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And previous pieces: Little Music .. - 1999, Little Litany - 2002, Little Chronicles - 2005. [post_title] => The guile of the Prince [post_excerpt] => ZBIGNIEW PENHERSKI, composer, born January 26, 1935 in Warsaw, Poland. Studied composition with B. Poradowski at the State Academy of Music [PWSM] in Poznan (1955-56), followed by studies with Tadeusz Szeligowski in Warsaw (1956-59). Penherski has also studied conducting under Bohdan Wodiczko (1960-63). Holder of a Dutch government scholarship, studied at the Institute of Sonology in Utrecht (1969). Prize winner of composition competition such as: Grzegorz Fitelberg Competition (1964) for Musica humana; Artur Malawski Competition (1976) for Masurian Chronicles [Kroniki Mazurskie]; Composing Competition in Gdansk (1992) for Cantus; Polish Radio Competition (1995) for Genesis. Honorary citizen of Kragujevac in Yugoslavia, Russe in Bulgaria, and Ho-Chi-Minh in Vietnam. Awarded the Silver Cross of Merit (1975) and the Award of the Prime Minister of Poland, for works for children and youth (1982). Member of Stage Artist and Composers' Association [ZAIKS] since 1961, Polish Composers' Union [ZKP] since 1963, Polish Contemporary Music Association [PTMW], Warsaw Music Society [WTM]. Honorary member of the Scottish Society of Composers (1987). Penherski's music has been performed in Poland and abroad, including Austria, Belgium, Denmark, France, Germany, Great Britain, Italy, Korea, Mexico, the Netherlands, Norway, the Soviet Union and USA. LITERATURE: - Polish Opera and Ballet of the Twentieth Century, PWM, Kraków 1986 - Who is Who in Poland, Interpress, Warszawa 1989 - Chomiński Józef The Music of Polish People’s Republic [Muzyka Polski Ludowej], PWN, Warszawa 1968 - Hanuszewska Mieczysława, Schaeffer Bogusław Almanac of Present Polish Composers [Almanach polskich kompozytorów współczesnych], PWM, Kraków 1982 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-guile-of-the-prince [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:48 [post_modified_gmt] => 2014-09-25 10:35:48 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3046 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 754 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 3111 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => 3M-HI - The Music for Tape [post_excerpt] => ZBIGNIEW PENHERSKI, composer, born January 26, 1935 in Warsaw, Poland. Studied composition with B. Poradowski at the State Academy of Music [PWSM] in Poznan (1955-56), followed by studies with Tadeusz Szeligowski in Warsaw (1956-59). Penherski has also studied conducting under Bohdan Wodiczko (1960-63). Holder of a Dutch government scholarship, studied at the Institute of Sonology in Utrecht (1969). Prize winner of composition competition such as: Grzegorz Fitelberg Competition (1964) for Musica humana; Artur Malawski Competition (1976) for Masurian Chronicles [Kroniki Mazurskie]; Composing Competition in Gdansk (1992) for Cantus; Polish Radio Competition (1995) for Genesis. Honorary citizen of Kragujevac in Yugoslavia, Russe in Bulgaria, and Ho-Chi-Minh in Vietnam. Awarded the Silver Cross of Merit (1975) and the Award of the Prime Minister of Poland, for works for children and youth (1982). Member of Stage Artist and Composers' Association [ZAIKS] since 1961, Polish Composers' Union [ZKP] since 1963, Polish Contemporary Music Association [PTMW], Warsaw Music Society [WTM]. Honorary member of the Scottish Society of Composers (1987). Penherski's music has been performed in Poland and abroad, including Austria, Belgium, Denmark, France, Germany, Great Britain, Italy, Korea, Mexico, the Netherlands, Norway, the Soviet Union and USA. LITERATURE: - Polish Opera and Ballet of the Twentieth Century, PWM, Kraków 1986 - Who is Who in Poland, Interpress, Warszawa 1989 - Chomiński Józef The Music of Polish People’s Republic [Muzyka Polski Ludowej], PWN, Warszawa 1968 - Hanuszewska Mieczysława, Schaeffer Bogusław Almanac of Present Polish Composers [Almanach polskich kompozytorów współczesnych], PWM, Kraków 1982 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 3m-hi-the-music-for-tape [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:14 [post_modified_gmt] => 2014-09-25 10:36:14 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3111 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 820 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3143 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 183.28, 184.33, 185.23 [post_title] => Mouche [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. 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Arch. 184.59 [post_title] => Hope Springs [post_excerpt] => Rob Rowlands is a Sound sculptor/ generative sound artist, involved in Doctoral research at Liverpool John Moores University. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hope-springs [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:22 [post_modified_gmt] => 2014-09-25 10:36:22 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3208 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 919 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 3240 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. n. Arch. 183.20 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Sound [post_excerpt] => Alaric Sumner (1952-2000) was a writer and performer of distinction and astonishing invention, an artist, an editor, critic and educator. A one time Writer in Residence at the Tate Gallery, St Ives, latterly he had lectured in Performance Writing at Dartington College of Arts in UK, where he was also undertaking doctoral research. He was editor and co-founder of words worth (Journal of Language Arts) and founder and editor of words worth books. In addition, he edited the Writing and Performance section of PAJ = 61 which includes an interview with Reedy and work by Reedy, Upton, Cheek and Bergvall, was UK Associate Editor of Masthead Literary Arts Magazine (edited by Alison Croggan in Melbourne, Australia), and the Sound/Text section of the Fall 1999 Issue of Riding the Meridian. His performance work has been presented throughout Europe and North America. Of particular note, the prize-winning Voices (for 9) was performed at the Royal Court Theatre, London, in 1994. His collaboration with Joseph Hyde, Nekyia (for speaker, singer, electroacoustics and video) toured during 1999-2000. Its last scheduled performance took place at Nunnery Gallery in London, shortly after Sumner's death, with Joseph Hyde and Steve Halfyard (singer) and with Lawrence Upton taking the place of Sumner as speaker. Hyde presented a recorded version of Nekyia at the later as celebration at Dartington. The Unspeakable Rooms (a collaboration with Rory McDermott funded by the Arts Council of England) was described by Frank Green in the Cleveland Free Times as "one of the most powerful performances I've ever witnessed, and I've attended hundreds - a difficult masterpiece". His collaborations with sound artist John Levack Drever have been broadcast and performed in concerts around the world and published on CDs from ISEA and Doc(k)s. Joseph Hyde used Alaric's texts from Nekyia in his CDRom work for Performance Research. Dr John Levack Drever, Lecturer, studied Music at the University of Wales, Bangor, followed by a Master study in Electroacoustic Music Composition at the University of East Anglia. In 2001 he was awarded a PhD from Dartington College of Arts, titled 'Phonographies: Practical and Theoretical Explorations into Composing with Disembodied Sound'. Prior to coming to Goldsmiths he was a visiting lecturer in Visual Arts, Media Arts and Media Lab Arts at the University of Plymouth, lectured on Electroacoustic composition at Exeter University and tutored on a wide range of interdisciplinary courses at Dartington College of Arts. From 2000 to 2002 he was a Research Assistant for the Digital Crowd, University of Plymouth, co-ordinating Sounding Dartmoor, a public soundscape study of Dartmoor (www.sounding.org.uk). He is a co-founder and director of the UK and Ireland Soundscape Community (affiliated to the World Forum for Acoustic Ecology), for whom he chaired Sound Practice: the 1st UKISC Conference on sound, culture and environments, and is an elected director of Sonic Arts Network. From 2003-04 he was an ACE/AHRB Arts and Science Research Fellow with Centre for Computational Creativity, Department of Computing, City University, exploring electronic music performance interfaces that learn from their users. He regularly presents his work internationally in a wide range of contexts including concert hall, radio, Internet, cathedral, catwalk, ice cream van, classroom, fine art gallery, theatre, dance, video and for specific sites. Much of his work is collaborative working with Alice Oswald, Alaric Sumner, Lawrence Upton, Louise K. Wilson, Tony Lopez, Tony Whitehead and Blind Ditch, and has a special interest in human utterance and environmental sound. He has twice won a prize in the annual Musica Nova competition, Prague. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sound [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:46 [post_modified_gmt] => 2014-09-25 10:36:46 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3240 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 951 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 3251 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR. nn. Arch. 182.a, 183.28, 185.23 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Heart_Bit_T_Race_Lape_One [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. Thomas J. Schroffenegger is a composer, musician, designer, commercial artist and teacher. Both previously played in the same punk band ten years ago. Today they work together again especially to create this piece for Trace. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => heart_bit_t_race_lape_one [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:47 [post_modified_gmt] => 2014-09-25 10:36:47 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3251 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 962 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 3283 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 183.64, 185.44 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Grinding # 8 [post_excerpt] => Stylus is the pseudonym of the reclusive experimentalist Dafydd Morgan. In April 1997 he released the track "Kinski" (a tribute to Klaus Kinski) on a 10" split record with the band Longstone. "A lengthy, multi-layered piece of electronica, taking in vintage Cluster and 90's digi-dub", as The Wire found out. In 1998 he was part of The Serpents, a collaboration of artists on Ochre Records and Cradiff based Ankst Records (including David Wrench, Skyray, Will Sergeant of Echo & The Bunnymen, Ectogram, Longstone, Rheinhallt H. Rowlands, The Anglesey Ambient Experiment, Zoe Skoulding and Môr) which released their debut 7" single No Mask, No Cloak, Dim Gobaith on 18 May 1998. On 24 June 1998 his track "Paradise Ranch" was broadcast on "The John Peel Show". About "Glass Dream 1", released in November 1998 on the first INFRASONIC WAVES-EP-sampler, the Record Collector wrote: "Stylus put Baudelaire to a throbbing psychedelic backdrop"... Stylus now has forthcoming tracks appearing on Liquefaction Empire, Oggum and Space Age compilations. 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Sound

John Levack Drever, Alaric Sumner

Sound

1999