Archivio Sonoro: RAM radioartemobile

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La conferenza si inserisce nell'ambito della rassegna dedicata al tema "Arte e filosofia del '900", curata da Giuseppe Di Giacomo e Maria Giuseppina Di Monte.

Tra il 1974 e il 1977 Jean-François Lyotard lavora ad alcuni scritti sotto il titolo Les Transformateurs Duchamp. Duchamp era scomparso il 2 ottobre del 1968 ma la sua opera è riscoperta e valorizzata in Francia proprio dopo la sua morte. Il Centre Pompidou dedicherà la prima grande retrospettiva a Marcel Duchamp nel 1977. È in questa occasione che nel volume che accompagna la mostra Lyotard pubblica un testo dal titolo Inventaire du dernier nu. Tali scritti sono dunque al centro della conferenza che cercherà di riflettere sul rapporto tra queste due figure nodali del XX secolo. Se la filosofia e l’arte sono da sempre in una relazione profonda, il rapporto tra Lyotard e Duchamp indica addirittura una simbiosi e uno scambio, una tendenza del filosofo e dell’artista a oltrepassare, ognuno a suo modo, i confini del proprio ambito, per interrogarsi non tanto su cosa siano la filosofia e l’arte ma per fare esperienza del sensibile, della scrittura e dell’indicibilità del linguaggio, dell’inenarrabile e di ciò che resta, in ultima analisi, sempre estraneo alla visione, tuttavia, come dicevano sia Lyotard che Duchamp, “possibile”.

21 Gennaio 2014

Sala del Mito

Galleria Nazionale d'Arte Moderna 

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[post_title] => Test pressing, instrumental version 1 (extrait) [post_excerpt] => un programme de travaux sonores d'artistes réalisé par Maurizio Nannucci / zona archives /la box/ Ecole Nationale des Beux-Arts, Bourges [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => test-pressing-instrumental-version-1-extrait-2 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:21 [post_modified_gmt] => 2016-03-23 16:58:21 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7502 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1497 [post_it] => 7 ) [2] => WP_Post Object ( [ID] => 7535 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => Arte: DIMENTICARE A MEMORIA, Artefiera ART FIRST, Bologna. Il progetto, ideato da Achille Bonito Oliva, prevede la creazione di uno “stand” - l’intestazione sarà ABO critica ad arte – del tutto simile a quelli occupati dalle gallerie espositrici alla manifestazione che invece di ospitare oggetti d’arte ospiterà concetti, espressi tramite la parola degli artisti [post_title] => [post_excerpt] => Achille Bonito Oliva. Dialoghi d' artista. 1968-2008 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 7535 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:27 [post_modified_gmt] => 2016-03-23 16:58:27 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7535 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1530 [post_it] => 7 ) [3] => WP_Post Object ( [ID] => 7567 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => L’ADACH Platform a Venezia vuole porsi come articolato punto d'incontro per la produzione artistica, con una rassegna di arti visive e di cultura contemporanee dal punto di vista di Abu Dhabi/EAU e non solo. La maggior parte dei contenuti dell’evento deriverà da progetti sviluppati nell’ambito dell’ADACH Platformfor the Visual Arts. 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Sede: Palazzo Molin - Fondamenta delle Zattere Kazakhstan Oksana Shatalova, Yelena Vorobyeva & Viktor Vorobyev Kyrgyzstan Ermek Jaenisch Tagikistan Djamshed Kholikov Uzbekistan Anzor Salidjanov [post_title] => Sounds Like Venice - Central Asia Pavilion [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sounds-like-venice-central-asia-pavilion-5-2 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:27 [post_modified_gmt] => 2016-03-23 16:58:27 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7599 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1627 [post_it] => 7 ) [5] => WP_Post Object ( [ID] => 7631 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Sounds Like Miart [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sounds-like-miart-2-2 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:27 [post_modified_gmt] => 2016-03-23 16:58:27 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7631 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1660 [post_it] => 7 ) [6] => WP_Post Object ( [ID] => 7663 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Joseph Backstein, Founding Director of the Moscow Biennale, Moscow [post_title] => Sounds Like (Art) Dubai [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sounds-like-art-dubai-4-2 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:27 [post_modified_gmt] => 2016-03-23 16:58:27 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7663 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1695 [post_it] => 7 ) [7] => WP_Post Object ( [ID] => 7695 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Nuova Zelanda Commissario: Jenny Harper. Commissario aggiunto: Heather Galbraith. Giraffe-Bottle-Gun Judy Millar Curatore: Leonhard Emmerling. Sede: Chiesa della Maddalena, Campo della Maddalena, Cannaregio Save Yourself Francis Upritchard Curatori: Heather Galbraith, Francesco Manacorda. 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The nature of the exhibition itself, with previously unseen installations, is strengthened not only by the occasional dialogue among the artists, but also by the precise understanding between them in private: they indulge us with their intimate and personal “confrontational field, dialectical field, battlefield” (Riccardo Giagni, Camere 2005). 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La conferenza si inserisce nell'ambito della rassegna dedicata al tema "Arte e filosofia del '900", curata da Giuseppe Di Giacomo e Maria Giuseppina Di Monte.

Tra il 1974 e il 1977 Jean-François Lyotard lavora ad alcuni scritti sotto il titolo Les Transformateurs Duchamp. Duchamp era scomparso il 2 ottobre del 1968 ma la sua opera è riscoperta e valorizzata in Francia proprio dopo la sua morte. Il Centre Pompidou dedicherà la prima grande retrospettiva a Marcel Duchamp nel 1977. È in questa occasione che nel volume che accompagna la mostra Lyotard pubblica un testo dal titolo Inventaire du dernier nu. Tali scritti sono dunque al centro della conferenza che cercherà di riflettere sul rapporto tra queste due figure nodali del XX secolo. Se la filosofia e l’arte sono da sempre in una relazione profonda, il rapporto tra Lyotard e Duchamp indica addirittura una simbiosi e uno scambio, una tendenza del filosofo e dell’artista a oltrepassare, ognuno a suo modo, i confini del proprio ambito, per interrogarsi non tanto su cosa siano la filosofia e l’arte ma per fare esperienza del sensibile, della scrittura e dell’indicibilità del linguaggio, dell’inenarrabile e di ciò che resta, in ultima analisi, sempre estraneo alla visione, tuttavia, come dicevano sia Lyotard che Duchamp, “possibile”.

21 Gennaio 2014

Sala del Mito

Galleria Nazionale d'Arte Moderna 

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