Archivio Sonoro: RAM radioartemobile

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The Third Tiger Searching for a definition of what exhibitive space is, one could say that it is a place in which a translation occurs, a confine in which the visitor may pass from one dimension to another, a line which separates reality from a limitless number of other worlds, or other perspectives of the world. This is a definition that a place like Camere can highlight through the simple and precious typology of its rooms. With their frescoes and decorated flooring, the views of a nineteenth-century Roman Villa, the exhibitions in this place are testimony to a perspective of that special equilibrium found within art.  The works of art and the location make it possible to create a direct dialogue between the visitor and the artist. In the first room there is a figure lying in a chair with the semblance of a freshly sculpted clay model, a work by Mark Manders entitled "Clay Figure with Iron Chair". The newspapers in the window accentuate the impression of being inside a phase of the creation of the sculpture. But appearances can be deceiving; in the work of the Dutch artist there is an evasion from any temporal dimension that could connote a historical reference to the piece. The sculpture hides its identity within a physicality that does not wish to show signs of time. Its existence is found in the mythology of an intimate, personal history that the artist attempts to bestow upon the piece. Olaf Nicolai uses a conceptual exercise in transforming elements of the everyday and of our present and past culture into an aesthetic and artistic idiom that allows permanent new ways of experiencing reality. In the works exhibited at the show one finds oneself facing an estrangement of the material. At first sight in fact one would seem to be looking at watercolours that the artist has painted with his very breath, yet they are photographic reproductions of these instead. A relationship with the original comes from the fact that in this case we find ourselves in front of an alteration of reality, taking the same image into two different formats. A projection shows different types of yellow while the audio track plays the recordings of a series of therapeutic sessions on the effects of Pentothal carried out in the Netherlands towards the end of the of the eighties. Rossella Biscotti recovers these experiments in order to be able to retrace the missing trails of memory linked to historical and social situations. In "Yellow Film" Biscotti retraces the relationship between collective memory and personal unconsciousness. Lorenzo Benedetti Novembre 2011 Roma [post_title] => La Terza Tigre [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => la-terza-tigre-4 [to_ping] => [pinged] => [post_modified] => 2021-03-03 13:01:57 [post_modified_gmt] => 2021-03-03 12:01:57 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4107 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1981 [post_it] => 7 ) [1] => WP_Post Object ( [ID] => 4140 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Crossing Bodies – Immaginari postcoloniali è un progetto espositivo che si situa tra gli immaginari prodotti dalle e sulle migrazioni contemporanee in un’ottica postcoloniale. Il progetto è uno dei vincitori del bando Idee Migranti, promosso nell’ambito della mostra [S]oggetti migranti: dietro le cose le persone, ospitata al Museo Nazionale Preistorico Etnografico “Luigi Pigorini” di Roma. Talk con l’artista e antropologa Fiamma Montezemolo, gli studiosi Iain Chambers e Lidia Curti, in cui verrà presentato in anteprima nazionale il video Traces di Fiamma Montezemolo; Mostra fotografica di Mauricio Lupini dal titolo Observing Ethnography; Opera relazionale dell’artista curatore Massimiliano Di Franca che coinvolge l'artista Jimmie Durham, la ricercatrice Susanne Franco e l'antropologo Tarek Elhaik. 1 dicembre 2012 a cura di Routes Agency, Cura of Contemporary Arts dal 1 al 15 dicembre 2012 Museo Nazionale Preistorico // Etnografico “Luigi Pigorini” // Piazza Guglielmo Marconi, n°14 Roma [post_title] => CROSSING BODIES [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => crossing-bodies [to_ping] => [pinged] => [post_modified] => 2015-01-08 15:17:42 [post_modified_gmt] => 2015-01-08 14:17:42 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4140 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 2014 [post_it] => 7 ) [2] => WP_Post Object ( [ID] => 3416 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => H.D. Darwish, Curator of Sharjah Museum for Contemporary Arab Art.Opened in April 1997 the largest art museum in the Gulf , covering 10,312 square metres, invites you to walk into a world of artistic excellence.The museum features monthly international exhibitions, individual collections by local and visiting artists and the permanent display [post_title] => Sounds Like Sharjah [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sounds-like-sharjah [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:20 [post_modified_gmt] => 2014-09-25 10:37:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3416 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1604 [post_it] => 7 ) [3] => WP_Post Object ( [ID] => 3450 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => debate between Maria Theresa Alves, Jimmie Durham, Alberto Garutti, Federico Fusi, Gèrald Gaudet, Achille Bonito Oliva, Luigi Ontani, Daniele Pieroni, Alfredo Pirri, Mimma Pisani, Vettor Pisani, Anri Sala, Maria Rosa Sossai, Luca Vitone [post_title] => [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 3450 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:23 [post_modified_gmt] => 2014-09-25 10:37:23 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3450 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1154 [post_it] => 7 ) [4] => WP_Post Object ( [ID] => 3483 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => RAM EDIT [post_excerpt] => curator of the event: Maria Rosa Sossai [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ram-edit [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:37:27 [post_modified_gmt] => 2014-09-25 10:37:27 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3483 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1187 [post_it] => 7 ) [5] => WP_Post Object ( [ID] => 3516 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => from Trafo [post_title] => [post_excerpt] => conducted y Cecilia Casorati and Lorenzo Benedetti [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 3516 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:38:03 [post_modified_gmt] => 2014-09-25 10:38:03 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3516 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1220 [post_it] => 7 ) [6] => WP_Post Object ( [ID] => 3553 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => from Roma presented by Matteo Giacomelli [post_title] => Crossing Sound [post_excerpt] => on occasion of the exhibition 'Terre di Confine', live broadcasting conducted by Cecilia Casorati [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => crossing-sound-9 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:38:08 [post_modified_gmt] => 2014-09-25 10:38:08 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3553 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1257 [post_it] => 7 ) [7] => WP_Post Object ( [ID] => 3589 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Lisboa! A soundscape portrait [post_excerpt] => Rotation of sounds projects by artists and musicians and a documentation of wordly music, curated by Riccardo Giagni [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => lisboa-a-soundscape-portrait [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:38:11 [post_modified_gmt] => 2014-09-25 10:38:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3589 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1293 [post_it] => 7 ) [8] => WP_Post Object ( [ID] => 3647 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => interview [post_excerpt] => interviewed by Florian Agalli [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => interview-52 [to_ping] => [pinged] => [post_modified] => 2015-01-09 18:18:29 [post_modified_gmt] => 2015-01-09 17:18:29 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3647 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1352 [post_it] => 7 ) [9] => WP_Post Object ( [ID] => 3684 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => 50° Biennale di Venezia [post_title] => interview [post_excerpt] => interviewed by Nicola Setari [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => interview-23 [to_ping] => [pinged] => [post_modified] => 2015-01-09 18:18:26 [post_modified_gmt] => 2015-01-09 17:18:26 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3684 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1390 [post_it] => 7 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 4107 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => A conversation between Lorenzo benedetti, Rossella Biscotti, Mark Manders and Olaf Nicolai. The Third Tiger Searching for a definition of what exhibitive space is, one could say that it is a place in which a translation occurs, a confine in which the visitor may pass from one dimension to another, a line which separates reality from a limitless number of other worlds, or other perspectives of the world. This is a definition that a place like Camere can highlight through the simple and precious typology of its rooms. With their frescoes and decorated flooring, the views of a nineteenth-century Roman Villa, the exhibitions in this place are testimony to a perspective of that special equilibrium found within art.  The works of art and the location make it possible to create a direct dialogue between the visitor and the artist. In the first room there is a figure lying in a chair with the semblance of a freshly sculpted clay model, a work by Mark Manders entitled "Clay Figure with Iron Chair". The newspapers in the window accentuate the impression of being inside a phase of the creation of the sculpture. But appearances can be deceiving; in the work of the Dutch artist there is an evasion from any temporal dimension that could connote a historical reference to the piece. The sculpture hides its identity within a physicality that does not wish to show signs of time. Its existence is found in the mythology of an intimate, personal history that the artist attempts to bestow upon the piece. Olaf Nicolai uses a conceptual exercise in transforming elements of the everyday and of our present and past culture into an aesthetic and artistic idiom that allows permanent new ways of experiencing reality. In the works exhibited at the show one finds oneself facing an estrangement of the material. At first sight in fact one would seem to be looking at watercolours that the artist has painted with his very breath, yet they are photographic reproductions of these instead. A relationship with the original comes from the fact that in this case we find ourselves in front of an alteration of reality, taking the same image into two different formats. A projection shows different types of yellow while the audio track plays the recordings of a series of therapeutic sessions on the effects of Pentothal carried out in the Netherlands towards the end of the of the eighties. Rossella Biscotti recovers these experiments in order to be able to retrace the missing trails of memory linked to historical and social situations. In "Yellow Film" Biscotti retraces the relationship between collective memory and personal unconsciousness. 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