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Or, better, for the "tabletop" guitar, a guitar plugged into the cacophony of the "perfectly ordinary reality" (usually, a barrage of radios and electronic devices). He has played the guitar virtually in every possible manner and with every possible tool, to the point that the guitar has become a mere object that can be used to produce unusual sounds. His body of work, that references abstract painting, Dada, Edgar Varese and John Cage, is the quintessence of "noise" guitar music. The chaotic, cryptic and apparently meaningless "guitar solos" of A Dimension of Perfectly Ordinary Reality (Matchless, 1990) are his aesthetic manifesto. It would take ten years for Rowe to follow it up with another solo album: Harsh (Gross, 2000), three improvisations recorded in a garage (again, for tabletop-guitar and electronics). In between those two solo albums, Rowe engaged in all sorts of collaborations, from the humble Rowe/ Siwula/ Miano (RSM, 1996), an improvised jam with saxophonist Blaise Siwula and pianist Tonino Miano, to the majestic Dial: Log-rhythms (Matchless, 1999) with saxophonist Jeffrey Morgan. But the main experience of the period, besides AMM, was the Music In Movement Electronic Orchestra (MIMEO), an ensemble of of electronic improvisers that included Peter "Pita" Rehberg, Gert-Jan Prins, Thomas Lehn, Christian Fennesz, Marcus Schmickler, Kaffe Matthews, Rafael Toral, etc. They released several documents of their activity: MIMEO (Perdition Plastics, 1998), recorded in 1997, Queue (Gross, 1999), the double-disc Electric Chair + Table (Gross, 2000), and The Hands Of Caravaggio (Erstwhile, 2002) with John Tilbury. The new millenium saw Rowe multiply his collaborations: The World Turned Upside Down (Erstwhile, 2000) with Guenter Mueller and Taku Sugimoto; Maschinelle + Strategeme (Ritornell, 2000) with Pimmon, Peter "Pita" Rehberg and Christian Fennesz; Afternoon Tea (Ritornell, 2000), which documents two improvisations with Paul Gough (Pimmon), Oren Ambarchi, Peter Rehberg (Pita) and Christian Fennesz; N:Q (Fibrr, 2000), a new quartet with Jean Chevalier and Formanex's saxophonist Christophe Havard and percussionist Julien Ottavi; Dark Rags (Potlatch, 2001) with Evan Parker; Grain (Zarek, 2002) with percussionist Burkhard Beins; the mediocre Weather Sky (Erstwhile, 2002) with Toshimaru Nakamura; etc. One of Rowe's most ambitious projects, Rabbit Run (Erstwhile, 2002), contains the 41-minute namesake improvisation with Thomas Lehn on analogue synthesizer, and Marcus Schmickler on digital synthesizer and computer (both members of MIMEO), and 42 fragments extracted from it that can be played in any order and combination. It was followed by Thumb (Gross, 2003), a collaboration with Oren Ambarchi, Sachiko M, Otomo Yoshihide, Rob Avenaim, and the two-disc Duos for Doris (Erstwhile, 2003) with AMM's pianist John Tilbury, one of his most lyrical works. A View From The Window (Erstwhile, 2004) was a collaboration with Dorner and Hautzinger. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => cutlers-scale [to_ping] => [pinged] => [post_modified] => 2019-08-13 11:43:14 [post_modified_gmt] => 2019-08-13 09:43:14 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6923 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 918 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6955 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CFR. n. Arch. 183.19 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Etude for Victorua No.11 (fragment) [post_excerpt] => Born on August 12, 1958 in Sofia, Bulgaria. Gratuated at the Bulgarian State Academy of Music in Sofia in 1983 as a professional sound engineer and has been working as such since 1988 at the Stara Zagorabranch of the Bulgarian National radio. Participated twice at the "Muzika Nova" international festival of Contemporary Music held in Sofia. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => etude-for-victorua-no-11-fragment [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:05 [post_modified_gmt] => 2015-01-09 16:07:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6955 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 950 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 6987 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch. 183.51 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Maps and Celings [post_excerpt] => Other People Children (OPC) is about electro-future-pop, certainly swimming between the co-ordinates of lo and hi-fi. In existence since 1996, OPC has recorded various cassettes and has appeared on compilations. An upcoming 7" single and long-player are currently being devised for release on Melbourne labe, Library records. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => maps-and-celings [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:09 [post_modified_gmt] => 2015-01-09 16:07:09 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6987 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 982 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 7019 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. nn. Arch. 183.18, 184.20 ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_title] => Z.E.R.O. [post_excerpt] => Mostly Diledadafish are working as a duo. They explore new music and sounds by playing like kids who are playing with wooden cubes. First recording in 1984 - dadagraphy includes 3 cassettes, 1 LP, 32 CD's and participating in - or leading of - a lot of international projects (like "ReR Quarterly", "Pointof yucca", "Hope" CD, "Enhanced Gravity",…and many others). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => z-e-r-o [to_ping] => [pinged] => [post_modified] => 2019-08-13 13:23:59 [post_modified_gmt] => 2019-08-13 11:23:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7019 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1015 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 7052 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. nn. Arch. 158.a.1,2,4,5; 183.59 [post_title] => stop/ edge [post_excerpt] => Scanner - British artist Robin Rimbaud - traverses the experimental terrain between sound, space, image and form, creating absorbing, multi-layered sound pieces that twist technology in unconventional ways . From his early controversial work using found mobile phone conversations, through to his focus on trawling the hidden noise of the modern metropolis as the symbol of the place where hidden meanings and missed contacts emerge, his restless explorations of the experimental terrain have won him international admiration from amongst others, Bjork, Aphex Twin and Stockhausen. Scanner is committed to working with cutting edge practitioners and has collaborated with artists from every imaginable genre: musicians Bryan Ferry and Laurie Anderson, The Royal Ballet and Random Dance companies, composers Michael Nyman and Luc Ferrari, and artists Mike Kelley and Derek Jarman. As well as producing compositions and audio CDs, his diverse body of work includes soundtracks for films, performances, radio, and site-specific intermedia installations. He has performed and created works in many of the world's most prestigious spaces including SFMOMA USA, Hayward Gallery London, Pompidou Centre Paris, Kunsthalle Vienna, Bolshoi Theatre Moscow, Tate Modern London and the Royal Opera House London. Paul Farrington, AKA TONNE This prize-winning visual artist and designer has made visible the work of Scanner, Pole and Spring Heel Jack among others, linking sound with visuals that vary between elegantly simple lines to multiple layers of superimposed imagery. Tonne's interactive sound interfaces allow music to be produced as responses to the movement of graphics, and vice-versa. By manipulating sound utilities, Tonne builds toys, games, interactive environments and soundbanks. Developing and producing controlled systems for sound and image interaction, Tonne has performed live at Sonar (Barcelona 2000), FCMN (Montréal), Expanded Cinema (Milan), Lovebytes (Sheffield), and Steim (Amsterdam). Tonne was awarded Creative Review's Creative Futures Up-And-Coming Graphic Designer of 1999. Recently Tonne has been commissioned by the music label Meta to release recordings of his sound toys. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => stop-edge [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:11:20 [post_modified_gmt] => 2015-01-09 16:11:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7052 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1048 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 7084 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Piece in 3 Parts [post_excerpt] => Michael J. Schumacher is a composer, performer and installation artist from New York City. He works predominantly with electronic and digital media, specializing in computer generated sound environments which evolve continuously for long time periods. He imbues these self-creating structures with an abundance of sonic material, resulting in forms that flow through a wide range of moods, timbral combinations and textural densities. In their realization, Schumacher uses multiple speaker configurations which relate the sounds of the installation to the architecture of the exhibition space. Architectural and acoustical considerations thereby become basic structural elements. For these compositions, Schumacher has worked with instrumentalists Tim Barnes, Anthony Burr, Charles Curtis, Jane Henry, Kato Hideki, Rebecca Moore, David Shively, Peter Zummo and others, recording and manipulating their sounds. Schumacher’s sound installations have been heard at Art in General, Apex Art, PS 1, The Kitchen, the Queens Museum and Sculpture-Center in New York City, CCNOA in Brussels, the Technical University and Podewil in Berlin, the Museum for Applied Arts in Frankfurt , the Museum of Modern Art in Lyon, Triskel Intermedia in Cork, Ireland, Transmissions Festival in Chicago, SFIFEM in Sante Fe, the Waveform Festival in Sydney, Via 7 Festival in Paris, and others. Schumacher has been a close associate of the ground breaking composer La Monte Young since 1989 and has worked as a producer of events at the Dream House, Young’s and Marian Zazeela’s installation space in Tribeca. In this capacity he has produced concerts of classical Indian music as well as sound installations and concerts of contemporary music by composers associated with Young, such as Terry Jennings and Richard Maxfield. He has also worked as technical director of the Dream House and as a recording engineer at Dream House events. Since 1996, Schumacher has pioneered, first at his downtown gallery Studio Five Beekman and, since 2000, at Diapason Gallery located in midtown, sound art in New York City, by giving over 100 artists the opportunity to present, in environments with high quality multi-channel sound systems and free of outside noise, cutting edge installations with sound as their focus. He has produced premieres by David Behrman, David First, Tetsu Inoue, Ron Kuivila, Steve Roden, Marina Rosenfeld and Stephen Vitiello, to name a few. A complete listing of past presentations and upcoming events is viewable online at www.diapasongallery.org. Schumacher is a frequent collaborator with the video artist Ursula Scherrer, with whom he founded Studio Five Beekman. Their works have appeared in many festivals, including Media Test Wall at MIT in Cambridge, the Dissonanze in Rome, the 9e Biennale de l’Image en Movement in Geneva, and the BAC 36 Int’l Film and Video Festival at the Brooklyn Museum of Art. Schumacher has published six solo CDs, a duo CD with Donald Miller, and an LP with Miller and Charles Curtis. He is on the Sub Rosa anthology of noise and electronic music and the lower case 2002 compilation, as well as on an LP of remixes of music by Oren Ambarchi on the Touch label. Schumacher’s CD "Room Pieces", on the XI label, was rated best of 2003 for “modern composition” by The Wire magazine. Schumacher has lectured at Bard College, The New School, The School for Visual Arts and Juilliard. He taught electronic music at the Center for Media Arts in New York City in the mid 1980s. He has taught piano, composition, theory and ear training privately since 1983. Schumacher was awarded the prestigious Foundation for Contemporary Performance Arts Grant in 2001. He has also received awards and residencies from NYFA, Harvestworks, Rennsellaer Polytechnic Institute, Meet the Composer and others. Schumacher has degrees in music composition from Indiana University, where he won the composition prize in 1982, and the Juilliard School, where he earned the doctorate in 1988. His teachers have been Stanley Applebaum, Seymour Bernstein, Bernhard Heiden, John Eaton, John Ogden, Shigeo Neriki, La Monte Young and Vincent Persichetti. Born in 1961 in Washington, DC, he has lived in New York since 1983. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => piece-in-3-parts [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:11:23 [post_modified_gmt] => 2015-01-09 16:11:23 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7084 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1080 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 7747 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Nata a  Ceprano (Fr) nel 1970 Vivee lavora a Frosinone [post_title] => Piece [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => piece-2 [to_ping] => [pinged] => [post_modified] => 2019-08-19 10:36:39 [post_modified_gmt] => 2019-08-19 08:36:39 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7747 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1902 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 7738 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] =>

ZimmerFrei è un gruppo di artisti fondato nel 2000  con sede a Bologna e Bruxelles. I suoi membri sono Anna de Manincor (1972), artista e videomaker, Anna Rispoli (1974), artista e performer e Massimo Carozzi(1967), artista e sound designer. Il gruppo indaga l'attraversamento delle arti visive e della performance, di spazi pubblici e privati, utilizzando una vasta gamma di supporti e formati, tra cui video e installazioni sonore, cortometraggi, fotografia e performance. Mescolando pratiche provenienti dal cinema, teatro e musica, il collettivo produce installazioni sonore e video, performance, fotografie e documentari. ZimmerFrei ha, inoltre,  curato diverse collettive, eventi e residenze per artisti.

[post_title] => Glissando [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => glissando-2 [to_ping] => [pinged] => [post_modified] => 2019-08-17 15:53:18 [post_modified_gmt] => 2019-08-17 13:53:18 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7738 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1893 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6032 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Autumn Apparition [post_excerpt] => René Morgensen, Danish composer and musician, works across many musical areas, investigating a broad range of compositional possibilities in works for chamber ensembles and jazz ensembles, as well as creations in electroacoustic sound art, in an effort to go beyond idiomatic compartmentalism. In 2004 he completed his new Promenade Symfony for the Tivoli Promenade Orchestra, a 16 piece chamber orchestra in Copenhagen, Denmark for premiere in June of that year. His works for soloist with electronics including Five Seasons, and others for ensembles of various instrumentations with electroacoustics have been presented in various venues around New York City, and in Europe. Mogensen has completed several commissions for Danish Public Radio Program One (DR P1) in the past few years. He has recently created new works during residencies at DIEM, STEIM, Logos, and other music & technology research centers. Three recent scores for modern dance/theater have included Heaven or Cell and Terrror and Money and Air and Marble for productions in New York City with choreographer Renata Celichowska during 2002-2003. Mogensen’s electroacoustic works have been presented in radio programs and concerts in many places around the world. His works for chamber ensembles, as well as works for jazz groups, have been performed by various ensembles, including concerts by the Esbjerg Ensemble in Denmark, the Ensemble Rosario in Argentina, and by the NYU New Music Ensemble in New York City, as well as by René Mogensen’s Ensemble in New York. Recent releases include appearances on tenor saxophone on the Korean released cd Selfless Self by Woochang Lee, and the inclusion of Mogensen’s works News Clips Study 1 and Economics 102 on the Belgian KriKri 2002 cd. Mogensen was the composer in residence at the Center for Contemporary Music at Mills College, CA, in October of 1999, where his piece Spring Decomposition for wind trio and tape was premiered. During the summers 1996 and 1997, he was the composer and performer in residence in the NYU graduate music program in Pisa, Italy, where several of his works were premiered in concerts as part of the Strada Facendo performing arts festival. More information about concerts, recordings, and other news about Mogensen's work is listed on the web page: www.geocities.com/renemogensen Mogensen's work is recorded on various labels including: Capstone and Wassard in New York, AV-Art in Denmark, and Hwa-Eum Records and Notation Records in Korea. He is the recipient of awards for his work from various foundations including the Danish Institute for Electroacoustic Music, Meet the Composer USA, the John Anson Kittredge Fund, the Yvar Mikhashoff Trust for New Music, the Danish Music Council, the Eubie Blake Fund, and others. He holds an MA in music from New York University, and a BA from the University of Rochester, NY, USA. 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Piece

Donatella Spaziani

Piece

2010