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Commissario/Curatore: Beral Madra. Commissario aggiunto: Nazira Alymbaeva. Sede: Palazzo Molin - Fondamenta de Zattere Kazakhstan Oksana Shatalova, Yelena Vorobyeva & Viktor Vorobyev Kyrgyzstan Ermek Jaenisch Tagikistan Djamshed Kholikov Uzbekistan Anzor Salidjanov [post_title] => Sounds Like Venice - Central Asia Pavilion [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sounds-like-venice-central-asia-pavilion-7 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:24 [post_modified_gmt] => 2014-09-25 10:39:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3881 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1625 [post_it] => 7 ) [3] => WP_Post Object ( [ID] => 3913 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 3913 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:39:26 [post_modified_gmt] => 2014-09-25 10:39:26 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=3913 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1658 [post_it] => 7 ) [4] => WP_Post Object ( [ID] => 3948 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Giornata internazionale di studi L’intento dell’artista nella conservazione dell’opera contemporanea in occasione della chiusura della mostra I fuochi dell’arte e le sue reliquie, con opere della collezione Jacorossi, presso gli spazi dell’Auditorium di Roma. 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Noi, nello stesso momento in cui entriamo in questo campo così maschile della creatività, il bisogno che abbiamo è di sfatare tutto il prestigio che lo circonda e che lo ha reso inaccessibile”. A cura di Barbara Nardacchione Marzo 2014 Villa Medici Roma [post_title] => LONZI/ACCARDI [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => zapperi [to_ping] => [pinged] => [post_modified] => 2015-09-14 17:22:50 [post_modified_gmt] => 2015-09-14 15:22:50 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=4099 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1973 [post_it] => 7 ) [7] => WP_Post Object ( [ID] => 4131 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => C'è un modello italiano dell'arte?

Un Progetto di RAM radioartemobile e fondazione Volume!

interviste a Domenico Bianchi, Alfredo Pirri Maurizio Savini e Donatella Spaziani

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Luca Vitone

2009

LONZI/ACCARDI

Giovanna Zapperi

LONZI/ACCARDI

Carla Lonzi e Carla Accardi a confronto

2014