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[post_excerpt] => on occasion of the exhibition 'Terre di Confine', live broadcasting conducted by Cecilia Casorati
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[post_title] => Wenn Wasser waere
[post_excerpt] => Rotation of sounds projects by artists and musicians and a documentation of wordly music, curated by Riccardo Giagni
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[post_content] => on occasion of the summer exhibition of Villa Medici, French Accademy, Roma
[post_title] => interview
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[post_content] => 50° Biennale di Venezia
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[post_excerpt] => for JANUS MAGAZINE, Nicola Setari
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[post_content] => "Arte & Non arte"
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[post_excerpt] => conducted by Angelo Capasso
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[post_content] => C'è un modello italiano dell'arte?
Un Progetto di RAM radioartemobile e fondazione Volume!
interviste a Domenico Bianchi, Alfredo Pirri Maurizio Savini e Donatella Spaziani
a cura di Adrienne Drake (2007)
[post_title] => C'è un modello italiano dell'arte?
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La conferenza si inserisce nell'ambito della rassegna dedicata al tema "Arte e filosofia del '900", curata da Giuseppe Di Giacomo e Maria Giuseppina Di Monte.
Tra il 1974 e il 1977 Jean-François Lyotard lavora ad alcuni scritti sotto il titolo Les Transformateurs Duchamp. Duchamp era scomparso il 2 ottobre del 1968 ma la sua opera è riscoperta e valorizzata in Francia proprio dopo la sua morte. Il Centre Pompidou dedicherà la prima grande retrospettiva a Marcel Duchamp nel 1977. È in questa occasione che nel volume che accompagna la mostra Lyotard pubblica un testo dal titolo Inventaire du dernier nu. Tali scritti sono dunque al centro della conferenza che cercherà di riflettere sul rapporto tra queste due figure nodali del XX secolo. Se la filosofia e l’arte sono da sempre in una relazione profonda, il rapporto tra Lyotard e Duchamp indica addirittura una simbiosi e uno scambio, una tendenza del filosofo e dell’artista a oltrepassare, ognuno a suo modo, i confini del proprio ambito, per interrogarsi non tanto su cosa siano la filosofia e l’arte ma per fare esperienza del sensibile, della scrittura e dell’indicibilità del linguaggio, dell’inenarrabile e di ciò che resta, in ultima analisi, sempre estraneo alla visione, tuttavia, come dicevano sia Lyotard che Duchamp, “possibile”.
21 Gennaio 2014
Sala del Mito
Galleria Nazionale d'Arte Moderna
[post_title] => Trasformatori del possibile: Marcel Duchamp e Jean-François Lyotard a confronto
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[post_content] => mixé par Jay " M ", interprété par Rammellzee, voix :esther ballet, ballet, violon: Sékou Bunch, guitaire et guitaire basse: Albert Diaz, percussion, produit et dirigé par Jean-Micheal Basquiat, édité par Tartown Record Co New York,1983, 45 rpm.
[post_title] => Test pressing, instrumental version 1 (extrait)
[post_excerpt] => un programme de travaux sonores d'artistes réalisé par Maurizio Nannucci / zona archives /la box/ Ecole Nationale des Beux-Arts, Bourges
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[post_content] => Arte: DIMENTICARE A MEMORIA, Artefiera ART FIRST, Bologna. Il progetto, ideato da Achille Bonito Oliva, prevede la creazione di uno “stand” - l’intestazione sarà ABO critica ad arte – del tutto simile a quelli occupati dalle gallerie espositrici alla manifestazione che invece di ospitare oggetti d’arte ospiterà concetti, espressi tramite la parola degli artisti
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[post_excerpt] => Achille Bonito Oliva. Dialoghi d' artista. 1968-2008
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Robin Rimbaud (alias Scanner)
2002