Archivio Sonoro: SoundArtMuseum en

WP_Query Object ( [query] => Array ( [post_type] => sounds [settori] => sound-art-museum-en [paged] => 85 [posts_per_page] => 10 ) [query_vars] => Array ( [post_type] => sounds [settori] => sound-art-museum-en [paged] => 85 [posts_per_page] => 10 [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [monthnum] => 0 [year] => 0 [w] => 0 [category_name] => [tag] => [cat] => [tag_id] => [author] => [author_name] => [feed] => [tb] => [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => [embed] => [category__in] => Array ( ) [category__not_in] => Array ( ) [category__and] => Array ( ) [post__in] => Array ( ) [post__not_in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [search_columns] => Array ( ) [meta_query] => Array ( ) [ignore_sticky_posts] => [suppress_filters] => [cache_results] => 1 [update_post_term_cache] => 1 [update_menu_item_cache] => [lazy_load_term_meta] => 1 [update_post_meta_cache] => 1 [nopaging] => [comments_per_page] => 50 [no_found_rows] => [taxonomy] => settori [term] => sound-art-museum-en [order] => DESC ) [tax_query] => WP_Tax_Query Object ( [queries] => Array ( [0] => Array ( [taxonomy] => settori [terms] => Array ( [0] => sound-art-museum-en ) [field] => slug [operator] => IN [include_children] => 1 ) ) [relation] => AND [table_aliases:protected] => Array ( [0] => wp_term_relationships ) [queried_terms] => Array ( [settori] => Array ( [terms] => Array ( [0] => sound-art-museum-en ) [field] => slug ) ) [primary_table] => wp_posts [primary_id_column] => ID ) [meta_query] => WP_Meta_Query Object ( [queries] => Array ( ) [relation] => [meta_table] => [meta_id_column] => [primary_table] => [primary_id_column] => [table_aliases:protected] => Array ( ) [clauses:protected] => Array ( ) [has_or_relation:protected] => ) [date_query] => [queried_object] => WP_Term Object ( [term_id] => 10 [name] => SoundArtMuseum en [slug] => sound-art-museum-en [term_group] => 0 [term_taxonomy_id] => 11 [taxonomy] => settori [description] => [parent] => 0 [count] => 1145 [filter] => raw ) [queried_object_id] => 10 [request] => SELECT SQL_CALC_FOUND_ROWS wp_posts.* FROM wp_posts LEFT JOIN wp_term_relationships ON (wp_posts.ID = wp_term_relationships.object_id) JOIN wp_icl_translations wpml_translations ON wp_posts.ID = wpml_translations.element_id AND wpml_translations.element_type = CONCAT('post_', wp_posts.post_type) WHERE 1=1 AND ( wp_term_relationships.term_taxonomy_id IN (11) ) AND ((wp_posts.post_type = 'sounds' AND (wp_posts.post_status = 'publish'))) AND ( ( ( wpml_translations.language_code = 'en' OR ( wpml_translations.language_code = 'it' AND wp_posts.post_type IN ( 'page' ) AND ( ( ( SELECT COUNT(element_id) FROM wp_icl_translations WHERE trid = wpml_translations.trid AND language_code = 'en' ) = 0 ) OR ( ( SELECT COUNT(element_id) FROM wp_icl_translations t2 JOIN wp_posts p ON p.id = t2.element_id WHERE t2.trid = wpml_translations.trid AND t2.language_code = 'en' AND ( p.post_status = 'publish' OR p.post_status = 'private' OR ( p.post_type='attachment' AND p.post_status = 'inherit' ) ) ) = 0 ) ) ) ) AND wp_posts.post_type IN ('post','page','attachment','wp_block','wp_template','wp_template_part','wp_navigation','mc4wp-form','projects','events','sounds' ) ) OR wp_posts.post_type NOT IN ('post','page','attachment','wp_block','wp_template','wp_template_part','wp_navigation','mc4wp-form','projects','events','sounds' ) ) GROUP BY wp_posts.ID ORDER BY wp_posts.post_date DESC LIMIT 840, 10 [posts] => Array ( [0] => WP_Post Object ( [ID] => 6311 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "flo"; T.T. 54' 19". Copyright: Kaffe Matthews 2003 Mixed and produced by km at Annette Works. [post_title] => Chem trails [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => chem-trails [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:57 [post_modified_gmt] => 2015-01-09 16:00:57 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6311 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 298 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 6343 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Aaron Acosta “frequency, amplitude and time” – archivio SAM n. 124/b,13 tracce, compl. 59’18” Lavoro musicale. Fasce elettroniche, che spesso risolvono in ritmo. Timbriche interessanti ma un po’ datate. Uso di strumenti e voci campionate, afferenti soprattutto al mondo della musica indiana (sitar, tablas, solfeggio sillabico), ma anche pianoforte acustico, zampogna, ecc. Lavoro piuttosto vario, lungo, vagamente noioso e non particolarmente innovativo, eppure non privo di un suo fascino: in particolare nei momenti più estatici e “immobili” (vedi traccia 11). [post_title] => fire study song [post_excerpt] => Aaron Acosta is a graduate from the College of Santa Fe with a BA in Sound Design in Media in 2002. This is a Self Designed major that consists of studies in Theatre, Film, and Music. He enjoys designing soundscapes for theatre and film and he has many skills as far as theatre and film production. What he loves most is sound. Sound helps us interpret the world in a unique way with frequency, amplitude and time: he chooses to explore these realms. He is involved with electro acoustic composition as well as more traditional composition. He is currently working as Technical Director/ Resident Designer for Santa Fe Performing Arts. FESTIVALS. - Wave under 60, Vox Novus, New York, november 2004. - Traffic, Lunel (France) June 6th 2004, The Electrolune performance. - Traffic under 60, 60x60 concert, Vox Novus, New York, november 2003. - Reflection on "Eye of God", (2002) featured in 2003 Electric Rainbow Coalition Festival and Sixth Annual Santa Fe International Festival of Electro-Acoustic Music. - Traffic and Nebulous, performed at a special tape music reception on sept. 25 at the Santa Cruz Cayuga Vault for local audience and members of the Woodstockhausen Staff. Music copyright Aaron Acosta; all artwork + design herein is the copyright of Leona Graham: www.home.earthlink.net/~leonamae/leona.html R.G.: [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => fire-study-song [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:00 [post_modified_gmt] => 2015-01-09 16:01:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6343 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 330 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6375 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Il brano è il track 5 di un Cd (T. T. 50' 10") dove sono raccolti alcuni lavori dell'artista. 1. un testo che illustra le occasioni e i modi di realizzazione dei brani che compongono il CD; 2. Materiale illustrativo + dvd (FC3) relativi al lavoro Lignes d'air (Orléans, 2004); 3. C.v.; 4. Materiale illustrativo del lavoro "Swell" (5/11/2004); 5.Brochure dell'istallazione"Station 3". [post_title] => Portes [post_excerpt] => Dominique Leroy Né en 1970 aux Sables d’Olonne / Born in 1970 in Sables d’Olonne (F). Études et formation / Education: -2003-2004/ HISK (Hoger Institut voor Schone Kunsten), Antwerpen -1991-1996/ École Régionale des Beaux-Arts de Tours et de Nantes Bourses et résidences / Grants: -2003-2004/ Programme MAP, Pépinières européennes pour jeunes artistes, Mons -2002/ Résidence à Saint-Setiers, Association « Appelboom » -1999/ Aide à l’installation d’atelier, DRAC Pays de la Loire Expositions individuelles / Solo exhibitions: -2003/ Idem+Arts, Maubeuge -2002/ La Pommerie, Saint-Setiers Idem+Arts, Maubeuge Expositions de groupe et performances / Collective exhibitions and performances -2003/ W139, Amsterdam « ’été + », Mons Musée des Beaux-Arts de Mons « Station 2 », galerie 7m3, médiathèque de Mons -2002/ « Sous le soleil », Saint-Herblain Théâtre de l’Agora, Ivry -2001/ « Station1 », Journées du patrimoine, Nantes « Champ de traces et ligne de loup », galerie du Haïdouc, Bourges « Aller-retour », Nantes et Bordeaux « SBAM+ », Centre commercial Beaulieu, Nantes -2000/ « Festival des labos », musique et cinéma expérimental, Grenoble « Actif-Réactif », Le Lieu Unique, Nantes Galerie pédagogique, Collège Victor Segalen, Châteaugiron Ancienne gare SNCF, Oudon -1999/ « Un samedi soir en mouvement », Oudon Ancienne gare SNCF, Oudon [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => portes [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:03 [post_modified_gmt] => 2015-01-09 16:01:03 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6375 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 364 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 6407 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Ochre River [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ochre-river [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:06 [post_modified_gmt] => 2015-01-09 16:01:06 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6407 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 396 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6076 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Thank for flying american [post_excerpt] => "Thank for flying american" is a richly diverse anthology of audio art compositions by media, performance and visual artist, write audio composer, producer, and internationally broadcast radio art innovator Jaci Apple. Travelling a thematic path, this 17 cut compilation, selected from six of her major performance, installation, video and radio works from 1980-1991, is a journey accross the American landscape spanning three decades. Filled with a pervasive sense of loss, this series of aural snapshots gazes bacward into the past from different vantage points as it speeds forward into a precarious and sometimes ominous future. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => thank-for-flying-american [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:00 [post_modified_gmt] => 2015-01-09 16:02:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6076 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 60 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6108 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => "Corredi" (track 1) [post_excerpt] => intervista in cui diverse persone raccontano aneddoti che riguardano i propri vestiti&hellip.Raccontato in dialetto [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => corredi-track-1 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:02 [post_modified_gmt] => 2015-01-09 16:02:02 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6108 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 92 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6140 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Copyright 1999 The Institution of Rot. (da originale 1964 ca.) [post_title] => Crow and Mamma [post_excerpt] => Copyright 1999 The Institution of Rot [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => crow-and-mamma [to_ping] => [pinged] => [post_modified] => 2019-07-02 15:33:31 [post_modified_gmt] => 2019-07-02 13:33:31 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6140 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 125 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6172 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CD Heckle [post_title] => Senza titolo [post_excerpt] => Matteo Pittoni is Italian and born in 1976. He has a background in rock music but has worked his way through many different musical genres. At present he is especially concerned with ethnic music, and he produces sound for the theater. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => senza-titolo-18 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:09 [post_modified_gmt] => 2015-01-09 16:02:09 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6172 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 157 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6204 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Lab (track 4) [post_excerpt] => C.P.: ZATAN VUKOSALIEVIC n. arch. 103 traccia 4 – idem. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => lab-track-4 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:13 [post_modified_gmt] => 2015-01-09 16:02:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6204 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 190 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6436 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Plan de Paris - itinerario n. 13 [post_excerpt] => Born in Rome on February 7, 1958. From 1978 to 1982 has studied at the Accademia di Belle Arti in Rome, under Toti Scialoja; has worked since 1990 at the Studiohouse Freiraum in Hannover. Since 1989 Landi is associate professor at the Accademia di Belle Arti in Rome, where she lives and works. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => plan-de-paris-itinerario-n-13 [to_ping] => [pinged] => [post_modified] => 2019-07-31 15:52:00 [post_modified_gmt] => 2019-07-31 13:52:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6436 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 425 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 6311 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "flo"; T.T. 54' 19". Copyright: Kaffe Matthews 2003 Mixed and produced by km at Annette Works. [post_title] => Chem trails [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => chem-trails [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:57 [post_modified_gmt] => 2015-01-09 16:00:57 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6311 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 298 [post_it] => 10 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1139 [max_num_pages] => 114 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 075ee5b98d6e0d8b3958f23de0930175 [query_vars_changed:WP_Query:private] => 1 [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )