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Copyright: Kaffe Matthews 2000. Mixed and edited by km at Annette Works. [post_title] => In search of a bun (track 3) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => in-search-of-a-bun-track-3 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:58 [post_modified_gmt] => 2015-01-09 16:00:58 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6317 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 304 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 6349 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => A Birdsong Sampler (track 4) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-birdsong-sampler-track-4 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:01 [post_modified_gmt] => 2015-01-09 16:01:01 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6349 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 338 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6381 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Il brano è il track 11 di un Cd (T. T. 50' 10") dove sono raccolti alcuni lavori dell'artista. 1. un testo che illustra le occasioni e i modi di realizzazione dei brani che compongono il CD; 2. Materiale illustrativo + dvd (FC3) relativi al lavoro Lignes d'air (Orléans, 2004); 3. C.v.; 4. Materiale illustrativo del lavoro "Swell" (5/11/2004); 5.Brochure dell'istallazione"Station 3". [post_title] => Deux murs et des oreilles [post_excerpt] => Dominique Leroy Né en 1970 aux Sables d’Olonne / Born in 1970 in Sables d’Olonne (F). Études et formation / Education: -2003-2004/ HISK (Hoger Institut voor Schone Kunsten), Antwerpen -1991-1996/ École Régionale des Beaux-Arts de Tours et de Nantes Bourses et résidences / Grants: -2003-2004/ Programme MAP, Pépinières européennes pour jeunes artistes, Mons -2002/ Résidence à Saint-Setiers, Association « Appelboom » -1999/ Aide à l’installation d’atelier, DRAC Pays de la Loire Expositions individuelles / Solo exhibitions: -2003/ Idem+Arts, Maubeuge -2002/ La Pommerie, Saint-Setiers Idem+Arts, Maubeuge Expositions de groupe et performances / Collective exhibitions and performances -2003/ W139, Amsterdam « ’été + », Mons Musée des Beaux-Arts de Mons « Station 2 », galerie 7m3, médiathèque de Mons -2002/ « Sous le soleil », Saint-Herblain Théâtre de l’Agora, Ivry -2001/ « Station1 », Journées du patrimoine, Nantes « Champ de traces et ligne de loup », galerie du Haïdouc, Bourges « Aller-retour », Nantes et Bordeaux « SBAM+ », Centre commercial Beaulieu, Nantes -2000/ « Festival des labos », musique et cinéma expérimental, Grenoble « Actif-Réactif », Le Lieu Unique, Nantes Galerie pédagogique, Collège Victor Segalen, Châteaugiron Ancienne gare SNCF, Oudon -1999/ « Un samedi soir en mouvement », Oudon Ancienne gare SNCF, Oudon [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => deux-murs-et-des-oreilles [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:04 [post_modified_gmt] => 2015-01-09 16:01:04 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6381 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 370 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 6413 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => World Record [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => world-record [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:06 [post_modified_gmt] => 2015-01-09 16:01:06 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6413 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 402 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6082 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cd nO. 1, Track 20 - [post_title] => "Hollywood Babylon" [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hollywood-babylon [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:00 [post_modified_gmt] => 2015-01-09 16:02:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6082 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 66 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6114 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => For So the Boys Rule [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => for-so-the-boys-rule [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:03 [post_modified_gmt] => 2015-01-09 16:02:03 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6114 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 98 [post_it] => 1 ) [6] => WP_Post Object ( [ID] => 6146 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch. 190.15 Flusso di suoni come ombre, il lavoro di Simona Barbera/Mauro Folci dice perdite, derive, assenze. Dal punto di vista modale, esso assume una responsabilità assai alta e precisa nel campo delle contaminazioni disciplinari, espandendo l'originale operazione di Folci sino a convocare una sorta di pronuncia minimale di delirio, del male attraverso i suoi detriti, e insieme alla sua lugubre ordinarietà. Esso, tuttavia, può anche essere inteso come momento autonomo di ascolto, prescindendo dalle integrazioni visive, come una sorta di rapsodia astratta, aspra ove avverti il tempo scorrere come il sangue che i "ghosts" un tempo hanno avvertito scorrere nelle vene, e hanno versato in un tributo del quale resta un silenzio, cadenzato dal gelo di queste schegge (Flaminio Guardoni). [post_title] => Ghost Buster [post_excerpt] => S. Barbera: voce, amuleti, braccialetti M. Folci: progetto Ghost Buster [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ghost-buster [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:06 [post_modified_gmt] => 2015-01-09 16:02:06 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6146 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 131 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6178 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Das Haus der Ort [post_excerpt] => "If one or more works fit into your concept please feel free to use this material for database or for public representation" [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => das-haus-der-ort [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:10 [post_modified_gmt] => 2015-01-09 16:02:10 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6178 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 163 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6210 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Transmission [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => transmission [to_ping] => [pinged] => [post_modified] => 2019-07-09 13:39:33 [post_modified_gmt] => 2019-07-09 11:39:33 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6210 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 196 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6442 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Original music by Mino Freda; produced by Freda editing, sound engineer, mastering and mixed: Mino Freda Interventi solistici: trombone: Sergio Battista, violino: Monica Castorina, percussioni: Francesco Mendolia. Auto produzione a tiratura limitata: es. ristampa seconda serie in vendita con il catalogo della mostra da Silenzio-Distribuzione (www.silenzio-distribuzione.it) [post_title] => Crudele Dardanio [post_excerpt] => Mino Freda (Roma 1963), compositore,percussionista, ha svolto studi di composizione e direzione di coro presso il Conservatorio S. Cecilia di Roma. Dal 1986 al 1996 è impeganto come percussionista in complessi sinfonici e lirici, compiendo tournées in Italia e all'estero. Da qualche anno è interessato alla musica elettronica e al trattamento digitale delle fonti sonore. Nel dic.'99 ha realizzato musiche per il programma radiofonico "L'occhio magico" (Radio Rai3) dedicato a Anselm Kiefer.Ha pubblicato musiche pianistiche per la ed. musicali Domani Musica e scritto per la rivista di musica contemporanea Konsequenz aderendo a un'iniziativa promossa da Giuseppe Chiari. Ha collaborato alla realizzazione di installazioni sonore con alcuni dei più autorevoli istituti italiani di ricerca di musica elettronica come l'Istituto Gramma de L'Aquila e il CRM di Roma. Dopo gli studi in lettere, in qualità di storico dell'arte contemporanea, si è spesso interesato allo studio dei fenomeni musicali nell'ambito dell'arte contemporanea. 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She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. 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