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10:38:39 [post_content] => [post_title] => "Corredi" (track 4) [post_excerpt] => intervista in cui diverse persone raccontano aneddoti che riguardano i propri vestiti&hellip.Raccontato in dialetto [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => corredi-track-4 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:29 [post_modified_gmt] => 2014-09-25 10:34:29 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2734 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 439 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2766 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Ascoltami (track 9) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ascoltami-track-9 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:55 [post_modified_gmt] => 2014-09-25 10:34:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2766 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 471 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 2798 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Soundcheck [post_excerpt] => Paul Panhuysen (1934, Borgharen) studied painting and monumental design at the Jan van Eyck Academy in Maastricht from 1954 till 1959. At the same time, he studied art sociology at the University of Utrecht. Following that, he was, successively, the director of the Fine Arts Academy in Leeuwarden; and a curator and head of education and public relations for the Den Haag City Museum and for the Van Abbe Museum in Eindhoven. In addition, he continued to paint and make collages. In 1965 he founded the artist group "De Bende van de Blauwe Hand." This group, which was closely related to Fluxus, presented exhibitions, environments and happenings in museums and galleries. Starting in 1965, he presented "situations" meant to involve the audience, and in 1968, he started the Maciunas Quartet, who are still making experimental music. In the early seventies, Panhuysen worked as an advisory artist with urban development teams and develo .dped systematic ordering systems and mathematical series that he has continued to use in his work as an artist. In addition, Panhuysen's work shows a predilection for found objects and the element of chance. To an increasing degree, Panhuysen has been concentrating on sound art, which has come to occupy an important place in his visual art work. He has presented his Long String Installations, which are played in concerts personally and in exhibitions as automats,worldwide since 1982: a.o. in Boston, Washington D.C., Dresden, Berlin, Hannover, Linz, Ferrara, Barcelona, Lodz, Warsaw, Moskow, Paris, New Yor .èk, San Francisco, Tokyo, Kobe, Kyoto, Lyon, Rome, Prague and Mexico-city. These installations are set-up in indoor or outdoor spaces for anywhere from 1 to 40 days. They utilize the site specific properties and architectural prospects of the location. " Singing the World of Existence " Musee d'art Contemporain, Lyon, France, 1998 Since 1989 Panhuysen developes artworks in which he confronts the audience with the creativity, intelligence and communicational skills of animals, especially of birds. In 1980, Panhuysen founded Het Apollohuis, and since then till 1997, he has been the director of this internationally oriented podium where artists from divergent disciplines can present their work. In 1996 he received the Cultural Award of Noord-Brabant and in1998 he became Companion of the Order of the Dutch Lion. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => soundcheck [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:58 [post_modified_gmt] => 2014-09-25 10:34:58 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2798 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 503 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 2830 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => "Waterloo 2" - Rhys Chatham [post_excerpt] => Founded in 1970 by Petr Kotik, S.E.M. Ensemble is dedicated to the performance and advancement of new music. Kotik established The Orchestra of the S.E.M. Ensemble in 1992, with its Carnegie Hall performance of “A Tribute to John Cage.” Since this concert, SEM Orchestra has toured Europe five times and, in 1997, performed at the Toru Takemitsu Memorial Concert in Tokyo. In New York, the orchestra has presented major concerts at Alice Tully Hall, Merkin Concert Hall, the Winter Garden of the World Financial Center, and Willow Place Auditorium in Brooklyn. SEM Orchestra has released recordings on Wergo, Asphodel, and Dog w/a Bone labels. Since 1999 S.E.M. has been collaborating with the Janacek Philharmonic Orchestra, one of the 5 major orchestras of the Czech Republic. Together they have created a repertoire of works for 3 orchestras, which includes Gruppen by Karlheinz Stockhausen, Nest by Martin Smolka, Modules I,II,III by Earle Brown, and Diamonds by Alvin Lucier. These pieces were performed at the Prague Spring Festival, the Warsaw Autumn Festival and the Ostrava Days 2001 Festival, featuring the Orchestra of the S.E.M. Ensemble, the Janacek Philharmonic Orchestra, and conductors Petr Kotik, Christian Arming, and Zsolt Nagy. Over the past ten years, the repertoire of SEM has included compositions by Brown, Wolff, Lucier, Cage, Feldman, Kotik, Phil Niblock, Somei Satoh, Roscoe Mitchell, Henry Threadgill, Muhal Richard Abrams, Leroy Jenkins, Robin Haller, and Sinan Savaskan. This repertoire, much of it written specifically for the orchestra, represents the core of SEM’s artistic and intellectual pursuits. Petr Kotik, Artistic Director Born and educated in Europe, composer Petr Kotik (born 1942), has been living in the United Stated since 1969. A New York City resident, Kotik is a performing musician (conductor and flutist) and the founder and director of the S.E.M. Ensemble which expanded in 1992 The Orchestra of the S.E.M. Ensemble (debut at Carnegie Hall tribute to John Cage with soloist David Tudor). Among Kotik's best known compositions are Many Many Women (1976-78) on a text by Gertrude Stein and Explorations in the Geometry of Thinking (1978-81) on texts by R. Buckminster Fuller as well as recent orchestral works Quiescent Form (1996) and Music in Two Movements (1998-2002). Music in Two Movements is a nearly hour long composition divided into two movements, Fragment and Asymmetric Landing, which can be performed together or seperately. It was premiered in Alice Tully Hall in April 2002. Kotik has been the recipient of composition grants from the National Endowment for the Arts and the prestigious composition award from the Foundation for Contemporary Performance Arts in 1997. (For more information about Petr Kotik please go to www.pkotik.com) This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => waterloo-2-rhys-chatham [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:01 [post_modified_gmt] => 2014-09-25 10:35:01 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2830 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 536 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2864 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Buffalo Bass Delay [post_excerpt] => Stephen Vitiello is a sound and media artist. In his work, he is particularly interested in the physical aspect of sound and its potential to define the form and atmosphere of a spatial environment. Recent solo exhibitions include The Project NY, Galerie Almine Rech, Paris, The Project, Los Angeles. Group exhibitions include the 2002 Whitney Biennial, Ce qui arrive at the Cartier Foundation, Paris, curated by Paul Virilio, Yanomami: Spirit of the Forest, also at The Cartier Foundation. Previous exhibitions include Greater New York at P.S. 1 Contemporary Art Center presented in collaboration with the Museum of Modern Art, and a solo exhibition at the Texas Gallery, Houston, TX. In 1999, Stephen Vitiello was awarded a 6-month WorldViews residency on the 91st floor of the World Trade Center. The residency resulted in a site-specific sound installation which has been broadcast and exhibited internationally. Vitiello's CD releases include Scanner/Vitiello (Audiosphere/Sub Rosa), Bright and Dusty Things (New Albion Records), Scratchy Marimba (Sulphur UK/Sulfur USA), Light of Falling Cars (JDK Productions) and Uitti/Vitiello (JDK Productions). In 1999, Stephen Vitiello created music for White Oak Dance Project's See Through Knot, choreographed by John Jasperse and featuring Mikhail Baryshnikov presented at Brooklyn Academy of Music, NY. New media productions include work for the Internet, Sound Archive 7.01-7.31.01 for the San Francisco Museum of Modern Art in collaboration with The Walker Art Center and ZKM and Tetrasomia, for the Dia Center for the Arts. In July 2000, Dia Center for the Arts published the CD-ROM Fantastic Prayers, a collaborative work with artist Tony Oursler, writer Constance DeJong, and composer Stephen Vitiello. Past performances include The Tate Modern, London, the San Francisco Electronic Music Festival, The Kitchen,NYC, the Whitney Museum of American Art at Philip Morris, and participation in per/Son, Cologne, Germany -- a concert series of solo and collaborative pieces also featuring Pauline Oliveros, Scanner, Frances Marie-Uitti and Andres Bosshard. Per/SON was broadcast by WDR radio's Studio Akustische Kunst program. In addition to music based work, Vitiello directed the videos Light Reading(s) (Visual Display), Nam June Paik: SeOUL NyMAx Performance, 1997 - Dress Rehearsal and The Last Ten Minutes and Nam June Paik: Two Piano Concerts 1994/1995. He also produced the audio CD, Nam June Paik: Works 1958-1979 (Sub Rosa). As a Media Curator, he curated the Sound Art component to the Whitney Museum's exhibition The American Century: Art and Culture 1950-2000 and Young and Restless a video program for the Museum of Modern Art and New York, New Sounds, New Spaces at the Museum of Contemporary Art, Lyon. Stephen Vitiello is currently Assistant Professor of Kinetic Imaging at Virginia Commonwealth University (VCU) and Archivist for The Kitchen, NYC. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => buffalo-bass-delay [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:05 [post_modified_gmt] => 2014-09-25 10:35:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2864 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 570 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2896 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => The sensibility of objects [post_excerpt] => Gianluca Codeghini Nato a Milano il 02.09.1968 Diplomato all’Accademia di Brera Milano al corso di Pittura. Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-sensibility-of-objects [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:08 [post_modified_gmt] => 2014-09-25 10:35:08 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2896 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 603 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2928 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Those Big Things are My Boobies [post_excerpt] => Chris Bors was born in Ithaca, New York in 1971. He lives and works in Harlem in New York City. He received his BA from University at Albany in 1993 and his MFA from School of Visual Arts in 1998. He also studied at Rhode Island School of Design in 1995. His solo exhibitions in New York include Quest for Herb at Here Art and Beat Down at PS 122 Galley. His art has also been shown at PS1 MoMA, White Columns, and Ten in One Gallery in New York, and in Berlin, Cyprus, the Netherlands, and Zurich. His work has been reviewed in The New York Times, Time Out New York, Newsday and PAJ, A Journal of Performance and Art, as well as being featured in Razor and zingmagazine. He has curated exhibitions at Here Art in New York and Vox Populi in Philadelphia and written criticism for artnet.com. 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It contains works from six major pieces that explore environmental issues - The Amazon (from "The Amazon, The Mekong, The Missouri and The Nile"), an excerpt from "Aviary of the Lost" plus "Flame to Moth & Fish Gotta Swim" and "Ghost Dancers for Birdland" from "The Culture of Disappearance", the full-length "One World at a Time" set in outer space, inner space, and cyber sapce, and "Fluctuations of the Fields" based on the writings of physicist avid Bohm. It includes music from Bruce Fowler, Ruben Garcia, and Kira Vollman & Joseph Berardi, as well as Apple's sound compositions and vocals. A Cactus Foundation/ Chronic Interactive production [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => we-are-all-dwarfed-by-the-sistem-8 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:40 [post_modified_gmt] => 2014-09-25 10:35:40 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2960 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 667 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 2992 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Careful inquiry [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => careful-inquiry-2 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:43 [post_modified_gmt] => 2014-09-25 10:35:43 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2992 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 699 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 3035 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Venting (track 1) [post_excerpt] => I was born in 1964 in Moscow, Russia and immigrated to the US in 1980. My personal history, which bridges the East and West, is to a great deal responsible for the art I make. The experience of coming from a restrictive regime of Soviet Russia to a US democracy and its struggle with issues of human rights and justice is being played out in my work. I developed interests in archaeology and anthropology while studying at the University of Pennsylvania and the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania in the 1990’s. I currently reside in Connecticut where in the past several years I have been exploring traces of human existence in sites such as dwellings and institutions, which might have been abandoned or somehow forgotten. There is a certain tension and uncertainty that marginal spaces like ruins evoke in us. I like to think of my projects as an archeological exploration that leads to art. My work manifests itself in paintings, photographs, video, sculpture and installations. 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