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Copyright: Kaffe Matthews 2000. Mixed and edited by km at Annette Works. [post_title] => In search of a bun (track 5) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => in-search-of-a-bun-track-5 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:58 [post_modified_gmt] => 2015-01-09 16:00:58 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6319 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 306 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 6351 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CD realizzato a cura di Paolo Coteni dall'Accademia di Belle Arti di Frosinone nel 2003 [post_title] => Buon Natale 2003 [post_excerpt] => Paolo Coteni insegna Madia Art all'Accademia di Belle Arti di Frosinone. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => buon-natale-2003 [to_ping] => [pinged] => [post_modified] => 2019-07-15 15:36:51 [post_modified_gmt] => 2019-07-15 13:36:51 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6351 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 340 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6383 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Il brano è il track 13 di un Cd (T. T. 50' 10") dove sono raccolti alcuni lavori dell'artista. 1. un testo che illustra le occasioni e i modi di realizzazione dei brani che compongono il CD; 2. Materiale illustrativo + dvd (FC3) relativi al lavoro Lignes d'air (Orléans, 2004); 3. C.v.; 4. Materiale illustrativo del lavoro "Swell" (5/11/2004); 5.Brochure dell'istallazione"Station 3". [post_title] => Chant d'égout [post_excerpt] => Dominique Leroy Né en 1970 aux Sables d’Olonne / Born in 1970 in Sables d’Olonne (F). Études et formation / Education: -2003-2004/ HISK (Hoger Institut voor Schone Kunsten), Antwerpen -1991-1996/ École Régionale des Beaux-Arts de Tours et de Nantes Bourses et résidences / Grants: -2003-2004/ Programme MAP, Pépinières européennes pour jeunes artistes, Mons -2002/ Résidence à Saint-Setiers, Association « Appelboom » -1999/ Aide à l’installation d’atelier, DRAC Pays de la Loire Expositions individuelles / Solo exhibitions: -2003/ Idem+Arts, Maubeuge -2002/ La Pommerie, Saint-Setiers Idem+Arts, Maubeuge Expositions de groupe et performances / Collective exhibitions and performances -2003/ W139, Amsterdam « ’été + », Mons Musée des Beaux-Arts de Mons « Station 2 », galerie 7m3, médiathèque de Mons -2002/ « Sous le soleil », Saint-Herblain Théâtre de l’Agora, Ivry -2001/ « Station1 », Journées du patrimoine, Nantes « Champ de traces et ligne de loup », galerie du Haïdouc, Bourges « Aller-retour », Nantes et Bordeaux « SBAM+ », Centre commercial Beaulieu, Nantes -2000/ « Festival des labos », musique et cinéma expérimental, Grenoble « Actif-Réactif », Le Lieu Unique, Nantes Galerie pédagogique, Collège Victor Segalen, Châteaugiron Ancienne gare SNCF, Oudon -1999/ « Un samedi soir en mouvement », Oudon Ancienne gare SNCF, Oudon [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => chant-degout [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:04 [post_modified_gmt] => 2015-01-09 16:01:04 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6383 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 372 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 6415 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Love Song [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => love-song [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:07 [post_modified_gmt] => 2015-01-09 16:01:07 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6415 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 404 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6084 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Violin Ashtrays [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => violin-ashtrays [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:01 [post_modified_gmt] => 2015-01-09 16:02:01 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6084 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 68 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6116 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => pfbs, arta, gpcm, cpcm, epcm, acsr, edhc, bwcd, ixbr [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => pfbs-arta-gpcm-cpcm-epcm-acsr-edhc-bwcd-ixbr [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:03 [post_modified_gmt] => 2015-01-09 16:02:03 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6116 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 100 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6148 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CD name "Vocal Theater" [post_title] => Anassimandro e la notte [post_excerpt] => A. Rossetti: texts, voice R. Sakamoto: music [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => anassimandro-e-la-notte [to_ping] => [pinged] => [post_modified] => 2019-07-03 15:34:43 [post_modified_gmt] => 2019-07-03 13:34:43 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6148 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 133 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6180 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => "If one or more works fit into your concept please feel free to use this material for database or for public representation" [post_title] => Interventionem [post_excerpt] => Medienkunstgruppe "ArtPool" [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => interventionem [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:10 [post_modified_gmt] => 2015-01-09 16:02:10 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6180 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 165 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6212 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Chill [post_excerpt] => During 2000-2003 Ann Rosén has been working with two parallel projects Träffas (Meet) an art project and Tyst ljudskulptur (Silent Sound Sculpture) an artist-driven interdisciplinary research project. These two projects are very similar in that they both are about meetings as process, method and content but they set in different contexts, Silent Sound Sculpture in a science and research context and Träffas in an art context. The project Träffas(Meet)2000-2003 is largely concerned with personal meetings and exhibiting sound and has resulted in three exhibitions. The first exhibition Har vi träffats? which took place in Gävle was focused on individual meetings and reconnecting with the past, the people and the city of Gävle were Ann Rosén went to art school. The exhibition was based on sound recordings from the personal meetings and video material from a street in the city. The second exhibition Träffas was aimed at public meetings. Ann Rosén created prerequisites consisting of a sound of a marble rolling around in the room, a microphone used by visitors in order to contribute with their own sounds to the installation and a computer to run the process. The final exhibition in this project Träffas 1983-2003 was developed together with the composer Sten-Olof Hellström. As well as being a meeting between two individuals it was a meeting between two different concepts of sound, the artists and the composers. Every little detail of this exhibition was developed and created in close collaboration between Sten-Olof and Ann. It was a meeting and collaboration on all levels. This resulted in a sound installation where they shaped and structured different colures of noise (noise with different frequency content) in both time and space. Träffas 1983-2001 consists of D-Dist a generative sound installation using a genetic algorithm, computer and nine load speakers. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => chill [to_ping] => [pinged] => [post_modified] => 2019-07-09 14:13:41 [post_modified_gmt] => 2019-07-09 12:13:41 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6212 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 198 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6444 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Original music by Mino Freda; produced by Freda editing, sound engineer, mastering and mixed: Mino Freda Interventi solistici: trombone: Sergio Battista, violino: Monica Castorina, percussioni: Francesco Mendolia. Auto produzione a tiratura limitata: es. ristampa seconda serie in vendita con il catalogo della mostra da Silenzio-Distribuzione (www.silenzio-distribuzione.it) [post_title] => De-cadenze [post_excerpt] => Mino Freda (Roma 1963), compositore,percussionista, ha svolto studi di composizione e direzione di coro presso il Conservatorio S. Cecilia di Roma. Dal 1986 al 1996 è impeganto come percussionista in complessi sinfonici e lirici, compiendo tournées in Italia e all'estero. Da qualche anno è interessato alla musica elettronica e al trattamento digitale delle fonti sonore. Nel dic.'99 ha realizzato musiche per il programma radiofonico "L'occhio magico" (Radio Rai3) dedicato a Anselm Kiefer.Ha pubblicato musiche pianistiche per la ed. musicali Domani Musica e scritto per la rivista di musica contemporanea Konsequenz aderendo a un'iniziativa promossa da Giuseppe Chiari. Ha collaborato alla realizzazione di installazioni sonore con alcuni dei più autorevoli istituti italiani di ricerca di musica elettronica come l'Istituto Gramma de L'Aquila e il CRM di Roma. Dopo gli studi in lettere, in qualità di storico dell'arte contemporanea, si è spesso interesato allo studio dei fenomeni musicali nell'ambito dell'arte contemporanea. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => de-cadenze [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:13 [post_modified_gmt] => 2015-01-09 16:03:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6444 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 433 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 6319 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "dd"; T.T.67' 33". Copyright: Kaffe Matthews 2000. Mixed and edited by km at Annette Works. [post_title] => In search of a bun (track 5) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. 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