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It contains works from six major pieces that explore environmental issues - The Amazon (from "The Amazon, The Mekong, The Missouri and The Nile"), an excerpt from "Aviary of the Lost" plus "Flame to Moth & Fish Gotta Swim" and "Ghost Dancers for Birdland" from "The Culture of Disappearance", the full-length "One World at a Time" set in outer space, inner space, and cyber sapce, and "Fluctuations of the Fields" based on the writings of physicist avid Bohm. It includes music from Bruce Fowler, Ruben Garcia, and Kira Vollman & Joseph Berardi, as well as Apple's sound compositions and vocals. 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Arch. 183.28, 184.33, 185.23 [post_title] => Blue 14 [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => blue-14 [to_ping] => [pinged] => [post_modified] => 2019-08-13 11:55:42 [post_modified_gmt] => 2019-08-13 09:55:42 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6857 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 850 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6889 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CFR: n. Arch. 184.26 [post_title] => Hope [post_excerpt] => Equius has composed for film. Video, theatre and dance groups with ambitions to write a techno opera. Equius'first solo CD entitled "Earthgroove" encompasses techno dance mixed with ambient and world sounds. He is always searching for new sounds and new ways to compose, present and produce music. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hope-4 [to_ping] => [pinged] => [post_modified] => 2019-08-13 11:43:26 [post_modified_gmt] => 2019-08-13 09:43:26 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6889 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 883 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6921 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Gramophones (hopefully) [post_excerpt] => Project Dark are: Kirsten Reynolds, Ashley Davies, Tony Pattinson and Jason Cook. Project Dark have been producing large-scale live video/music shows since 1995. A catalogue of custom sculpted 7" singles is used as a basis for generating a unique range of sounds and spectacular related images. Project Dark have performed 'Excited by Gramophones' extensively in many varying international venues. The catalogue of 7" singles has also been exhibited in the UK and Europe. A 3D show 'Disc Continued...' was premiered in England and has toured in Europe. In London it was presented as part of 'Sonic Boom Live' - a night associated with the 'Sonic Boom' exhibition at the Hayward Gallery, South Bank London. Project Dark were invited by the curator David Toop to contribute an installation piece to this, the first major international exhibition of sound art in England. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => gramophones-hopefully [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:02 [post_modified_gmt] => 2015-01-09 16:07:02 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6921 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 916 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6953 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch.185.14 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => What is left on the surface is swept away [post_excerpt] => Tim Mark Didymus has been using generative software to realise audio/media works since 1993 completing his first album of generative audio works 'Float' released in 1996. He is interested in a discontinuation of interference in the arrangement of form. TMD is Principal Musician for Sseyo, Bafta award winning multimedia/software technologists. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => what-is-left-on-the-surface-is-swept-away [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:05 [post_modified_gmt] => 2015-01-09 16:07:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6953 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 948 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6985 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch. 183.49 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => A Line Through the Debris Fields [post_excerpt] => Phil Mouldycliff is an artist and lecturer. Since completing his PhD at Liverpool School of Art and Design, Liverpool John Moores University in 2001, he has become increasingly interested in producing installations which place reliance on indeterminate systems for the articulation of their material. He has recently embarked on a series of pieces entitled Debris Fields. Prior to this his work has encompassed a number of areas related to the work of John Cage, Tom Phillips and AMM. He has performed at Tate Liverpool, ICA London and Mappin Art Gallery Sheffield. Phil Mouldycliff and Maurice Watson have collaborated on anu,mber of projects including three versions of Performance Opera Installation "Titanic Numbers". Both have close associations with Tom Phillips indeterminate opera "IRMA" (see "Tom Phillips: works and Texts", Thames and Hudson, 1992, p. 278). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-line-through-the-debris-fields [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:08 [post_modified_gmt] => 2015-01-09 16:07:08 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6985 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 980 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 7017 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => March of the Mud Beetles [post_excerpt] => Richard Creed is an artist exploring the dissonances of markmaking through sound and drawings; the parallel abstract qualities of sounds and silence, marks and spaces, are interactive in the recent installation of Mudworks which is an experience for "seeking an affinity with infinity". He is currently Drawing Co-ordinator at Liverpool Art School. ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. 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It contains works from six major pieces that explore environmental issues - The Amazon (from "The Amazon, The Mekong, The Missouri and The Nile"), an excerpt from "Aviary of the Lost" plus "Flame to Moth & Fish Gotta Swim" and "Ghost Dancers for Birdland" from "The Culture of Disappearance", the full-length "One World at a Time" set in outer space, inner space, and cyber sapce, and "Fluctuations of the Fields" based on the writings of physicist avid Bohm. It includes music from Bruce Fowler, Ruben Garcia, and Kira Vollman & Joseph Berardi, as well as Apple's sound compositions and vocals. 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