Archivio Sonoro: SoundArtMuseum en

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[post_title] => on [post_excerpt] => Gianluca Codeghini Nato a Milano il 02.09.1968 Diplomato all’Accademia di Brera Milano al corso di Pittura. Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. 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I attemp a marriage of art history and black history within the realm of the abstract languages they constructed. This notion is manifested through multi-disciplinary pieces that incorporate sound, works on paper, and site based projects all focusing on music, specifically the aage of modern music-the more avant-garde or Be Bopera, aperiosd with intense social and cultural implications. Complimenting today's deluge of hip hop culture as defining black culture, the audio pieces transform the gallery space into concert hall via speakers or private listening zones vie headsets. Assembling fresh pieces by means of jazz concepts like "call and response", tempo chanes, "stop-time" and counter melody, I build variations on the original compositions themselves, not unlike a musician riffing on a "standars" tune. Future project ideas range from the transcription of sheet music (scores) into large-scale drawings, collaborating with musicians to then "play" those works - to site related projects in and around Harlem. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => image [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:23 [post_modified_gmt] => 2015-01-09 16:05:23 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6631 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 622 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6663 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Epilogue [post_excerpt] => "Thank for flying american" is a richly diverse anthology of audio art compositions by media, performance and visual artist, write audio composer, producer, and internationally broadcast radio art innovator Jaci Apple. Travelling a thematic path, this 17 cut compilation, selected from six of her major performance, installation, video and radio works from 1980-1991, is a journey accross the American landscape spanning three decades. Filled with a pervasive sense of loss, this series of aural snapshots gazes bacward into the past from different vantage points as it speeds forward into a precarious and sometimes ominous future. 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In seguito il progetto ha ampliato il suo raggio d'azione con pittura, fotografia, collage, campionamenti audio e progetti editoriali. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => notes-for-the-future [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:32 [post_modified_gmt] => 2015-01-09 16:05:32 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6723 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 714 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6755 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => dates: Twilight of Peryn - 1972, Street Music - 1966, Signals - 1992, String Play - 1980. And previous pieces: Little Music .. - 1999, Little Litany - 2002, Little Chronicles - 2005. [post_title] => Signals [post_excerpt] => ZBIGNIEW PENHERSKI, composer, born January 26, 1935 in Warsaw, Poland. Studied composition with B. Poradowski at the State Academy of Music [PWSM] in Poznan (1955-56), followed by studies with Tadeusz Szeligowski in Warsaw (1956-59). Penherski has also studied conducting under Bohdan Wodiczko (1960-63). Holder of a Dutch government scholarship, studied at the Institute of Sonology in Utrecht (1969). Prize winner of composition competition such as: Grzegorz Fitelberg Competition (1964) for Musica humana; Artur Malawski Competition (1976) for Masurian Chronicles [Kroniki Mazurskie]; Composing Competition in Gdansk (1992) for Cantus; Polish Radio Competition (1995) for Genesis. Honorary citizen of Kragujevac in Yugoslavia, Russe in Bulgaria, and Ho-Chi-Minh in Vietnam. Awarded the Silver Cross of Merit (1975) and the Award of the Prime Minister of Poland, for works for children and youth (1982). Member of Stage Artist and Composers' Association [ZAIKS] since 1961, Polish Composers' Union [ZKP] since 1963, Polish Contemporary Music Association [PTMW], Warsaw Music Society [WTM]. Honorary member of the Scottish Society of Composers (1987). Penherski's music has been performed in Poland and abroad, including Austria, Belgium, Denmark, France, Germany, Great Britain, Italy, Korea, Mexico, the Netherlands, Norway, the Soviet Union and USA. LITERATURE: - Polish Opera and Ballet of the Twentieth Century, PWM, Kraków 1986 - Who is Who in Poland, Interpress, Warszawa 1989 - Chomiński Józef The Music of Polish People’s Republic [Muzyka Polski Ludowej], PWN, Warszawa 1968 - Hanuszewska Mieczysława, Schaeffer Bogusław Almanac of Present Polish Composers [Almanach polskich kompozytorów współczesnych], PWM, Kraków 1982 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => signals [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:35 [post_modified_gmt] => 2015-01-09 16:05:35 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6755 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 747 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6809 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => gocce n.10 [post_excerpt] => Studia chitarra brasiliana e chitarra flamenco. Dopo il diploma al liceo classico studia architetura alla Sapienza e pianoforte classico con il maestro Emilio Rabaglino. Quindi frequenta la scuola popolare di musica di testaccio (composizione e pianoforte jazz), e partecipa ai seminari estivi della Berklee ad Umbria Jazz e a quelli di Siena Jazz. Suona a Jeddah (Arabia Saudita) per uno scambio culturale, sia come solista che come accompagnatore. Compone una sonorizzazione per una performance teatrale di Filippo Garrone. Suona con la Moinor Funk Orchestra diretta da Angelo Schiavi. Nel 1998 si trasferisce a New York dove studia alla Mannes Jazz School of Music ed all'Istitute of Audio Research diplomandosi in ingegneria del suono. In questo periodo suona in diversi locali di NY e NJ. Compone la colonna sonora per il cortometraggio "taken..." di Bartek Rainski (vincitore al RIFF come miglior corto straniero), scrive e co-produce con lo stesso Rainski il cortometraggio "CONFINI". Nel 2002 lavora a Ouagadougou in Burkina Faso per l'avviamento di uno studio di registrazione (basato sul sistema digitale Soundscape), insegnando ad uno stagista Burkinabé le tecniche di regisrtazione e post produzione, e registrando diversi gruppi locali (verranno prodotti due dischi). Tornato in Italia, finisce insieme a Bartek Rainski la post-produzione del cortometraggio "Confini", e ne compone la colonna sonora. Composizione/sonorizzazzione per la performance video/teatrale "Narciso violento" e "Evian" di Caroline Freddi. Compone musiche per pubblicità, cartoni animati e programmi tv. In questo periodo lavora anche ad una raccolta di brani di carattere minimalista per pianoforte solo intitolata 'gocce', registrata poi nel Giugno 2005 e pubblicata in Ottobre. Insegna pianoforte moderno alla scuola "Officine Musicali". [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => gocce-n-10 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:41 [post_modified_gmt] => 2015-01-09 16:05:41 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6809 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 802 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6841 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Maverick [post_excerpt] => Kamran Sadeghi (Son of Rose) is a Multi instrumentalist musician, composer, and audio engineer based in Seattle Washington. Since 2000 he has been actively exploring the use of electronics and recording techniques in contemporary music, with an emphasis on computer synthesis as a live instrument. This approach gives the movements in Sadeghi's compositions a powerful, emotional, and graceful quality with a patient and gradual pacing. Over the past two years Sadeghi has performed his work at dozens of events including the Decibel Festival(Seattle) and Staalplaat Records (Berlin), and released three albums as Son of Rose including his self titled debut in 2005 and "Top Flight"(2006) on Dragon's Eye Recordings, both receiving critical acclaim. Sadeghi has been reviewed by The Wire, E/I Magazine, The Stranger, and Igloo Magazine. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => maverick [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:06:53 [post_modified_gmt] => 2015-01-09 16:06:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6841 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 834 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6873 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CFR. nn. Arch. 184.8, 185.6 [post_title] => Hope of the insects with dryer and chinese cooks [post_excerpt] => Steve Bradley's art practice involves sound performance, time-based media and material culture. He explores the boundaries of urban and suburban culture by collecting debris, sound and images from the consumed and littered landscape. In June 2001, he was awarded a rivercommission at Hull Time Based Arts, Hull, England where he will be an artist-in-residence for two months in spring 2002. His project, Reading the River, will focus on the environmental aspects of the River Hull Corridor. Since 1998 he has curated art@radio, a net.radio broadcast of sound art and experimental music. In June 2001, he spent two weeks participating in an artist residency, Communication Front in Plovdiv, Bulgaria, where he explored the city with a digital camera documenting street and material culture. Summer 2000, Bradley directed and organized Polar Circuit III, a 6-week international media arts residency for over 50 artists located at the University of Lapland, Rovanimei, Finland. Bradley has performed live at Transmission 003.3 sound art festival in Chicago, Sonic Circuits VII, International Festival Electronic Music and Art in St. Paul, Minnesota, and the Red Room, Baltimore, Maryland. Bradley received his B.F.A. from the University of South Florida in drawing and painting and a Masters of Fine Arts from Florida State University in painting and electronic media. He is an Associate Professor, Visual Arts at the University of Maryland Baltimore County. He teaches courses in foundations, digital cinema, video art and sound. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hope-of-the-insects-with-dryer-and-chinese-cooks [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:06:56 [post_modified_gmt] => 2015-01-09 16:06:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6873 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 867 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6905 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CFR. n. Arch. 184.43 [post_title] => Somniferous Extract [post_excerpt] => Rob Kennedy is audio/video artist, living in Glasgow. He was born in London and studied Fine Arts at the Brighton Polytechnic. He spent one year on an exchange program at the School of Art in Chicago. His works, including experimental soundtracks, audio installations, short films and CDs in collaboration with various artist, were shown at festivals and exhibitions in Glasgow, London, Dundee, amongst others. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => somniferous-extract [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:00 [post_modified_gmt] => 2015-01-09 16:07:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6905 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 899 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6937 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. nn. Arch. 183.3, 185.3 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Brittle Creek Stalker Track [post_excerpt] => Steven Ball, a Master's degree graduate of the University of Michigan School of Music, holds the unique distinction of being the first organist in modern academic history to have proven his abilities as a performer on both the classical and theater organ. Mr. Ball has concertized and lectured around the world including solo performances and silent film presentations in the Netherlands, Germany, Belgium, France, Portugal, Ireland, England and Switzerland. He was also the recipient of a Fulbright Scholarship to the Netherlands in 2001 for his work in the world of Campanology and Carillon Performance. His unique perspective, energy, improvisatory abilities and performance style have kept audiences in theatres on the edge of their seats and have generated a new and unexpected excitement about the future of this instrument in America and elsewhere. Mr. Ball is currently Staff Organist at the Michigan Theater in Ann Arbor, MI and organist at Plymouth Congregational Church in Lansing, MI where he can be heard on a regular basis. He also plays the carillons at the University of Michigan. A specialist in the rare and almost vanished art of live silent film accompaniment, Mr. Ball has participated in numerous festivals over years. Working with original instruments, materials and music he has either composed, arranged, re-created, performed and/or improvised scores for countless films both in solo performance and with orchestra. These have ranged from the familiar to the obscure. Just to name a few from recent seasons: -The Phantom of the Opera -Metropolis -The Hunchback of Notre Dame -Judith of Bethelia -Sunrise -One Week -The Shiek -Steamboat Bill Jr. -Nosferatu -He Who Gets Slapped -Amarilly of Clothes-line Alley -Faust (The Damnation of) -Cops -Steamboat Bill Jr. -His Marriage Vow -Bring Up Baby -IT -The Lamb -Our Hospitality -Habeas Corpus Mr. Ball will be appearing in various theater sponsored film events throughout the 2005-2006 season at the Michigan Theater and was also recently featured on National Public Radio's nationally syndicated program Pipedreams (program # 0447 11/22/2004). 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[post_title] => on [post_excerpt] => Gianluca Codeghini Nato a Milano il 02.09.1968 Diplomato all’Accademia di Brera Milano al corso di Pittura. Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. 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