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[post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => salutare [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:05 [post_modified_gmt] => 2015-01-09 16:02:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6139 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 124 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6171 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CD Heckle [post_title] => Senza titolo [post_excerpt] => Matteo Pittoni is Italian and born in 1976. He has a background in rock music but has worked his way through many different musical genres. At present he is especially concerned with ethnic music, and he produces sound for the theater. 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[post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => lab-track-3 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:13 [post_modified_gmt] => 2015-01-09 16:02:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6203 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 189 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6435 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => The concept of multiples and doubles (the theme of this CD's) and the re-cycling of the works sometimes from many years ago is a process that began in the early nineties and co-incided with three artist colony sojourns. First at Mac dowell Colony, then at Yaddo Colony and last at the Headlands center. The reflective look over an entire oeuvre became a mechanism that accelerated. At first it consisted of the Cageian gloss of playing entire works with other works, either simoultaneously on top of each other or sequentially in parts or sections. Then with digital network musics and the home computer came the text-radio works, creating new sound designs, playing them with old often ambient analog tape works. Finally the process became quite complex using simulation and photo-real aural sound soundscape in creating sonic atmospheres and doubles of all kinds. This De Chirico-like aping of former material has became quite developed and culminates in the Wave Fugue. [post_title] => Mobile Phone Dreams B with LOST [post_excerpt] => Rocco Di Pietro was born in Buffalo, New York in 1949. He studied composition and piano with Hans Hagen and Lukas Foss in Buffalo and at the Berkshire Music Center, Tanglewood. He studied in New York and Darmstadt with Bruno Maderna and was a freelance composer for twenty years before earning degrees from SUNY Buffalo and Vermont College. He became an interdisciplinary adjunct professor teaching in prisons and on many college campuses throughout New York, Ohio, and California. He toured California prisons as artist-in-residence and conducted four years of interviews in Chicago with Pierre Boulez. The resulting book, DIALOGUES WITH BOULEZ, was recently published by Scarecrow Press. He composed Prison Dirges I for the Kronos String Quartet. Di Pietro's music has been performed by many musicians in venues throughout the world. These include: Christiane Edinger, Christobal Halffter, Lukas Foss, Julius Eastman, Bruno Maderna, Frances Marie Uitti, Yvar Mikhasoff, Jan Williams, Anthony Miranda, Gunther Schuller, Dennis Russell Davies, the Buffalo Philharmonic Chamber Orchestra, The Brooklyn Philharmonic, the Bavarian Radio Orchestra, Pro Musica Chamber Orchestra, CETA Orchestra, Ojai Ensemble Sonor, St. Paul Chamber Orchestra, Columbus Wind Orchestra, Earlham String Orchestra, the Avant Collective, and the Madd Lab Orchestra. Venues include: The Kitchen, La Mama, Bang On A Can Festival, in New York, Contemporary Music Society of Seoul, South Korea and American Academy in Rome among others. Recent performances of LOST have been featured at Dartmouth College and Stanford University. Recently, his work has developed on several fronts. Sound text radio works have developed simultaneously with his teaching at Columbus State College of electronic music and other courses in the Humanities. These works have been broadcast on radio stations in Seattle, Chicago, Baltimore, Detroit, New York and in Europe, in Naples, Rome, Vienna, Prague, Budapest etc. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => mobile-phone-dreams-b-with-lost [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:12 [post_modified_gmt] => 2015-01-09 16:03:12 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6435 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 424 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6446 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Original music by Mino Freda; produced by Freda editing, sound engineer, mastering and mixed: Mino Freda Interventi solistici: trombone: Sergio Battista, violino: Monica Castorina, percussioni: Francesco Mendolia. Auto produzione a tiratura limitata: es. ristampa seconda serie in vendita con il catalogo della mostra da Silenzio-Distribuzione (www.silenzio-distribuzione.it) [post_title] => On-Chop-In [post_excerpt] => Mino Freda (Roma 1963), compositore,percussionista, ha svolto studi di composizione e direzione di coro presso il Conservatorio S. Cecilia di Roma. Dal 1986 al 1996 è impeganto come percussionista in complessi sinfonici e lirici, compiendo tournées in Italia e all'estero. Da qualche anno è interessato alla musica elettronica e al trattamento digitale delle fonti sonore. Nel dic.'99 ha realizzato musiche per il programma radiofonico "L'occhio magico" (Radio Rai3) dedicato a Anselm Kiefer.Ha pubblicato musiche pianistiche per la ed. musicali Domani Musica e scritto per la rivista di musica contemporanea Konsequenz aderendo a un'iniziativa promossa da Giuseppe Chiari. Ha collaborato alla realizzazione di installazioni sonore con alcuni dei più autorevoli istituti italiani di ricerca di musica elettronica come l'Istituto Gramma de L'Aquila e il CRM di Roma. Dopo gli studi in lettere, in qualità di storico dell'arte contemporanea, si è spesso interesato allo studio dei fenomeni musicali nell'ambito dell'arte contemporanea. 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Arch. 190.21 Due cd-rom fuori catalogo degli stessi artisti: FC.5: Geluidskunst wich took polace through the internet, and was presented at HK Watertoren from nov. 16, 2003 until jan. 18, 2004. FC.6: CU 29CONTAINS VIDEO'S OF THE EXHIBITION THAT WE PRESENTED AT hk Watertoren, Vlissingen, fromnov. 16, 2003 until jan. 18, 2004. [post_title] => Flexitar [post_excerpt] => From 1994 we are working together as an artistic duo. The starting point for our artistic work is the notion, that movement and sound are identical; without movement (vibration) nothing can be heard. This idea is worked out by us in every thinkable form: installations, works in progress on location, performances, concerts, etc. Because of the temporary character of the media sound and movement, our works, up to now, have always been presented during a limited period of time. So there are no objects for sale. Besides using the media movement, sound and image, we also have an interest in using new media and technology, that are often realized especially for our projects. Selection of presentations: 2003: Organisation of a tour of 8 soundartists to Belgrade. Concert at April Meeting Festival, SKC, Belgrade. Concert at Ringring-festival, REX, Belgrade. Concert at Interzone 2003 festival, Novi Sad. Groupexhibition "Corporate Identity", NBKS, Breda. Installation "Geluidskunst", Synagogue at Palmovka, Prague. Concert, Synagogue at Palmovka, Prague. Concert, Festival Sound-Movement-Image, House of Art, Opava, Czech Rep. Concert, Sklenena Louka, Brno. Lecture at FAVU, University of Brno. Project "Cu 29", Watertoren HK, Vlissingen. Project consisting of a work in progress, 3 soundinstallations, and 3 performances. 2002: Concert, LOGOS Foundation, Ghent. Concert, Exposition of New Music, Brno, Czech Republic. Installation "Medeklinkers", de Witte Dame, Eindhoven Website "The Anonomous Serenade", Project 4x4x4, MAD Foundation, Eindhoven. (www.4x4x4.dse.nl). 2001: Installation "Interference", 2 concerts, IM Festival, Minebuilding, Waterschei,Belgium. Performance "Jestem ruchem", Fest. Castle of Imagination, BWA, Zielona Gora, Poland. Performance, i.c.w. Jirzi Kurovka, Sylvette Babin, Oskar Dawicki, Fumiko Takahashi; Castle of Imagination, BWA, Zielona Gora, Poland. Performance "Jestem ruchem", first version, gallery BWA, Ustka, Poland. Performance, "I am movement", performance festival, Piotrkow Trybunalski, Poland. Installation and concert, SKC, Belgrade. Installation and performance, REX, Belgrade. 2000: Installation, 'Hladilnica", Pekarna, Maribor, Slovenia. Installation "Shadow Play", 1may-festival, 2B, Eindhoven. CD "The Adventures of Toon Scales", Bake Records, Staalplaat, Amsterdam. Installation Ínterference', at the complex of NRE Powercompany, Eindhoven. Installation, concert, and presentation at Gallery 'de Overslag', Eindhoven. 1999: Participation in "Conjunction", CD/Internet-project, Triple-X-festival, Amsterdam. Performance "The Boxing-ring", performance-festival, Cuba Cultur, Muenster, Germany. Installation "The Gathering", Musikfestspiele Sanssouci, Potsdam, Germany. Participation on a performance of Jens Brand, Galery de Overslag, Eindhoven. 1998: "Global Mix", live-radiomix through Internet from the Goethe Institute, Krakow, Poland. Installation "Shadow Play", and concert; Bunkier Sztuki, Krakow, Poland Installation "DioN.Y.sus'Scales", and concert; Audio Art Festival, Ujazdowski Castle, Warsaw. Installation "The Gathering", festival Baitz mit Klang, Baitz, Germany. Concert, Kunstfabrik, Darmstadt, Germany. Performance "The Boxing-ring", Performance Art Festival, Cleveland,OH,USA. Performance and installation ÏnSight", Spritzenhaus, Hamburg, Germany. 1997: Installation "DioN.Y.sus'Scales", HK Watertoren, Vlissingen. Concert, Kulturzentrum BOA, Lucerne, Switzerland. Project 'Het Vogelbekkenstuk", with Moniek Darge, Logos Fnd. Ghent, Belgium. Concert, Kuenstlerhaus, Dortmund, Germany. Project "Het Vogelbekkenstuk", with Jim Dvorak, Vrijhof Theatre, University of Enschede. Project "Het Vogelbekkenstuk", with Cor Gout and Wilbert de Joode, Effenaar, Eindhoven. 1996: Installation Oorsmeer, de Singel, Antwerp, Belgium. Installation Oorsmeer, Center for the Arts "Vooruit", Ghent, Belgium. Concert, Untitled Festival, Willem II, Den Bosch. Installation Oorsmeer, Theater a/d Parade, Den Bosch. Installation "DioN.Y.sus'Scales", Triple X-festival, Westergasfabriek, Amsterdam. Installation "The LocoMotives", Central Railway Station, Eindhoven. "First Night Installation", with Dan Senn and David Means, 1048 Broadway, Tacoma,WA,USA 1995: Concert, Festival Experimental Music, Polytechnic University, Munich. Installation "The State of things", +concert, het Stroomhuis, Neerijnen, NL. Concert, "Belgie", Hasselt, Belgium. Groupexhibition "Rotterdam/Vladivostok, Railwaystation Schiedam and Gallery Artetage, Vladivostok. Installation and performance "Shadows", Islip Art Museum, Islip, NY, USA. Installation "FBI", de Unie, Rotterdam. 1994: The boxing-ring and concert, Experimental Intermedia, New York, NY, USA. Artist-in-residency, Harvestworks, New York,NY,USA. Installation "DioN.Y.sus'Scales", Gallery Art in General, New York,NY,USA. Installation "Pegasus", Museum School of Fine Arts, Boston,MA,USA. Installation "Donar's Chariot"and concert; Islip Art Museum, Islip, NY, USA. Installation "Donar's Chariot"and concert; Vooruit, Gent. 1993: Concert, Videcultura, Haarlem. Installation and concert; Hermit Festival, Plasy, Czech Republic. Installation "Donar's Chariot"and concert, het Apollohuis, Eindhoven. Concert, de Melkweg, Amsterdam. Concert, Stedelijk Museum, Amsterdam/ VPRO-radio. Performance "Black Box", Effenaar, Eindhoven. Performance+concert; Center for New Dance Development, Arnhem. 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101

Gianluca Lombardo

101

1999

Lab (track 3)

Zlatan Vukosavljevic, Andris Vilcans, Daniel Petronijevic

Lab (track 3)

2004

Flexitar

Petra Dubach, Mario van Horrik

Flexitar

2003