Archivio Sonoro: SoundArtMuseum en

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Arch. 183.28, 184.33, 185.23 [post_title] => Sumanassa [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => sumanassa [to_ping] => [pinged] => [post_modified] => 2019-08-13 11:55:46 [post_modified_gmt] => 2019-08-13 09:55:46 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6858 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 851 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 6890 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CFR. n. arch. 184.28 [post_title] => Doors close… [post_excerpt] => Paul Fretwell (b.1972) is a composer and sonic adventurer who walks along the edge of our musical experiences, endowing the everyday, the mundane, the noisy, the quiet, and the unheard with a new musical value. He has produced pieces for traditional instruments from full orchestra to small ensemble, as well as works which use computer technology to transform and develop sound. His music is dramatic, sensuous and evocative, using drones, textures, grating timbres and luscious harmony to create a beguiling sonic vocabulary that bewitches the listener. Many of his works have been performed in festivals and concerts around the world. Two of his electroacoustic pieces have been released on CD, Doors Close and A Fragmented History, both on Audio Research Editions (Hope and Trace). His musical education began early, and as a child he was awarded a place at Chetham’s School of Music, where he studied trombone, piano and composition. Later he attended the University of Birmingham, where he gained a first class honours degree specialising in composition. More recently, he has completed a Masters and PhD at City University, London. He has taught composition in a wide variety of institutions including the Royal Academy of Music, University of Hertfordshire, Bath Spa University, and in September 2005 was appointed to a position at the newly-founded Centre for Music Technology at the University of Kent, where he is contributing to the development of a range of degrees and research programmes. 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Arch. 183.18, 185.15 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => trace n [post_excerpt] => Mostly Diledafish are working as a duo. They explore new music and sounds by playing like kids who are playing with wooden cubes. First recording in 1984 - dadagraphy includes 3 cassettes, 1 LP, 32 CD's and participating in - or leading of - a lot of international projects (like "ReR Quarterly", "Pointof yucca", "Hope" CD, "Enhanced Gravity",…and many others). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => trace-n [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:05 [post_modified_gmt] => 2015-01-09 16:07:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6954 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 949 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6986 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Trace '99 [post_excerpt] => Yoko Ono began making films in the 1960's and made substantial contributions to the avant garde genre of film. When Yoko Ono began this part of her life, she was already an established artist playing an active role in the world of music, most well known by her "primal scream" or high pitched wails. In the early 1960's, Ono became part of a group known as Fluxus, whose artists were "dedicated to challenging conventional definitions in the fine arts, and conventional relationships between artwork and viewer." The artwork that Yoko made in the early 1960's required the viewer to complete the process. "Painting to See a Room Through," made in 1961, was a canvas with an almost invisible hole through which the viewer could see the room. "Painting to Hammer a Nail In," also made in 1961, was a white wood panel that the audience hammered a nail into with an attached hammer. In the mid 1960's Yoko began to write mini film scripts. She contributed three films to the Fluxfilm Program in 1966. Two of these films, Eyeblink and Match, are one shot films shot at 2000 frames per second. She also included No. 4, or Bottoms, in her contribution. Yoko continued to make films through the early 1970's, many of which she collaborated with her husband, John Lennon. Her films can be divided into themes. The first of which, like bottoms, consists of close examination of the naked human body. The second category are theoretical films. They have a theme of movement and change. The last category are documentaries. Bed-In made in 1969, is the filming of the peace event Ono and Lennon staged on their honeymoon. Yoko Ono can be viewed as a radical artist, someone who requires an open mind in order to have her work appreciated. She stretches the limits of what society views as acceptable and never ceases to create an opportunity for the viewer to step back and reflect. TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => trace-99 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:09 [post_modified_gmt] => 2015-01-09 16:07:09 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6986 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 981 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 7018 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch. 184.19 ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_title] => Self Erasing Archive [post_excerpt] => Tim Mark Didymus has been using generative software to realise audio/media works since 1993 completing his first album of generative audio works 'Float' released in 1996. He is interested in a discontinuation of interference in the arrangement of form. TMD is Principal Musician for Sseyo, Bafta award winning multimedia/software technologists. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => self-erasing-archive [to_ping] => [pinged] => [post_modified] => 2019-08-13 13:23:46 [post_modified_gmt] => 2019-08-13 11:23:46 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7018 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1014 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 7051 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch. 183.67 ZERO is a limited edition collection of one-minute soundworks by international sound artists, experimental composers, noise makers and other audio creators. Contributors were invited to create an original recording of one-minute duration for the CD on the theme of ZERO - whether through their stripped-down, low-tech aesthetic or a focus on themes of absence, abstraction, distortion or a sense of thereshold between one state and another. The CD contains a broad variety of one-minute soundworks and presents the results of artists working thematically in chance juxtaposition. By bringing together this calibre and range of contributions, ZETRO aims to stimulate further interest in the artist work and practice, debate and dialogue surrounding sound art. The artists on ZERO range from well known world figures, to individuals and groups making their first wirks in this field. ZERO was commisioned by the Foundation for Art & Creative Technology (FACT) and was published with the support from Liverpool Art School. [post_title] => Vertex [post_excerpt] => Born February 20, 1961. Living in Zemun, Serbia. Guitarist and co-author for several Yugoslav rock groups from 1980-1998. Worked as a sound engineer and computer programmer for various rock and artistic projects from 1988-1995. Among others, the artists include Miroslav Savic, Milimir Draskovic, Ivana Stefanovic, Natasa Bogojevic, etc. Collaborated with Zoran Simjanovic (distinguished Yugoslav film composer) as a sound engineer/computer programmer/music editor from 1990-1996. This collaboration resulted in musical scores for 11 feature films (directed by Goran Markovic, Goran Paskaljevic, Srdjan Karanovic, etc.), and over 50 TV, documentary and animated films. Worked as a NLE video editor at Cinema REX (former cultural centre of Radio B2-92) in 1998/99. During that period started collaborating with LOW-FI VIDEO Project (independent association of Serbian short film makers). Currently working with Dusan Bauk on a project entitled OUR PICTURES (soundscape/music creation and short computer animations). The project is a member of ZADRUGA (independent association of Serbian audio/visual creators) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => vertex [to_ping] => [pinged] => [post_modified] => 2019-08-13 13:25:37 [post_modified_gmt] => 2019-08-13 11:25:37 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7051 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1047 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 7083 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Room Piece XI [post_excerpt] => Michael J. Schumacher is a composer, performer and installation artist from New York City. He works predominantly with electronic and digital media, specializing in computer generated sound environments which evolve continuously for long time periods. He imbues these self-creating structures with an abundance of sonic material, resulting in forms that flow through a wide range of moods, timbral combinations and textural densities. In their realization, Schumacher uses multiple speaker configurations which relate the sounds of the installation to the architecture of the exhibition space. Architectural and acoustical considerations thereby become basic structural elements. For these compositions, Schumacher has worked with instrumentalists Tim Barnes, Anthony Burr, Charles Curtis, Jane Henry, Kato Hideki, Rebecca Moore, David Shively, Peter Zummo and others, recording and manipulating their sounds. Schumacher’s sound installations have been heard at Art in General, Apex Art, PS 1, The Kitchen, the Queens Museum and Sculpture-Center in New York City, CCNOA in Brussels, the Technical University and Podewil in Berlin, the Museum for Applied Arts in Frankfurt , the Museum of Modern Art in Lyon, Triskel Intermedia in Cork, Ireland, Transmissions Festival in Chicago, SFIFEM in Sante Fe, the Waveform Festival in Sydney, Via 7 Festival in Paris, and others. Schumacher has been a close associate of the ground breaking composer La Monte Young since 1989 and has worked as a producer of events at the Dream House, Young’s and Marian Zazeela’s installation space in Tribeca. In this capacity he has produced concerts of classical Indian music as well as sound installations and concerts of contemporary music by composers associated with Young, such as Terry Jennings and Richard Maxfield. He has also worked as technical director of the Dream House and as a recording engineer at Dream House events. Since 1996, Schumacher has pioneered, first at his downtown gallery Studio Five Beekman and, since 2000, at Diapason Gallery located in midtown, sound art in New York City, by giving over 100 artists the opportunity to present, in environments with high quality multi-channel sound systems and free of outside noise, cutting edge installations with sound as their focus. He has produced premieres by David Behrman, David First, Tetsu Inoue, Ron Kuivila, Steve Roden, Marina Rosenfeld and Stephen Vitiello, to name a few. A complete listing of past presentations and upcoming events is viewable online at www.diapasongallery.org. Schumacher is a frequent collaborator with the video artist Ursula Scherrer, with whom he founded Studio Five Beekman. Their works have appeared in many festivals, including Media Test Wall at MIT in Cambridge, the Dissonanze in Rome, the 9e Biennale de l’Image en Movement in Geneva, and the BAC 36 Int’l Film and Video Festival at the Brooklyn Museum of Art. Schumacher has published six solo CDs, a duo CD with Donald Miller, and an LP with Miller and Charles Curtis. He is on the Sub Rosa anthology of noise and electronic music and the lower case 2002 compilation, as well as on an LP of remixes of music by Oren Ambarchi on the Touch label. Schumacher’s CD "Room Pieces", on the XI label, was rated best of 2003 for “modern composition” by The Wire magazine. Schumacher has lectured at Bard College, The New School, The School for Visual Arts and Juilliard. He taught electronic music at the Center for Media Arts in New York City in the mid 1980s. He has taught piano, composition, theory and ear training privately since 1983. Schumacher was awarded the prestigious Foundation for Contemporary Performance Arts Grant in 2001. He has also received awards and residencies from NYFA, Harvestworks, Rennsellaer Polytechnic Institute, Meet the Composer and others. Schumacher has degrees in music composition from Indiana University, where he won the composition prize in 1982, and the Juilliard School, where he earned the doctorate in 1988. His teachers have been Stanley Applebaum, Seymour Bernstein, Bernhard Heiden, John Eaton, John Ogden, Shigeo Neriki, La Monte Young and Vincent Persichetti. Born in 1961 in Washington, DC, he has lived in New York since 1983. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => room-piece-xi [to_ping] => [pinged] => [post_modified] => 2019-08-15 14:52:26 [post_modified_gmt] => 2019-08-15 12:52:26 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7083 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1079 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 7722 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Phonographic Copyright (p) – Fondazione Edmund Mach Published By – Touch Music Tutte Le Tracce Sono Composte Da Chris Watson Grafica – SudioLow Roma Notizia – Chris Watson, Daniela Cascella, Lucia Farinati Fotografia – Chris Watson, Lucia Farinati, Valentina Musmeci Archivo Fotografico Ente Parco di Paneveggio - Pale di San Martino 1 - Soffi di Vento altitude 3000mt temp -25C 2 - Cima Verde 2102mt 3 - Bucaneve 1800mt 4 - Aguane - From 2000 to 200 mt 5 - Scanuppia 1700 mt 6 - Le Crone 1000 mt 7 - Valle dei Venti altitude 250 mt -temp +15C [post_title] => Cima Verde [post_excerpt] => Chris Watson (born in Sheffield in 1952) is an english composer, artist, and nature recordist. He is one of the world’s leading recorders of wildlife and natural phenomena, and for Touch he edits his field recordings into a filmic narrative. For example, the unearthly groaning of ice in an Icelandic glacier is a classic example of, in Watson’s words, putting a microphone where you can’t put your ears. He was born in Sheffield, where he attended Rowlinson School and Stannington College (now part of Sheffield College). In 1971 he was a founding member of the influential Sheffield-based experimental music group Cabaret Voltaire. His sound recording career began in 1981 when he joined Tyne Tees Television. Since then he has developed a particular and passionate interest in recording the wildlife sounds of animals, habitats and atmospheres from around the world. As a freelance recordist for film, tv & radio, Chris Watson specialises in natural history and documentary location sound together with track assembly and sound design in post production. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => cima-verde [to_ping] => [pinged] => [post_modified] => 2019-08-16 20:02:34 [post_modified_gmt] => 2019-08-16 18:02:34 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7722 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1877 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 7785 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Globalgroove nasce alla fine degli anni novanta da un’idea di Michele Andreoni e Fabio Toffolo. Inizialmente l’interesse si rivolge al web con il sito www.globalgroove.it , una pubblicazione on-line al limite tra arte e advertising. In seguito il progetto ha ampliato il suo raggio d'azione con pittura, fotografia, collage, campionamenti audio e progetti editoriali. [post_title] => At Bedtime for Charles Ives [post_excerpt] => Spectrograms è un diario noir in formato microfilm. Dalla marcetta meccanica di Altenberg Maschinen al funk psichedelico di Bill In Whitfield Touch, vengono attraversati in modo obliquo generi e stili musicali come ambient, art rock, elettronica, torch song, hip hop. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => at-bedtime-for-charles-ives-2 [to_ping] => [pinged] => [post_modified] => 2019-08-08 11:51:00 [post_modified_gmt] => 2019-08-08 09:51:00 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7785 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 1942 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 6858 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. nn. Arch. 183.28, 184.33, 185.23 [post_title] => Sumanassa [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. 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