Forme e musica, ritmo e suono, una serie di erformance rituali per orecchie animali. Chris Watson, 16 maggio 2008 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => cima-verde [to_ping] => [pinged] => [post_modified] => 2015-09-25 10:33:40 [post_modified_gmt] => 2015-09-25 08:33:40 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4006 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1877 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 4039 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] =>

Brandon LaBelle is a sound artist and writer from Los Angeles. Working in the field of sound- performance- and installation-art since 1992, LaBelle's work aims to draw attention to the dynamics of sound as it is found within spaces and objects, public events and interactions, language and the body. Through a performative interaction with objects, found-sound, and minimal electronics, the work draws attention to the quality and nature of what is already there through an emphasis on and displacement of listening and interaction, as a technological and architectural glitch. LaBelle's interest in site-specificity reflects a desire to consider the relationships and tensions between art and a broader social environment.

His work has been featured in "Bitstreams" at the Whitney Museum, in "Amplitude of Chance" at Kawasaki City Museum Japan, at the 9th International Symposium of Electronic Arts in Liverpool and Manchester, Sampling Rage Festival in Berlin, the ICA London, Experimental Intermedia in New York, the Arizona State University Museum, and as part of "Sound as Media" at ICC in Tokyo. He is also the co-editor of "Site of Sound: of Architecture and The Ear" and "Writing Aloud: The Sonics of Language", both published by Errant Bodies, and curator of the Beyond Music Series at Beyond Baroque Center, Los Angeles CA. His work has been released on the SELEKTION, Fringes Recordings, Ground Fault, and La Bruit Secret labels.

[post_title] => diagram of a private space [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => diagram-of-a-private-space [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:56 [post_modified_gmt] => 2014-09-25 10:39:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4039 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1910 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 4085 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Words 2 [post_excerpt] => 9 cd da ascoltare contemporaneamente [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => words-2 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:40:00 [post_modified_gmt] => 2014-09-25 10:40:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4085 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1959 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2437 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Robert Vincent [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2437 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 138 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2469 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Ironia della sorte [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2469 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 170 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2501 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Sleep [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2501 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 204 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2627 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Aaron Acosta “frequency, amplitude and time” – archivio SAM n. 124/b,13 tracce, compl. 59’18” Lavoro musicale. Fasce elettroniche, che spesso risolvono in ritmo. Timbriche interessanti ma un po’ datate. Uso di strumenti e voci campionate, afferenti soprattutto al mondo della musica indiana (sitar, tablas, solfeggio sillabico), ma anche pianoforte acustico, zampogna, ecc. Lavoro piuttosto vario, lungo, vagamente noioso e non particolarmente innovativo, eppure non privo di un suo fascino: in particolare nei momenti più estatici e “immobili” (vedi traccia 11). [post_title] => fire study song [post_excerpt] => Aaron Acosta is a graduate from the College of Santa Fe with a BA in Sound Design in Media in 2002. This is a Self Designed major that consists of studies in Theatre, Film, and Music. He enjoys designing soundscapes for theatre and film and he has many skills as far as theatre and film production. What he loves most is sound. Sound helps us interpret the world in a unique way with frequency, amplitude and time: he chooses to explore these realms. He is involved with electro acoustic composition as well as more traditional composition. He is currently working as Technical Director/ Resident Designer for Santa Fe Performing Arts. FESTIVALS. - Wave under 60, Vox Novus, New York, november 2004. - Traffic, Lunel (France) June 6th 2004, The Electrolune performance. - Traffic under 60, 60x60 concert, Vox Novus, New York, november 2003. - Reflection on "Eye of God", (2002) featured in 2003 Electric Rainbow Coalition Festival and Sixth Annual Santa Fe International Festival of Electro-Acoustic Music. - Traffic and Nebulous, performed at a special tape music reception on sept. 25 at the Santa Cruz Cayuga Vault for local audience and members of the Woodstockhausen Staff. Music copyright Aaron Acosta; all artwork + design herein is the copyright of Leona Graham: www.home.earthlink.net/~leonamae/leona.html R.G.: [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => fire-study-song [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:19 [post_modified_gmt] => 2014-09-25 10:34:19 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2627 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 330 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 2659 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Il brano è il track 5 di un Cd (T. T. 50' 10") dove sono raccolti alcuni lavori dell'artista. 1. un testo che illustra le occasioni e i modi di realizzazione dei brani che compongono il CD; 2. Materiale illustrativo + dvd (FC3) relativi al lavoro Lignes d'air (Orléans, 2004); 3. C.v.; 4. Materiale illustrativo del lavoro "Swell" (5/11/2004); 5.Brochure dell'istallazione"Station 3". [post_title] => Portes [post_excerpt] => Dominique Leroy Né en 1970 aux Sables d’Olonne / Born in 1970 in Sables d’Olonne (F). Études et formation / Education: -2003-2004/ HISK (Hoger Institut voor Schone Kunsten), Antwerpen -1991-1996/ École Régionale des Beaux-Arts de Tours et de Nantes Bourses et résidences / Grants: -2003-2004/ Programme MAP, Pépinières européennes pour jeunes artistes, Mons -2002/ Résidence à Saint-Setiers, Association « Appelboom » -1999/ Aide à l’installation d’atelier, DRAC Pays de la Loire Expositions individuelles / Solo exhibitions: -2003/ Idem+Arts, Maubeuge -2002/ La Pommerie, Saint-Setiers Idem+Arts, Maubeuge Expositions de groupe et performances / Collective exhibitions and performances -2003/ W139, Amsterdam « ’été + », Mons Musée des Beaux-Arts de Mons « Station 2 », galerie 7m3, médiathèque de Mons -2002/ « Sous le soleil », Saint-Herblain Théâtre de l’Agora, Ivry -2001/ « Station1 », Journées du patrimoine, Nantes « Champ de traces et ligne de loup », galerie du Haïdouc, Bourges « Aller-retour », Nantes et Bordeaux « SBAM+ », Centre commercial Beaulieu, Nantes -2000/ « Festival des labos », musique et cinéma expérimental, Grenoble « Actif-Réactif », Le Lieu Unique, Nantes Galerie pédagogique, Collège Victor Segalen, Châteaugiron Ancienne gare SNCF, Oudon -1999/ « Un samedi soir en mouvement », Oudon Ancienne gare SNCF, Oudon [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => portes [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:22 [post_modified_gmt] => 2014-09-25 10:34:22 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2659 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 364 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2692 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Controcorrente mix [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => controcorrente-mix [to_ping] => [pinged] => [post_modified] => 2019-07-16 15:05:25 [post_modified_gmt] => 2019-07-16 13:05:25 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2692 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 397 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2735 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => "Corredi" (track 5) [post_excerpt] => intervista in cui diverse persone raccontano aneddoti che riguardano i propri vestiti&hellip.Raccontato in dialetto [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => corredi-track-5 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:30 [post_modified_gmt] => 2014-09-25 10:34:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2735 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 440 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 4006 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Chris Watson is an english artist and sound recordist. He is one of the world's leading recorders of wildlife and natural phenomena, and for Touch he edits his field recordings into a filmic narrative. For example. The unearthly groaning of ice in an Icelandic glacier is a classic example of, in Watson's words, putting a microphone where you can't put your ears. He was born in Sheffield where he attended Rowlinson School and Stannington College (now part of Sheffield College). In 1971 he was a founding member of the influential Sheffield-based experimental music group Cabaret Voltaire. His sound recording career began in 1981 when he joined Tyne Tees Television. Since then he has developed a particular and passionate interest in recording the wildlife sounds of animals, habitats and atmospheres from around the world. As a freelance recordist for film, tv & radio, Chris Watson specialises in natural history and documentary location sound together with track assembly and sound design in post production. [post_title] => Cima Verde [post_excerpt] => Daniela Cascella e Lucia Farinati invited him to create a work for Sound Threshold, a project that explore the relationship between sound and landscape, art and acoustic. Watson lived in residence in the Center for Alpine Ecology in Monte Bondone, Italy, to create 'Cima Verde'. Watson è stato ospitato in residenza presso il Centro di Ecologia Alpina del Monte Bondone - sopra Trento - dove ha realizzato Cima Verde Dosso d'Abramo, Cornetto e Cima Verde. Sulle tre cime del Monte Bondone soffia il vento; cristalli di ghiaccio, vapori acquei e variazioni di pressione si uniscono ogni anno in una danza, ne profondo blu del cielo. Questo è suono che diventa luce. Giuù per i pendii alpini attraverso pascoli d'alta quota e dentro le foreste, una montagna congelata di suono si scioglie da un blocco monolitico, in una distesa ordinata di sette stadi, atraverso tremila metri di habitat acustici senza uguali. Forme e musica, ritmo e suono, una serie di erformance rituali per orecchie animali. 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