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Travelling a thematic path, this 17 cut compilation, selected from six of her major performance, installation, video and radio works from 1980-1991, is a journey accross the American landscape spanning three decades. Filled with a pervasive sense of loss, this series of aural snapshots gazes bacward into the past from different vantage points as it speeds forward into a precarious and sometimes ominous future. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-messenger [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:39 [post_modified_gmt] => 2014-09-25 10:35:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2949 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 656 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2981 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Senza titolo [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => senza-titolo-8 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:42 [post_modified_gmt] => 2014-09-25 10:35:42 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2981 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 688 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 3023 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => the B [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-b [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:45 [post_modified_gmt] => 2014-09-25 10:35:45 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3023 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 730 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 3078 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Broken memory [post_excerpt] => Andres Aguirre Salazar Date and place of Birth: January 7, 1977. Bogota’ Colombia. Live and work in Venice, Italy STUDIES 1996-2001 Degree in architecture Piloto de Colombia University Bogota - Colombia 2001-2002 Photography Colombo-French Alleance Institute Bogota – Colombia Art History Art Gallery Athena Bogota - Colombia 2002-2005 Specialization Degree on Visual Arts,Art and Design Faculty, IUAV University, Venice – Italy EXHIBITIONS 2005. 89th Collective Exhibition for Joung Artists, Gallery Bevilaqua La Masa, Piazza San Marco. Venice, Italy.Curated by Angela Vettese. (Price winner). 2005. TRANSMISSION. Plaza Market, Venice, Italy. Curated by progettozeropiu’. 2004. 88th Collective Exhibition for Joung Artists, Gallery Bevilaqua La Masa, Piazza San Marco. Venice, Italy. Curated by Angela Vettese. 2004. Sound Art Museum, Roma, Italy. Curated by Nomads and Residents and RAM (Radio Arte Mobile). 2004. Cartografia resistente (Resistent Cartography), ELETTRO+. Florence, Italy. Curated by ogi:noknauss. 2004. EUROPAN, Architetture e Strategie di Trasformazione Urbana (Architecture and Strategies of Urban Transformation). Venice, Italy. 2004. TRANSMISSION : RADIO COOPERATIVA – FM 92,7. Friuli, Italy. Curated by progettozeropiu’. 2004. T.V. street “qualsiasi (tv)”, BASE Gallery / Progetti per l’arte. Florence, Italy. Curated by Rirkrit Tiravanija. 2003. talk show-dialoghi in mostra, VIAFARINI Gallery, Milano, Italy. Curated by Hans Ulrich Obrist. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => broken-memory [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:12 [post_modified_gmt] => 2014-09-25 10:36:12 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3078 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 787 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 3121 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => release [post_excerpt] => Yann Novak was born in Madison, WI in 1979. At an early age, he became interested in the worlds of both music and visual art. He developed his primary medium, collage, via pieces which combined found photographs with his own drawings, and prerecorded LPs with loops and live instruments. In the 1990s, Novak performed and exhibited his work throughout the vibrant Madison café art scene. In 2000, Novak moved to Seattle and refined his methods, trading in turntables and vinyl records for a Mini Disc recorder and a laptop, in order to achieve a more in-depth style of production. Novak has released set of 5 limited edition 3-inch CDs “Three Inches for Friends”. In addition, he has produced two film soundtracks, for “Leaning” (which he also produced), and “Neptune” (produced by Brian Murphy). Both movies premiered at the Seattle Lesbian and Gay Film Festival, in 2003 and 2004, respectively. He was recently included on the compilation “People Doing Strange Things With Electricity” curated by Dorkbot-sea and released by Comfort Stand Records, and was Commissioned by the Crispen Spaeth Dance Group to score there full length piece “Fade”. Novak’s work has withstood a series of changes in method while always retaining and refining the strengths of his unique aesthetic, exploring the overlap and intersection between presence and absence, art and design, sound and music. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => release [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:15 [post_modified_gmt] => 2014-09-25 10:36:15 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3121 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 830 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 3153 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Cfr. nn. Arch. 184.3, 185.3 [post_title] => Hope under the weather [post_excerpt] => Steven Ball, a Master's degree graduate of the University of Michigan School of Music, holds the unique distinction of being the first organist in modern academic history to have proven his abilities as a performer on both the classical and theater organ. Mr. Ball has concertized and lectured around the world including solo performances and silent film presentations in the Netherlands, Germany, Belgium, France, Portugal, Ireland, England and Switzerland. He was also the recipient of a Fulbright Scholarship to the Netherlands in 2001 for his work in the world of Campanology and Carillon Performance. His unique perspective, energy, improvisatory abilities and performance style have kept audiences in theatres on the edge of their seats and have generated a new and unexpected excitement about the future of this instrument in America and elsewhere. Mr. Ball is currently Staff Organist at the Michigan Theater in Ann Arbor, MI and organist at Plymouth Congregational Church in Lansing, MI where he can be heard on a regular basis. He also plays the carillons at the University of Michigan. A specialist in the rare and almost vanished art of live silent film accompaniment, Mr. Ball has participated in numerous festivals over years. Working with original instruments, materials and music he has either composed, arranged, re-created, performed and/or improvised scores for countless films both in solo performance and with orchestra. These have ranged from the familiar to the obscure. Just to name a few from recent seasons: -The Phantom of the Opera -Metropolis -The Hunchback of Notre Dame -Judith of Bethelia -Sunrise -One Week -The Shiek -Steamboat Bill Jr. -Nosferatu -He Who Gets Slapped -Amarilly of Clothes-line Alley -Faust (The Damnation of) -Cops -Steamboat Bill Jr. -His Marriage Vow -Bring Up Baby -IT -The Lamb -Our Hospitality -Habeas Corpus Mr. Ball will be appearing in various theater sponsored film events throughout the 2005-2006 season at the Michigan Theater and was also recently featured on National Public Radio's nationally syndicated program Pipedreams (program # 0447 11/22/2004). You can listen to this show on their online audio archives for free by going to www.pipedreams.publicradio.org [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hope-under-the-weather [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:17 [post_modified_gmt] => 2014-09-25 10:36:17 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3153 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 863 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 3185 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => CFR: n. Arch. 184.39 [post_title] => Oh! Hum (hopefully) [post_excerpt] => Val Klassen is a video artist based in Winnipeg, Canada. She has collaborated with audio artist John Coutanche (Ireland) on a series of Humming Experiments, which have included studio recordings, live participatory performances and webcasts, videos, and a limited edition CD. Humming Experiments explores the spontaneous creation of music in groups. Since 1996, they have experimented with the act and sound of humming through participatory performances, recordings, and attempts at long distance interactive connections via telephony, telepathy, radio and internet technology. John Coutanche was born in St. James, Manitoba. He studied Radio and Television Arts at Ryerson College in Toronto. He has worked as a radio producer and manager for the CBC in Toronto, Halifax and then in Winnipeg, where he currently works as an independent producer-editor-writer. 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Spent childhood watching Bill and Ben on the telly, reading the Dandy and the Beano and listening to a brown vulcanite Rediffusion radio on a shelf in the kitchen. Left school at 15, bought an electric guitar - wired it up to his cheap record player. TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => liverpool-leipzig-zeichen [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:36:47 [post_modified_gmt] => 2014-09-25 10:36:47 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3250 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 961 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 3282 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Timetraces [post_excerpt] => Andrea Sodomka was born in 1961 in Vienna, Austria. She obtained diplomas from the Academy of Music (Institute of Electroacoustics), Vienn (1987) and the Academy of Applied arts, Vienna (1989). From 1991-1995 she was President of Society of Electroacoustic Music, Austria and since 1996 a member of the Artist'Assocation Wiener Secession. Andrea sodomka works in the realms of intermedia, installation, sound art, net, art, radio art, video and photography. TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). 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Travelling a thematic path, this 17 cut compilation, selected from six of her major performance, installation, video and radio works from 1980-1991, is a journey accross the American landscape spanning three decades. Filled with a pervasive sense of loss, this series of aural snapshots gazes bacward into the past from different vantage points as it speeds forward into a precarious and sometimes ominous future. 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