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Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => motivo-di-tutto [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:30 [post_modified_gmt] => 2015-01-09 16:03:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6616 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 607 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 6648 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Bonus Track [post_excerpt] => Chris Bors was born in Ithaca, New York in 1971. He lives and works in Harlem in New York City. He received his BA from University at Albany in 1993 and his MFA from School of Visual Arts in 1998. He also studied at Rhode Island School of Design in 1995. His solo exhibitions in New York include Quest for Herb at Here Art and Beat Down at PS 122 Galley. His art has also been shown at PS1 MoMA, White Columns, and Ten in One Gallery in New York, and in Berlin, Cyprus, the Netherlands, and Zurich. His work has been reviewed in The New York Times, Time Out New York, Newsday and PAJ, A Journal of Performance and Art, as well as being featured in Razor and zingmagazine. He has curated exhibitions at Here Art in New York and Vox Populi in Philadelphia and written criticism for artnet.com. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => bonus-track [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:25 [post_modified_gmt] => 2015-01-09 16:05:25 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6648 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 639 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6680 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Fluctuation of the Field [post_excerpt] => "ghost.dances/ on the event horizon": following up her retrospective anthology "Thank You For Flying American", visual, performance, and media artist, and audio-composer/producer Jacki Apple's second CD release is a sonic evocation of the clash between nature and culture in the modern world. It contains works from six major pieces that explore environmental issues - The Amazon (from "The Amazon, The Mekong, The Missouri and The Nile"), an excerpt from "Aviary of the Lost" plus "Flame to Moth & Fish Gotta Swim" and "Ghost Dancers for Birdland" from "The Culture of Disappearance", the full-length "One World at a Time" set in outer space, inner space, and cyber sapce, and "Fluctuations of the Fields" based on the writings of physicist avid Bohm. It includes music from Bruce Fowler, Ruben Garcia, and Kira Vollman & Joseph Berardi, as well as Apple's sound compositions and vocals. A Cactus Foundation/ Chronic Interactive production [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => fluctuation-of-the-field [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:28 [post_modified_gmt] => 2015-01-09 16:05:28 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6680 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 671 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 6740 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => live'n'amok [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => livenamok [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:34 [post_modified_gmt] => 2015-01-09 16:05:34 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6740 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 731 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6794 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Broken memory [post_excerpt] => Andres Aguirre Salazar Date and place of Birth: January 7, 1977. Bogota’ Colombia. Live and work in Venice, Italy STUDIES 1996-2001 Degree in architecture Piloto de Colombia University Bogota - Colombia 2001-2002 Photography Colombo-French Alleance Institute Bogota – Colombia Art History Art Gallery Athena Bogota - Colombia 2002-2005 Specialization Degree on Visual Arts,Art and Design Faculty, IUAV University, Venice – Italy EXHIBITIONS 2005. 89th Collective Exhibition for Joung Artists, Gallery Bevilaqua La Masa, Piazza San Marco. Venice, Italy.Curated by Angela Vettese. (Price winner). 2005. TRANSMISSION. Plaza Market, Venice, Italy. Curated by progettozeropiu’. 2004. 88th Collective Exhibition for Joung Artists, Gallery Bevilaqua La Masa, Piazza San Marco. Venice, Italy. Curated by Angela Vettese. 2004. Sound Art Museum, Roma, Italy. Curated by Nomads and Residents and RAM (Radio Arte Mobile). 2004. Cartografia resistente (Resistent Cartography), ELETTRO+. Florence, Italy. Curated by ogi:noknauss. 2004. EUROPAN, Architetture e Strategie di Trasformazione Urbana (Architecture and Strategies of Urban Transformation). Venice, Italy. 2004. TRANSMISSION : RADIO COOPERATIVA – FM 92,7. Friuli, Italy. Curated by progettozeropiu’. 2004. T.V. street “qualsiasi (tv)”, BASE Gallery / Progetti per l’arte. Florence, Italy. Curated by Rirkrit Tiravanija. 2003. talk show-dialoghi in mostra, VIAFARINI Gallery, Milano, Italy. Curated by Hans Ulrich Obrist. 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Arch. 183.28, 184.33, 185.23 [post_title] => Sumanassa [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sumanassa [to_ping] => [pinged] => [post_modified] => 2019-08-13 11:55:46 [post_modified_gmt] => 2019-08-13 09:55:46 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6858 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 851 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6890 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CFR. n. arch. 184.28 [post_title] => Doors close… [post_excerpt] => Paul Fretwell (b.1972) is a composer and sonic adventurer who walks along the edge of our musical experiences, endowing the everyday, the mundane, the noisy, the quiet, and the unheard with a new musical value. He has produced pieces for traditional instruments from full orchestra to small ensemble, as well as works which use computer technology to transform and develop sound. His music is dramatic, sensuous and evocative, using drones, textures, grating timbres and luscious harmony to create a beguiling sonic vocabulary that bewitches the listener. Many of his works have been performed in festivals and concerts around the world. Two of his electroacoustic pieces have been released on CD, Doors Close and A Fragmented History, both on Audio Research Editions (Hope and Trace). His musical education began early, and as a child he was awarded a place at Chetham’s School of Music, where he studied trombone, piano and composition. Later he attended the University of Birmingham, where he gained a first class honours degree specialising in composition. More recently, he has completed a Masters and PhD at City University, London. He has taught composition in a wide variety of institutions including the Royal Academy of Music, University of Hertfordshire, Bath Spa University, and in September 2005 was appointed to a position at the newly-founded Centre for Music Technology at the University of Kent, where he is contributing to the development of a range of degrees and research programmes. 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Arch. 183.18, 185.15 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => trace n [post_excerpt] => Mostly Diledafish are working as a duo. They explore new music and sounds by playing like kids who are playing with wooden cubes. First recording in 1984 - dadagraphy includes 3 cassettes, 1 LP, 32 CD's and participating in - or leading of - a lot of international projects (like "ReR Quarterly", "Pointof yucca", "Hope" CD, "Enhanced Gravity",…and many others). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => trace-n [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:05 [post_modified_gmt] => 2015-01-09 16:07:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6954 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 949 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 6616 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => motivo di tutto [post_excerpt] => Gianluca Codeghini Nato a Milano il 02.09.1968 Diplomato all’Accademia di Brera Milano al corso di Pittura. Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. 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