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(track 4) [post_excerpt] => WILLIAM ENGELEN, (1964, Weert, the Netherlands) lives and works in Rotterdam and Berlin. From 1989-1991 he studied at the Jan van Eyck Academy in Maastricht. Recently he participated in the exhibition Made in Berlin at the Artforum 2004 in Berlin. In 2003 he had a solo exhibition in the Neuer Aachener Kunstverein: Partitur. Music and visual art are interwoven in the work of William Engelen. For instance the artist writes scores for musical performances, which at the same time serve as drawings. His work Plu (2004) which can be seen in Projektraum Kastalia, was conceived as a choreography. It suggests dance, movement and sound in a silent, architectural sculpture. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => was-halten-sie-vom-loch-track-4 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:32 [post_modified_gmt] => 2015-01-09 16:05:32 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6715 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 706 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6747 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => White [post_excerpt] => Juan Leal Ruiz was born in Bogotà (Columbia) on April 26th, 1965. He studied at the Bogotà Faculty of Architecture and then at Florence's Academy of Fine Arts, where he graduated in 1989. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => white [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:34 [post_modified_gmt] => 2015-01-09 16:05:34 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6747 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 738 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 6801 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => gocce n.2 [post_excerpt] => Studia chitarra brasiliana e chitarra flamenco. Dopo il diploma al liceo classico studia architetura alla Sapienza e pianoforte classico con il maestro Emilio Rabaglino. Quindi frequenta la scuola popolare di musica di testaccio (composizione e pianoforte jazz), e partecipa ai seminari estivi della Berklee ad Umbria Jazz e a quelli di Siena Jazz. Suona a Jeddah (Arabia Saudita) per uno scambio culturale, sia come solista che come accompagnatore. Compone una sonorizzazione per una performance teatrale di Filippo Garrone. Suona con la Moinor Funk Orchestra diretta da Angelo Schiavi. Nel 1998 si trasferisce a New York dove studia alla Mannes Jazz School of Music ed all'Istitute of Audio Research diplomandosi in ingegneria del suono. In questo periodo suona in diversi locali di NY e NJ. Compone la colonna sonora per il cortometraggio "taken..." di Bartek Rainski (vincitore al RIFF come miglior corto straniero), scrive e co-produce con lo stesso Rainski il cortometraggio "CONFINI". Nel 2002 lavora a Ouagadougou in Burkina Faso per l'avviamento di uno studio di registrazione (basato sul sistema digitale Soundscape), insegnando ad uno stagista Burkinabé le tecniche di regisrtazione e post produzione, e registrando diversi gruppi locali (verranno prodotti due dischi). Tornato in Italia, finisce insieme a Bartek Rainski la post-produzione del cortometraggio "Confini", e ne compone la colonna sonora. Composizione/sonorizzazzione per la performance video/teatrale "Narciso violento" e "Evian" di Caroline Freddi. Compone musiche per pubblicità, cartoni animati e programmi tv. In questo periodo lavora anche ad una raccolta di brani di carattere minimalista per pianoforte solo intitolata 'gocce', registrata poi nel Giugno 2005 e pubblicata in Ottobre. Insegna pianoforte moderno alla scuola "Officine Musicali". [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => gocce-n-2 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:40 [post_modified_gmt] => 2015-01-09 16:05:40 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6801 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 794 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6833 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => a long goodbye pt.1 [post_excerpt] => Yann Novak was born in Madison, WI in 1979. At an early age, he became interested in the worlds of both music and visual art. He developed his primary medium, collage, via pieces which combined found photographs with his own drawings, and prerecorded LPs with loops and live instruments. In the 1990s, Novak performed and exhibited his work throughout the vibrant Madison café art scene. In 2000, Novak moved to Seattle and refined his methods, trading in turntables and vinyl records for a Mini Disc recorder and a laptop, in order to achieve a more in-depth style of production. Novak has released set of 5 limited edition 3-inch CDs “Three Inches for Friends”. In addition, he has produced two film soundtracks, for “Leaning” (which he also produced), and “Neptune” (produced by Brian Murphy). Both movies premiered at the Seattle Lesbian and Gay Film Festival, in 2003 and 2004, respectively. He was recently included on the compilation “People Doing Strange Things With Electricity” curated by Dorkbot-sea and released by Comfort Stand Records, and was Commissioned by the Crispen Spaeth Dance Group to score there full length piece “Fade”. Novak’s work has withstood a series of changes in method while always retaining and refining the strengths of his unique aesthetic, exploring the overlap and intersection between presence and absence, art and design, sound and music. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-long-goodbye-pt-1 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:06:52 [post_modified_gmt] => 2015-01-09 16:06:52 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6833 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 826 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6865 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => 1998-99 Cfr. nn. Arch. 183.28, 184.33, 185.23 [post_title] => Inside Out [post_excerpt] => MARTIN e GREIL (Dornbirn, Austria) Martin e Greil is a composer, sound artist/musician. He has performed throughout Europe and worked with artists including Colin Fallows and Keith Rowe. In 1999, he was artistic director of the Austrian millennium project The Millennium, and in 2000, his solo CD Spheres was released. He also appears on Audio Research Editions collections. He is equally active in multi-media arts, designing various Internet web sites, videos and digital animations. He was a sound Research Assistant and Lecturer at Liverpool School of Art and Design, Liverpool John Moores University (1999-2001) and a Design Lecturer at LIPA. He co-founded the ASPARA Company in 2001, and his own record label M’para. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => inside-out [to_ping] => [pinged] => [post_modified] => 2019-08-13 11:56:12 [post_modified_gmt] => 2019-08-13 09:56:12 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6865 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 858 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6897 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. nn. Arch. 184.35, 185.25 [post_title] => Hopespace [post_excerpt] => The Groceries is the instrumental alter ego of Alan Holmes, member of freeform pop outfit Ectogram and Anglo-Welsh "supergroup" The Serpents. He has been described in the Independents as "Godfather of the Welsh underground". [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hopespace [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:06:59 [post_modified_gmt] => 2015-01-09 16:06:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6897 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 891 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6929 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Voice [post_excerpt] => Starfish Pool Real Name: Koen Lybaert The electronic project of Koen Lybaert that was active between 1993 and 2003. Starfish Pool was working in the experimental area of minimal, rhytmic, ambient, noise, in all its aspects. Since the very start it is the manipulation of loops - the basic idea of the way tracks were created as Starfish Pool. This concept that has nothing to do with the sound but more with the way that tracks where practically made. In 10 years time Starfish pool had more than 25 releases. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => voice [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:02 [post_modified_gmt] => 2015-01-09 16:07:02 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6929 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 924 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6961 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch. 185.19 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Crosswise [post_excerpt] => FON (Groiss/ M. Söllner). An important factor of FON is to open subjective coding and also to work with the aesthetics of errors.They have appeared in: Soundbox 2.0, Helsinki, Finland; Phonotaktik '99, Vienna, Austria; Ars Electronica 97/ 98/ 99, Linz, Austria; and Art's Birthday Party/ Wiencouver 2000, Kunstradio, Vienna, Austria. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => crosswise [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:06 [post_modified_gmt] => 2015-01-09 16:07:06 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6961 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 956 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6993 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch. 183.58 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Trace Elements [post_excerpt] => Rob Rowlands is a Sound sculptor/ generative sound artist, involved in Doctoral research at Liverpool John Moores University. 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