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wp_icl_translations WHERE trid = wpml_translations.trid AND language_code = 'it' ) = 0 ) OR ( ( SELECT COUNT(element_id) FROM wp_icl_translations t2 JOIN wp_posts p ON p.id = t2.element_id WHERE t2.trid = wpml_translations.trid AND t2.language_code = 'it' AND ( p.post_status = 'publish' OR p.post_status = 'private' OR ( p.post_type='attachment' AND p.post_status = 'inherit' ) ) ) = 0 ) ) ) ) AND wp_posts.post_type IN ('post','page','attachment','wp_block','wp_template','wp_template_part','wp_navigation','mc4wp-form','projects','events','sounds' ) ) OR wp_posts.post_type NOT IN ('post','page','attachment','wp_block','wp_template','wp_template_part','wp_navigation','mc4wp-form','projects','events','sounds' ) ) GROUP BY wp_posts.ID ORDER BY wp_posts.post_date DESC LIMIT 10, 10 [posts] => Array ( [0] => WP_Post Object ( [ID] => 3792 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => ZONARADIO/ Keeping time1977-2004 Maurizio Nannucci enregistré par Lawrence Weiner, 1979 , pour "Audio intellect", anthologie sonore éditée par Maurizio Nannucci record things et Zona archives, Florence 1979/1984 [post_title] => ZONARADIO/A bit matter [post_excerpt] => un programme de travaux sonores d'artistes réalisé par Maurizio Nannucci / zona archives /la box/ Ecole Nationale des Beux-Arts, Bourges [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-bit-matter [to_ping] => [pinged] => [post_modified] => 2015-06-25 13:55:07 [post_modified_gmt] => 2015-06-25 11:55:07 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3792 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1503 [post_it] => 7 ) [1] => WP_Post Object ( [ID] => 3824 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => performance [post_excerpt] => Bruna Esposito, performed by Andries van Rossem [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => performance [to_ping] => [pinged] => [post_modified] => 2015-01-09 18:20:39 [post_modified_gmt] => 2015-01-09 17:20:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3824 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1536 [post_it] => 7 ) [2] => WP_Post Object ( [ID] => 3861 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Ucraina Steppes of Dreamers Illya Chichkan, Mihara Yasuhiro Commissario: Peter Doroshenko. Curatore: Vladimir Klitschko. Sede: Palazzo Papadopoli, San Polo 1364 [post_title] => Sounds Like Venice - Ukraine Pavilion [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sounds-like-venice-ukraine-pavilion [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:22 [post_modified_gmt] => 2014-09-25 10:39:22 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3861 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1585 [post_it] => 7 ) [3] => WP_Post Object ( [ID] => 3894 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Camere # 9 - FAGANA [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => camere-9-fagana [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:25 [post_modified_gmt] => 2014-09-25 10:39:25 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3894 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1638 [post_it] => 7 ) [4] => WP_Post Object ( [ID] => 3928 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Sounds Like (Art) Dubai [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sounds-like-art-dubai-10 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:28 [post_modified_gmt] => 2014-09-25 10:39:28 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3928 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1673 [post_it] => 7 ) [5] => WP_Post Object ( [ID] => 3961 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 3961 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:49 [post_modified_gmt] => 2014-09-25 10:39:49 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3961 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1714 [post_it] => 7 ) [6] => WP_Post Object ( [ID] => 4050 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => La ricerca artistica di Carla Accardi sempre tesa al cambiamento si impone con forza vitale e rigeneratrice: "Nel mio lavoro ci sono stati cambiamenti radicali, veri traumi. Potrei dire cheè stato un mio impegno, quello di dar vita a un'opera mutevole ma che potesse essere percepita come un tutto" (C.Accardi). L' esaltazione del rapporto tra segno, forma e colore pone il lavoro dell' artista tra i più complessi e stimolanti del panorama contemporaneo italiano. Questa nuova monografia assume un'importanza rilevante per una completa visione del lavoro di Carla Accardi, infatti il volume ricco di immagini delle opere dal 1996 al 2010 raccoglie anche opere che, dal 1946 al 1995, non erano state inserite nel volume "Carla Accardi", edito nel 1996 da Charta e Zerynthia. Una selezione di lavori fino al 1995 e l'apparato completo di quelli dal 1996 al 2010 conclude la pubblicazione. [post_title] => Carla Accardi. La vita delle forme [post_excerpt] => Presentazione del volume: "Carla Accardi. La vita delle forme"; di Germano Celant, edito da SilvanaEditoriale e Zerynthia. 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The Artsound project lays the image bare and manipulates sound, each conserving their natural connection casually within an open space. Three are the artists invited, all representatives of the new Russian integrated culture: Vladimir Tarasov, Leonid Tishkov and Vadim Zakharov. The art of Vladimir Tarasov, legendary jazz drummer, is a sort of adhesive which inserts and assembles all the possible phenomena of contemporary culture. The studies of Leonid Tishkov are aimed at daily events that repeat throughout a man’s life: starting with ordinary objective reality, he transforms it into magic and ritual. The work of Vadim Zakharov combines creative and reflective principals, extricating itself with ease through the use of objects, installations, video productions and performance. Simultaneously, at the Auditorium Arte in the Parco della Musica, the Musica per Roma Foundation presents works relative to the Soviet avant-garde (Progetto Generazione Z) and to the N.Y.Group (Nadya&Yuriy), as well as works by the artists Vladimir Tarasov and Vadim Zakharov. The exhibition at the Auditorium will open on June 28th at 19.00 and will remain open until July 13th. 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performance

Bruna Esposito, Andries van Rossem

performance

Sound and Vision

2004

Steve Piccolo

2009

Artsound

Leonid Tishkov

Artsound

Camere 15 // Interview with

2011