Archivio Sonoro: SoundArtMuseum

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Calle a Venezia [post_excerpt] => cd name: Alcune Composizioni by e.g.o 2001-2004 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2440 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 141 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 2472 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Kit di reazione [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 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10:38:39 [post_content] => [post_title] => A Birdsong Sampler (track 1) [post_excerpt] => Kerry Tribe’s work in video, film, installation and other media explores relationships between subjectivity and representation, often by investigating the gray areas between the authentic and the scripted or the collective and the idiosyncratic. She regularly invites the collaboration of friends, strangers and actors. Her work has been shown in exhibitions and festivals internationally, including venues in New York, California, Australia, Canada, Croatia, Germany, Holland, Italy, Korea, Portugal and Switzerland. Tribe received her MFA from UCLA in 2002, was a Whitney Independent Study Program Fellow in 1997-98, and received her BA magna cum laude in Art and Semiotics from Brown University in 1997. She currently lives and works in Los Angeles. Born 1973 in Boston, MA Lives and works in Los Angeles [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-birdsong-sampler-track-1 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:19 [post_modified_gmt] => 2014-09-25 10:34:19 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2630 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 335 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 2662 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Il brano è il track 8 di un Cd (T. T. 50' 10") dove sono raccolti alcuni lavori dell'artista. 1. un testo che illustra le occasioni e i modi di realizzazione dei brani che compongono il CD; 2. Materiale illustrativo + dvd (FC3) relativi al lavoro Lignes d'air (Orléans, 2004); 3. C.v.; 4. Materiale illustrativo del lavoro "Swell" (5/11/2004); 5.Brochure dell'istallazione"Station 3". [post_title] => Prospection, quai Brazza [post_excerpt] => Dominique Leroy Né en 1970 aux Sables d’Olonne / Born in 1970 in Sables d’Olonne (F). Études et formation / Education: -2003-2004/ HISK (Hoger Institut voor Schone Kunsten), Antwerpen -1991-1996/ École Régionale des Beaux-Arts de Tours et de Nantes Bourses et résidences / Grants: -2003-2004/ Programme MAP, Pépinières européennes pour jeunes artistes, Mons -2002/ Résidence à Saint-Setiers, Association « Appelboom » -1999/ Aide à l’installation d’atelier, DRAC Pays de la Loire Expositions individuelles / Solo exhibitions: -2003/ Idem+Arts, Maubeuge -2002/ La Pommerie, Saint-Setiers Idem+Arts, Maubeuge Expositions de groupe et performances / Collective exhibitions and performances -2003/ W139, Amsterdam « ’été + », Mons Musée des Beaux-Arts de Mons « Station 2 », galerie 7m3, médiathèque de Mons -2002/ « Sous le soleil », Saint-Herblain Théâtre de l’Agora, Ivry -2001/ « Station1 », Journées du patrimoine, Nantes « Champ de traces et ligne de loup », galerie du Haïdouc, Bourges « Aller-retour », Nantes et Bordeaux « SBAM+ », Centre commercial Beaulieu, Nantes -2000/ « Festival des labos », musique et cinéma expérimental, Grenoble « Actif-Réactif », Le Lieu Unique, Nantes Galerie pédagogique, Collège Victor Segalen, Châteaugiron Ancienne gare SNCF, Oudon -1999/ « Un samedi soir en mouvement », Oudon Ancienne gare SNCF, Oudon [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => prospection-quai-brazza [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:22 [post_modified_gmt] => 2014-09-25 10:34:22 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2662 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 367 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 2695 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Is this Just…(?) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => is-this-just [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:25 [post_modified_gmt] => 2014-09-25 10:34:25 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2695 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 400 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 2727 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Original music by Mino Freda; produced by Freda editing, sound engineer, mastering and mixed: Mino Freda Interventi solistici: trombone: Sergio Battista, violino: Monica Castorina, percussioni: Francesco Mendolia. Auto produzione a tiratura limitata: es. ristampa seconda serie in vendita con il catalogo della mostra da Silenzio-Distribuzione (www.silenzio-distribuzione.it) [post_title] => Con-fusion (da Riverberi) [post_excerpt] => Mino Freda (Roma 1963), compositore,percussionista, ha svolto studi di composizione e direzione di coro presso il Conservatorio S. Cecilia di Roma. Dal 1986 al 1996 è impeganto come percussionista in complessi sinfonici e lirici, compiendo tournées in Italia e all'estero. Da qualche anno è interessato alla musica elettronica e al trattamento digitale delle fonti sonore. Nel dic.'99 ha realizzato musiche per il programma radiofonico "L'occhio magico" (Radio Rai3) dedicato a Anselm Kiefer.Ha pubblicato musiche pianistiche per la ed. musicali Domani Musica e scritto per la rivista di musica contemporanea Konsequenz aderendo a un'iniziativa promossa da Giuseppe Chiari. Ha collaborato alla realizzazione di installazioni sonore con alcuni dei più autorevoli istituti italiani di ricerca di musica elettronica come l'Istituto Gramma de L'Aquila e il CRM di Roma. Dopo gli studi in lettere, in qualità di storico dell'arte contemporanea, si è spesso interesato allo studio dei fenomeni musicali nell'ambito dell'arte contemporanea. 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Arch. 190.21 Due cd-rom fuori catalogo degli stessi artisti: FC.5: Geluidskunst wich took polace through the internet, and was presented at HK Watertoren from nov. 16, 2003 until jan. 18, 2004. FC.6: CU 29CONTAINS VIDEO'S OF THE EXHIBITION THAT WE PRESENTED AT hk Watertoren, Vlissingen, fromnov. 16, 2003 until jan. 18, 2004. [post_title] => Flexitar [post_excerpt] => From 1994 we are working together as an artistic duo. The starting point for our artistic work is the notion, that movement and sound are identical; without movement (vibration) nothing can be heard. This idea is worked out by us in every thinkable form: installations, works in progress on location, performances, concerts, etc. Because of the temporary character of the media sound and movement, our works, up to now, have always been presented during a limited period of time. So there are no objects for sale. Besides using the media movement, sound and image, we also have an interest in using new media and technology, that are often realized especially for our projects. Selection of presentations: 2003: Organisation of a tour of 8 soundartists to Belgrade. Concert at April Meeting Festival, SKC, Belgrade. Concert at Ringring-festival, REX, Belgrade. Concert at Interzone 2003 festival, Novi Sad. Groupexhibition "Corporate Identity", NBKS, Breda. Installation "Geluidskunst", Synagogue at Palmovka, Prague. Concert, Synagogue at Palmovka, Prague. Concert, Festival Sound-Movement-Image, House of Art, Opava, Czech Rep. Concert, Sklenena Louka, Brno. Lecture at FAVU, University of Brno. Project "Cu 29", Watertoren HK, Vlissingen. Project consisting of a work in progress, 3 soundinstallations, and 3 performances. 2002: Concert, LOGOS Foundation, Ghent. Concert, Exposition of New Music, Brno, Czech Republic. Installation "Medeklinkers", de Witte Dame, Eindhoven Website "The Anonomous Serenade", Project 4x4x4, MAD Foundation, Eindhoven. (www.4x4x4.dse.nl). 2001: Installation "Interference", 2 concerts, IM Festival, Minebuilding, Waterschei,Belgium. Performance "Jestem ruchem", Fest. Castle of Imagination, BWA, Zielona Gora, Poland. Performance, i.c.w. Jirzi Kurovka, Sylvette Babin, Oskar Dawicki, Fumiko Takahashi; Castle of Imagination, BWA, Zielona Gora, Poland. Performance "Jestem ruchem", first version, gallery BWA, Ustka, Poland. Performance, "I am movement", performance festival, Piotrkow Trybunalski, Poland. Installation and concert, SKC, Belgrade. Installation and performance, REX, Belgrade. 2000: Installation, 'Hladilnica", Pekarna, Maribor, Slovenia. Installation "Shadow Play", 1may-festival, 2B, Eindhoven. CD "The Adventures of Toon Scales", Bake Records, Staalplaat, Amsterdam. Installation Ínterference', at the complex of NRE Powercompany, Eindhoven. Installation, concert, and presentation at Gallery 'de Overslag', Eindhoven. 1999: Participation in "Conjunction", CD/Internet-project, Triple-X-festival, Amsterdam. Performance "The Boxing-ring", performance-festival, Cuba Cultur, Muenster, Germany. Installation "The Gathering", Musikfestspiele Sanssouci, Potsdam, Germany. Participation on a performance of Jens Brand, Galery de Overslag, Eindhoven. 1998: "Global Mix", live-radiomix through Internet from the Goethe Institute, Krakow, Poland. Installation "Shadow Play", and concert; Bunkier Sztuki, Krakow, Poland Installation "DioN.Y.sus'Scales", and concert; Audio Art Festival, Ujazdowski Castle, Warsaw. Installation "The Gathering", festival Baitz mit Klang, Baitz, Germany. Concert, Kunstfabrik, Darmstadt, Germany. Performance "The Boxing-ring", Performance Art Festival, Cleveland,OH,USA. Performance and installation ÏnSight", Spritzenhaus, Hamburg, Germany. 1997: Installation "DioN.Y.sus'Scales", HK Watertoren, Vlissingen. Concert, Kulturzentrum BOA, Lucerne, Switzerland. Project 'Het Vogelbekkenstuk", with Moniek Darge, Logos Fnd. Ghent, Belgium. Concert, Kuenstlerhaus, Dortmund, Germany. Project "Het Vogelbekkenstuk", with Jim Dvorak, Vrijhof Theatre, University of Enschede. Project "Het Vogelbekkenstuk", with Cor Gout and Wilbert de Joode, Effenaar, Eindhoven. 1996: Installation Oorsmeer, de Singel, Antwerp, Belgium. Installation Oorsmeer, Center for the Arts "Vooruit", Ghent, Belgium. Concert, Untitled Festival, Willem II, Den Bosch. Installation Oorsmeer, Theater a/d Parade, Den Bosch. Installation "DioN.Y.sus'Scales", Triple X-festival, Westergasfabriek, Amsterdam. Installation "The LocoMotives", Central Railway Station, Eindhoven. "First Night Installation", with Dan Senn and David Means, 1048 Broadway, Tacoma,WA,USA 1995: Concert, Festival Experimental Music, Polytechnic University, Munich. Installation "The State of things", +concert, het Stroomhuis, Neerijnen, NL. Concert, "Belgie", Hasselt, Belgium. Groupexhibition "Rotterdam/Vladivostok, Railwaystation Schiedam and Gallery Artetage, Vladivostok. Installation and performance "Shadows", Islip Art Museum, Islip, NY, USA. Installation "FBI", de Unie, Rotterdam. 1994: The boxing-ring and concert, Experimental Intermedia, New York, NY, USA. Artist-in-residency, Harvestworks, New York,NY,USA. Installation "DioN.Y.sus'Scales", Gallery Art in General, New York,NY,USA. Installation "Pegasus", Museum School of Fine Arts, Boston,MA,USA. Installation "Donar's Chariot"and concert; Islip Art Museum, Islip, NY, USA. Installation "Donar's Chariot"and concert; Vooruit, Gent. 1993: Concert, Videcultura, Haarlem. Installation and concert; Hermit Festival, Plasy, Czech Republic. Installation "Donar's Chariot"and concert, het Apollohuis, Eindhoven. Concert, de Melkweg, Amsterdam. Concert, Stedelijk Museum, Amsterdam/ VPRO-radio. Performance "Black Box", Effenaar, Eindhoven. Performance+concert; Center for New Dance Development, Arnhem. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => flexitar [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:34:57 [post_modified_gmt] => 2014-09-25 10:34:57 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2791 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 496 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 2823 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Untitled [post_excerpt] => Jerry Hunt, well-known composer of interactive computer music and intermedia works, as well as an extraordinary performer, died in November of 1993 at his home near Canton, Texas. Hunt was born in Waco, Texas in 1943 and studied piano and composition at the University of North Texas (then North Texas State University). He developed into an accomplished pianist, performing widely his own and other contemporary works by American and European composers. But it was as a general solo performer: speaking, playing keyboards, banging on suitcases, making obscure adjustments to various computers, racing back and forth across the stage with strangely lit objects in hand, ritualistically presenting to the audience homemade icons, or continually gesturing -- becoming in the process a modern-day shaman conjuring spirits -- that the brilliant and original magic of his work became stunningly apparent. To have witnessed a Hunt performance was thrilling, and to have seen him on a "good" night was to overhaul one's ideas about music and performance. His compositions display a number of interests: including theatrical/ritual work, visual images, and computer-assisted mathematical techniques. Hunt's pieces are grouped into families related by central, generating concepts and processes. These "cores" formed the bases for a number of "derivatives and transformations". For example, a 1972 commission from the Scottish Arts Council and the British Computing Society resulted in the use of a process called "Haramand Plane: parallel/regenerative" which was the source for the Cantegral Segment(s) series (1973-1978). Hunt worked as a composer for video and film production companies and as technical consultant for audio and video instrumentation companies. He was artist-in-residence at the Video Research Center in Dallas from 1974-77, and in recent years he devoted himself full-time to fulfilling commissions and working on collaborative projects with such people as visual artist Maria Blondeel (Gent), performance artist Karen Finley (New York), and composer and software designer Joel Ryan (Amsterdam). His work with Finley brought him into conflict with the National Endowment for the Arts (USA) and resulted in him becoming one of a number of litigants in a law suit against the then Director of the agency. While I have not encountered aural recordings of Hunt's work that fully convey the power of This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => untitled-17 [to_ping] => [pinged] => [post_modified] => 2014-09-25 12:35:00 [post_modified_gmt] => 2014-09-25 10:35:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2823 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 529 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 2440 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => Calle a Venezia [post_excerpt] => cd name: Alcune Composizioni by e.g.o 2001-2004 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => [to_ping] => [pinged] => [post_modified] => 2014-08-22 10:38:39 [post_modified_gmt] => 2014-08-22 10:38:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=2440 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 141 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 980 [max_num_pages] => 98 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => de1b777534fc12fdf533c11a0ebdaaeb [query_vars_changed:WP_Query:private] => [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )