A Post-Modern Object-Oriented Chaotic Cellular Microtonal Teledildonic Virtual Simulcra! (Buzzwords

Warren Burt attended the State University of New York, Albany (BA, 1971) and the University of California, San Diego (MA, 1975) before moving to Australia in 1975. In Australia he has worked in academia (La Trobe University, NSW Conservatorium, Victorian College of the Arts, Australian National University, Victoria University of Technology), education, and radio (freelance and commissioned productions for ABC and PBAA), and as a composer, film maker, video artist, and community arts organiser. His works have been performed and shown in the USA, Australia, Europe and Japan and he has received grants from the Australia Council, the Victorian Ministry for the Arts and the McKnight Foundation (USA). Warren Burt has also been artist-in-residence with a number of organisations, such as the Australian Commonwealth Scientific Industrial Research Organisation, the Los Angeles based art-science think-tank International Synergy, the Broadcast Music Department of ABC Radio, the Monash University Music Department, the RMIT Department of Fine Arts, the American Composers Forum, Art-Science Laboratory, Santa Fe, and the Djerassi Artists Program. Since the 1970s, Burt has toured and performed his electronic and computer music internationally, and has been especially active in the fields of interactive technology (especially with dancers and actors) and microtonality. Two books are currently available: Writings from a Scarlet Aardvark: 15 Articles on Music and Art, 1981-93 (Frog Peak Music, 1993) and Critical Vices: The Myths of Post-Modern Theory (in collaboration with Nicholas Zurbrugg) (Gordon and Breach, 1999). Recent CDs include A Book of Symmetries on “Zygotones: Loretta Goldberg” ( Centaur, USA, 2000), Five Tango Permutations on “Homo Sonorus - International Anthology of Sound Poetry” (NCCA, Russia, 2001), and Ethnic Static and Chinese Whispers on Stilling Time (Move, Melbourne, 2003). From 1992 until 2003, he was involved with Al Wunder’s ‘Theatre of the Ordinary’ in Melbourne, working improvisationally with dancers, actors and musicians. From 1998-2000, Burt held an Australia Council Composers’ Fellowship. In 2001 & 2002, he was Visiting Professor of Composition at the University of Illinois, Urbana-Champaign, USA. In 2003 he was involved in the reconstruction of Percy Grainger’s 1961 Electric Eye Tone Tool, the first light-controlled synthesizer. Currently, he is a research fellow at the University of Wollongong, writing a book on Microtonality for the Beginner.

CFR. n. Arch. 184.11, 185.8 This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d’Anjou (Opera)