Archivio Sonoro: RAM radioartemobile

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L’ARTE PER LE ENERGIE RINNOVABILI, inaugurata all’inizio di luglio al MACRO Future dove resterà fino al 22 Agosto per poi essere ospitata al Museo Madre di Napoli dal 15 Settembre, si terrà un dibattito sulla sinergia tra arte e ambiente, arte ed energie rinnovabili, arte ed ecosistema, arte e aspetti giuridici delle nuove energie alternative e sostenibili, in differita su RAM radioartemobile , diretta da Mario Pieroni e Dora Stiefelmeier (http://live.radioartemobile.it). Partecipano al dibattito, coordinato da Cristina Tagliabue del «Sole 24 Ore», oltre a Pistoletto, l’Assessore alla Cultura Umberto Croppi, il Sovraintendente ai Beni Culturali del Comune di Roma Umberto Broccoli, il Direttore del MACRO Luca Massimo Barbero, la curatrice della mostra Laura Cherubini con Sergio Billwiller, il sociologo Paolo De Nardis e l’avvocato Alessia Montani. Prestigiosa cornice del seminario è la mostra, ideata ed organizzata da Fabula in Art, cui partecipano grandi artisti contemporanei tra cui Yoko Ono, Tony Cragg, Nari Ward, Georges Adéagbo, Mimmo Paladino, Christiane Löhr, Sandro Chia, Luigi Ontani. Il catalogo della mostra è pubblicato dalle Edizioni Carte Segrete. L’incontro è anche un’importante occasione per mettere a confronto i diversi protagonisti di una realtà ormai strategica che coinvolge, oltre agli artisti, le imprese, le istituzioni e gli utenti. - Intervista con George Adeagbo e Stephan Köhler a cura di Dora Stiefelmeier. Interviste con Sividal Fila e Bruna Esposito a cura di Luca Vitiello. 19 Luglio 2010 Roma [post_title] => TRASPARENZE [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => trasparenze-2 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:57:51 [post_modified_gmt] => 2016-03-23 16:57:51 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7821 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1979 [post_it] => 7 ) [1] => WP_Post Object ( [ID] => 7493 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => ingènieur du son: Paulo Alexander Dias Serrano ,édité par la Galeria Luis Buarque de Hollanda et Paulo Bittencourt,1975, 33rpm [post_title] => Sal sem carne - part 1 (extrait) [post_excerpt] => un programme de travaux sonores d'artistes réalisé par Maurizio Nannucci / zona archives /la box/ Ecole Nationale des Beux-Arts, Bourges [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sal-sem-carne-part-1-extrait-2 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:30 [post_modified_gmt] => 2016-03-23 16:58:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7493 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1488 [post_it] => 7 ) [2] => WP_Post Object ( [ID] => 7526 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => [post_excerpt] => Achille Bonito Oliva. Dialoghi d' artista. 1968-2008 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 7526 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:35 [post_modified_gmt] => 2016-03-23 16:58:35 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7526 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1521 [post_it] => 7 ) [3] => WP_Post Object ( [ID] => 7558 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Mirroring the ninth Sharjah Biennial ’s fundamental aims of defining a possible future of art in the Middle East,The March Meeting started today at the Beit al Shamsi. Three-day symposium’s agenda to provide a theoretical structure to examine - in depth - shared contemporary issues in Arab art, with an emphasis on analysing the mechanics of art education, curatorial practices, writing, translation and art publishing in the Middle East [post_title] => Sounds Like Sharjah (The March Meeting) [post_excerpt] => roundtable [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sounds-like-sharjah-the-march-meeting-2-2 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:35 [post_modified_gmt] => 2016-03-23 16:58:35 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7558 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1556 [post_it] => 7 ) [4] => WP_Post Object ( [ID] => 7590 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => The winner of the Cartier Award 2008 was Cuban artist Wilfredo Prieto. For Frieze Art Fair 2008, sponsored by Deutsche Bank for the fifth year, Prieto created a work that flew the flag of celebrity. The classic red carpet traced a route through the fair that anyone could follow until it led out and up to join the top of a very tall flagpole. The work could be interpreted as an attempt to describe world orders that defy geo-political definition. The piece was also a gestural act that drew a simple line from the insider world of the art fair to the outside. [post_title] => Frieze Art Cartier Award 2008 [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => frieze-art-cartier-award-2008-2 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:35 [post_modified_gmt] => 2016-03-23 16:58:35 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7590 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1617 [post_it] => 7 ) [5] => WP_Post Object ( [ID] => 7622 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => The Fear Society - Pabellón de la Urgencia is a project by the Region of Murcia (Spain), venue of the 8th edition of Manifesta - European Contemporary Art Biennial, scheduled for fall 2010 [post_title] => Sounds Like Venice - The Fear Society [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sounds-like-venice-the-fear-society-2-2 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:35 [post_modified_gmt] => 2016-03-23 16:58:35 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7622 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1650 [post_it] => 7 ) [6] => WP_Post Object ( [ID] => 7654 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 10:38:39 [post_content] => [post_title] => [post_excerpt] => Interviewed by Ilari Valbonesi [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => 7654 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:36 [post_modified_gmt] => 2016-03-23 16:58:36 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7654 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1683 [post_it] => 7 ) [7] => WP_Post Object ( [ID] => 7686 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Angelo Capasso, Filippo Fabbrica, Alberto Minotti, Mario Pieroni, Michelangelo Pistoletto e Renato Stauffacher [post_title] => Art Verona 2009 [post_excerpt] => Curated by Angelo Capasso [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => art-verona-2009-2-2 [to_ping] => [pinged] => [post_modified] => 2016-03-23 17:58:36 [post_modified_gmt] => 2016-03-23 16:58:36 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7686 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1840 [post_it] => 7 ) [8] => WP_Post Object ( [ID] => 7730 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Vito Acconci was born in 1940, in the Bronx, NY. [post_title] => Antartica, for your Ears Only [post_excerpt] => Passages from a series of architectural proposals expressed only by voice. Sound matter is treated as an element that is capable of working cognitively on the individual during the experience of listening. 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L’ARTE PER LE ENERGIE RINNOVABILI, inaugurata all’inizio di luglio al MACRO Future dove resterà fino al 22 Agosto per poi essere ospitata al Museo Madre di Napoli dal 15 Settembre, si terrà un dibattito sulla sinergia tra arte e ambiente, arte ed energie rinnovabili, arte ed ecosistema, arte e aspetti giuridici delle nuove energie alternative e sostenibili, in differita su RAM radioartemobile , diretta da Mario Pieroni e Dora Stiefelmeier (http://live.radioartemobile.it). Partecipano al dibattito, coordinato da Cristina Tagliabue del «Sole 24 Ore», oltre a Pistoletto, l’Assessore alla Cultura Umberto Croppi, il Sovraintendente ai Beni Culturali del Comune di Roma Umberto Broccoli, il Direttore del MACRO Luca Massimo Barbero, la curatrice della mostra Laura Cherubini con Sergio Billwiller, il sociologo Paolo De Nardis e l’avvocato Alessia Montani. Prestigiosa cornice del seminario è la mostra, ideata ed organizzata da Fabula in Art, cui partecipano grandi artisti contemporanei tra cui Yoko Ono, Tony Cragg, Nari Ward, Georges Adéagbo, Mimmo Paladino, Christiane Löhr, Sandro Chia, Luigi Ontani. Il catalogo della mostra è pubblicato dalle Edizioni Carte Segrete. L’incontro è anche un’importante occasione per mettere a confronto i diversi protagonisti di una realtà ormai strategica che coinvolge, oltre agli artisti, le imprese, le istituzioni e gli utenti. - Intervista con George Adeagbo e Stephan Köhler a cura di Dora Stiefelmeier. 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