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[post_content] => enregistré par Jonathan Borofsky à los angeles,1983.tellus 21.
[post_title] => The standard chant - part 2
[post_excerpt] => un programme de travaux sonores d'artistes réalisé par Maurizio Nannucci / zona archives /la box/ Ecole Nationale des Beux-Arts, Bourges
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[post_content] => CAMERE #15 - Artsound
VLADIMIR TARASOV- LEONID TISHKOV- VADIM ZAKHAROV
curated by
Vitalij Patsukov
For the fifteenth edition of Camere – Artsound – the spaces at RAM are transformed into an apartment in Moscow, one of those communal apartments saturated by things and sounds, the dimensions of which disciplined by voices, compressing and expanding, flowing together into empty or dense spaces. The Artsound project lays the image bare and manipulates sound, each conserving their natural connection casually within an open space.
Three are the artists invited, all representatives of the new Russian integrated culture: Vladimir Tarasov, Leonid Tishkov and Vadim Zakharov.
The art of Vladimir Tarasov, legendary jazz drummer, is a sort of adhesive which inserts and assembles all the possible phenomena of contemporary culture. The studies of Leonid Tishkov are aimed at daily events that repeat throughout a man’s life: starting with ordinary objective reality, he transforms it into magic and ritual. The work of Vadim Zakharov combines creative and reflective principals, extricating itself with ease through the use of objects, installations, video productions and performance.
Simultaneously, at the Auditorium Arte in the Parco della Musica, the Musica per Roma Foundation presents works relative to the Soviet avant-garde (Progetto Generazione Z) and to the N.Y.Group (Nadya&Yuriy), as well as works by the artists Vladimir Tarasov and Vadim Zakharov.
The exhibition at the Auditorium will open on June 28th at 19.00 and will remain open until July 13th.
In collaboration with:
Ministry of Culture of the Russian Federation
The National Centre for Contemporary Arts (NCCA)
Musica per Roma Foundation - Auditorium Parco della Musica
Giugno 2011
Roma
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[post_content] => édité par Rijksmuseum, Kröller - Müller Museum Otterlo,1985. pure freude , 45 rpm souple
[post_title] => Bismarkstrasse 50, Raum 4
[post_excerpt] => un programme de travaux sonores d'artistes réalisé par Maurizio Nannucci / zona archives /la box/ Ecole Nationale des Beux-Arts, Bourges
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[post_content] => Arte: DIMENTICARE A MEMORIA, Artefiera ART FIRST, Bologna. ll progetto, ideato da Achille Bonito Oliva, prevede la creazione di uno “stand” - l’intestazione sarà ABO critica ad arte – del tutto simile a quelli occupati dalle gallerie espositrici alla manifestazione che invece di ospitare oggetti d’arte ospiterà concetti, espressi tramite la parola degli artisti
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[post_excerpt] => Achille Bonito Oliva. Dialoghi d' artista. 1968-2008
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[post_content] => Interviste di: Roberto De Pol, Andrea De Stefani, Elisa Ferrari, Andrea Galiazzo, Giovanni Giaretta, Emiliano Pistacchi, Gianandrea Poletta, Diego Tonus, Sara Toso, Chiara Vecchiarelli. In collaborazione con: Chiara Fedele di Catrano, Felix Monguilot-Benzal, Filipa Ramos
[post_title] => Talk with me - Parla con me
[post_excerpt] => supervisorof the project: Achille Bonita Oliva
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[post_content] => Intervista con Corrado Bologna su Flatus vocis. Metafisica e antropologia della voce pubblicato da Il Mulino nella collana Intersezioni (1992)
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[post_excerpt] => Interviewed by Ilari Valbonesi
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[post_content] => IS IT POSSIBLE? Nature and Economy Together
Arsenale Novissimo, Spazio Thetis
dal 4 giugno al 22 novembre
Un'unica mostra, a cura di Lucrezia De Domizio Durini con la collaborazione di Gérard Georges Lemaire,coinvolge due artisti. Marco Bagnoli, con La Parola (come la Colonna ogni parola nel silenzio una colonna) 1991-2009. La Natura, intesa a tutto campo, pone domande e cerca risposte. Vitantonio Russo, conEconomic art – To open the debate,attraverso l’installazione-postazione Glossary e dibattiti, tenta un’equa distribuzione di beni fruttiferi.
[post_title] => Sounds Like Venice - Spazio Thetis
[post_excerpt] => Interviewed by Ilari Valbonesi
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[post_content] => Produceb by RAM Live for the RADIOPHONIC CREATION DAY. On May 23rd 2009, from midnight to midnight, was set up the first international Radiophonic Creation Day, a 24h programmingdevoted to radio creation. More than 50 radios and artists, coming from 12 different countries, produced sound pieces that will be broadcast in streaming on the festival website: www.shakerattleroll.org, on RAM LIVE and on FM via 9 radios in Europe **** www.shakerattleroll.org
[post_title] => Radiofonic Creation Day : Sheherezade's Diary
[post_excerpt] => Sound Project
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[post_content] => Arnold Brooks is American and was born in 1950. He has not only worked as a musician but also as a graphic artist. Brooks teaches art at several art institutions in New York and has done a large number of exhibitions in USA. The sketchy style, the obliterated and the expressiveness of the sound works are reflected in Brooks’ graphic prints and paintings.
[post_title] => ContraDiction
[post_excerpt] => City on the Net The listening posts of Technical Breakdown install sound art in the city, and mix it with everyday soundscapes. In the listening post City on the Net, the exhibition moves on to other cultures, other cities and countries. The cities are brought into private homes. The most comprehensive studies and far-reaching sound art projects are presented in City on the Net. All of them with long playing times and all of them exploring the social as a main theme. The unwanted, accidental, intrusive and violent sounds – the noises of the densely populated city became an art object in itself as early as 1913, with Luigi Russolo’s futuristic manifest L’arte dei Rumori (The Art of Noise). Since then, the effort to integrate real life sounds into sound art has developed in many different directions. The common denominator for this listening post is the collage form, the zapping and the cacophonic. "A cacophonic symphony’ is Arnold Brooks" description of his work ContraDiction. The work takes as its starting point New York’s population of more than 8 million people, and it is a collage that Brooks has mixed of sounds recorded in the streets of the city. There is a sense of loneliness, surveillance, voyeurism and paranoia in ContraDiction. Voices and sounds obliterate each other and become a backdrop that occasionally lets out fragments as clearly decipherable points. Rather than a conversation, the impression is that of a chaos of contradiction – a speech of voices against each other.
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[post_content] => enregistré par Jonathan Borofsky à los angeles,1983.tellus 21.
[post_title] => The standard chant - part 2
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Jonathan Borofsky
ZONARADIO/ Keeping time1977-2004 Maurizio Nannucci1983
Vladimir Tarasov
Camere 15 // Interview with2011
Imi Knoebel
ZONARADIO/ Keeping time1977-2004 Maurizio Nannucci1983
Enzo Cucchi
ABO - interviews2006
Leon Ferrari
Talk with me2007
Antonietta Grandesso
Spazio Thetis - Antonietta Grandesso 2009
Holly Anderson, Peg Simone
2009