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1 - In Search of a Bun part 1 2 - In Search of a Bun part 2 3 - In Search of a Bun part 3 4 - In Search of a Bun part 4 5 - In Search of a Bun part 5 6 - In Search of a Bun part 6 7 - In Search of a Bun part 7 8 - In Search of a Bun part 8 9 - The Last of the Violins part 1 10 - The Last of the Violins part 2 11 - The Last of the Violins part 3 12 - The Last of the Violins part 4 13 - The Last of the Violins part 5 14 - The Last of the Violins part 6 15 - Pool in the Basement

Copyright: Kaffe Matthews 2000. [post_title] => CD dd [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-dd [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:56 [post_modified_gmt] => 2019-07-15 10:19:56 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=14429 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [1] => WP_Post Object ( [ID] => 14428 [post_author] => 1 [post_date] => 2019-07-15 11:05:51 [post_date_gmt] => 2019-07-15 09:05:51 [post_content] => CD "flo"; T.T. 54' 27". Mixed and produced by Kaffe Matthews at Annette Works.

1 - Much Room 2 - Corner 3 - Mni 4 - In The Dust 5 - Chem Trails 6 - Boy With Dog 7 - Dashes Five 8 - Drop Time

Copyright: Kaffe Matthews 2003 [post_title] => CD flo [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-flo [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:53 [post_modified_gmt] => 2019-07-15 10:19:53 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=14428 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [2] => WP_Post Object ( [ID] => 14426 [post_author] => 1 [post_date] => 2019-07-12 18:34:06 [post_date_gmt] => 2019-07-12 16:34:06 [post_content] => CD "eb"; T.T. 50' 48". Mixed and produced by km at Annette Works.

1 - Long line starting 2 - Clean tone falling 3 - To a landing 4 - She could 5 - Get out more 6 - Hallo vera 7 - For mama 8 - 7 inches of glass 9 - Some potential

Copyright: Kaffe Matthews 2003 [post_title] => CD Eb [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-eb [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:50 [post_modified_gmt] => 2019-07-15 10:19:50 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=14426 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [3] => WP_Post Object ( [ID] => 14424 [post_author] => 1 [post_date] => 2019-07-12 16:52:05 [post_date_gmt] => 2019-07-12 14:52:05 [post_content] => R.G.: Kaffe Matthews “CD Bea” – archivio SAM n. 123/c 26 tracce, compl. 70’40” Lavoro strutturalmente molto simile al precedente (123.a), forse ancora più “musicale” che “concreto”. Stesso giudizio.

1 - A Custom Skylark part 1 2 - A Custom Skylark part 2 3 - A Custom Skylark part 3 4 - A Custom Skylark part 4 5 - The Red Room I part 1 6 - The Red Room I part 2 7 - The Red Room I part 3 8 - The Red Room I part 4 9 - The Red Room I part 5 10 - The Red Room I part 6 11 - The Red Room I part 7 12 - The Red Room I part 8 13 - The Red Room I part 9 14 - The Red Room I part 10 15 - The Red Room I part 11 16 - Long Thin Room part 1 17 - Long Thin Room part 2 18 - Long Thin Room part 3 19 - Long Thin Room part 4 20 - Long Thin Room part 5 21 - Subwired part 1 22 - Subwired part 2 23 - The Red Room II part 1 24 - The Red Room II part 2 25 - The Red Room II part 3 26 - The Red Room II part 4

Copyright: Kaffe Matthews 1998 [post_title] => CD Bea [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-bea [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:48 [post_modified_gmt] => 2019-07-15 10:19:48 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=14424 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [4] => WP_Post Object ( [ID] => 14421 [post_author] => 2 [post_date] => 2019-07-12 15:39:46 [post_date_gmt] => 2019-07-12 13:39:46 [post_content] => CD Cécile; T.T. 69' 44" – archivio SAM n. 123/b Edited, mixed and mastered by km at Annette Works, Top floor, 11-29 Fashion Street, London E1 6PX.

1 - Contact C part 1 2 - Contact C part 2 3 - Contact C part 3 4 - My love gave me a blue plastic watch 1 5 - My love gave me a blue plastic watch 2 6 - My love gave me a blue plastic watch 3 7 - My love gave me a blue plastic watch 4 8 - My love gave me a blue plastic watch 5 9 - My love gave me a blue plastic watch 6 10 - My love gave me a blue plastic watch 7 11 - My love gave me a blue plastic watch 8 12 - My love gave me a blue plastic watch 9 13 - This may B planes 14 - The air underneath 15 - The surface as ice I believe 16 -  At night 17 - The air hostless 18 - Touch down 19 - Outside

Copyright: Kaffe Matthews 1999 [post_title] => CD Cécile [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-cecile [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:44 [post_modified_gmt] => 2019-07-15 10:19:44 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=14421 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [5] => WP_Post Object ( [ID] => 14420 [post_author] => 1 [post_date] => 2019-07-11 17:44:04 [post_date_gmt] => 2019-07-11 15:44:04 [post_content] => R.G.: Kaffe Matthews “CD Ann” – archivio SAM n. 123/a 17 tracce, compl. 68’43” Musica elettroacustica di taglio ambient/minimal, sperimentale ma abbastanza “ascoltabile”. Suoni e rumori concreti, sostanzialmente rari e rarefatti. Musica predominante: con tastiere, campionamenti vari, archi, percussioni. Non male, nel complesso: però molto lungo, piuttosto omogeneo (leggi monotono) e in definitiva un po’ “già sentito”. 1 - Advent harring part 1 2 - Advent harring part 2 3 - Advent harring part 3 4 - Advent harring part 4 5 - Advent harring part 5 6 - A hot bath 7 - To Manson 13 part 1 8  - To Manson 13 part 2 9  - To Manson 13 part 3 10 - To Manson 13 part 4 11 - To Manson 13 part 5 12 - To Manson 13 part 6 13 - To Manson 13 part 7 14 - To Manson 13 part 8 15 - To Manson 13 part 9 16 - To Manson 13 part 10 17 - Bus with Olive Smme

Copyright: Kaffe Matthews 1997

[post_title] => CD Ann [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-ann [to_ping] => [pinged] => [post_modified] => 2019-07-15 11:55:45 [post_modified_gmt] => 2019-07-15 09:55:45 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=14420 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [6] => WP_Post Object ( [ID] => 9876 [post_author] => 2 [post_date] => 2015-01-08 17:32:34 [post_date_gmt] => 2015-01-08 16:32:34 [post_content] =>   hamaYôko Triptyque de l’oeil CD (E99) 1. Oeil centre 2. Silence 3. Panthère d’Erebos 4. Silence 5. Oeil gauche 6. Oeil droit Special guests on these recordings: Kyô Marchetti-Higashi (voice on Oeil centre); Chico Antonio (voice on Panthère d’Erebo); Mori Shinge (cello on Oeil gauche) Mastered by Thomas Poussereau at Altho, Lyon Entr'acte, 2011 [post_title] => Triptyque de l'oeil [post_excerpt] => This album, Yôko Higashi’s fifth as hamaYôko, features a triptych of pipe organ improvisations recorded at St Augustin’s Church in Croix Rousse, Lyon, and St Anne’s Church in Cagliari. Higashi likens these tracks to “an old painting of a foggy landscape”. They are augmented by two silent intermissions and a fourth track, Panthère d’Erebos. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => triptyque-de-loeil [to_ping] => [pinged] => [post_modified] => 2019-08-12 15:42:11 [post_modified_gmt] => 2019-08-12 13:42:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://www.radioartemobile.it/suoni/triptique-de-loeil-2/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [7] => WP_Post Object ( [ID] => 6037 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => a piece for two instruments and a soxophone player [post_excerpt] => MIHA CHILGAR. Composer, musician, sound designer Born in 1980 in Maribor Slovenia 1997 – 2000 -Music school Maribor, saxophone 1999 – 2002 -Faculty of education Maribor, study of musical pedagogics 2001 – 2003 -University of music and dramatic arts Graz ( KUG ) - Department for jazz. ( saxophone ) since 2003 -University of music and dramatic arts Graz ( KUG ) - Sound engineering Artistic activity: 2004 »A composition for monitor, projection, bass and computer« In cooperation with son:DA and Samo Pečar.: - Cube IEM (( Institute of electronic music), Graz Austria, - Tonspur – MuseumsQuartier, Vienna Austria, - International festival of computer arts »MFRU« Maribor (SLO), - NIL, Graz Austria, - KIBLA, Narodni dom, Maribor (SLO) 2004 »A piece for two instruments and a saxophone player«: - Cube IEM ( Institute of electronic music ), Graz Austria, - Festival »Zeppelin 2004«, Barcelona Spain, - Art trail soundworks (Cork Middsummer festival 2004), Ireland - Festival »Coded cultures 2004« - MuseumsQuartier, Vienna Austria, - International festival of computer arts »MFRU 2004« Maribor (SLO), - NIL, Graz Austria. 2003 »A piece for two instruments and a saxophone player« - a contribution to the concert series »Solosolo«, Pekarna Maribor (SLO). 2003 »Mr. Monster Lonely« cartoon in cooperation with Maria Slovakova (SK). Tonto comic festival - Forum Stadtpark, Graz Austria. 2003 »Connected« – audiovisual installation in cooperation with Cym, son:DA and Peter Košir. - Forum Stadtpark, Graz Austria. 2003 »Agent Orange« – computer music project in cooperation with Michael Pinter (NL). Performed in Gallery Media Nox – Maribor, (SLO). 2003 »Agent Solo« – electroacoustical performance in »Escape« – Graz Austria. A contribution to the festival »Lange Nacht der Kulturhauptstadt«. 2003 »Band_project_3.2«, »FM_etude«, a contribution to the series »Elektroakustik Report« ( Elektroakustik Report 2 ) – Cube IEM Graz Austria. 2003 »Create – destroy« - audiovisual open source – Linux bsaed installation in Escape – Graz Austria. 2003 »Sound and poetry« - performance - in Pekarna Maribor (SLO), which was declared as a peace zone. 2001Concert: Roseanna Vitro with the Philharmonic orchestra of Maribor ( first alto saxophone ). Conductor: Ed Neumeister. SNG Maribor (SLO), Cankarjev dom Ljubljana. (SLO). 2001»Transformations« - A piece for guitar, vibraphone and double-bass. Amphitheatre of »Faculty of education Maribor« (SLO) FC4: cd extra with data track (Video/fotos/text) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-piece-for-two-instruments-and-a-soxophone-player [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:57 [post_modified_gmt] => 2015-01-09 16:01:57 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6037 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 20 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 7864 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => RAMradioartemobile presenta

Nuit Blanche Parigi 2013

(Q.i Q.i) LES OISEAUX

Play list

6-Richard Crow (Inghilterra, 1951): Corbeau Giocando con il suo cognome, l’artista, nella sua ricerca sperimentale sul suono, ha registrato il verso dei corvi con l’intento di produrre in chi ascolta suggestioni psico-fisiche.

05 ottobre 2013 - 06 ottobre 2013

La Gaîté Lyrique 3bis Rue Papin

75003 Parigi, Francia

I nostri ringraziamenti vanno a Chiara Parisi e Julie Pellegrin, direttore artistico delle Notti Bianche, Jerome Delormas, direttore delle Gaite Lyrique e le loro rispettive squadre. Ringraziamo in particolare Picnic Radio (Berlino) per la loro collaborazione. [post_title] => LES OISEAUX [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => les-oiseaux-19 [to_ping] => [pinged] => [post_modified] => 2015-01-08 13:08:45 [post_modified_gmt] => 2015-01-08 12:08:45 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7864 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 2022 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6240 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "Ann"; T.T. 68' 34". Copyright: Kaffe Matthews 1997 R.G.: Kaffe Matthews “CD Ann” – archivio SAM n. 123/a 17 tracce, compl. 68’36” Musica elettroacustica di taglio ambient/minimal, sperimentale ma abbastanza “ascoltabile”. Suoni e rumori concreti, sostanzialmente rari e rarefatti. Musica predominante: con tastiere, campionamenti vari, archi, percussioni. Non male, nel complesso: però molto lungo, piuttosto omogeneo (leggi monotono) e in definitiva un po’ “già sentito”. [post_title] => Advent harring (track 5) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => advent-harring-track-5 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:50 [post_modified_gmt] => 2015-01-09 16:00:50 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6240 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 227 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 14429 [post_author] => 1 [post_date] => 2019-07-15 11:38:25 [post_date_gmt] => 2019-07-15 09:38:25 [post_content] => CD "dd"; T.T.67' 39". Mixed and edited by km at Annette Works.

1 - In Search of a Bun part 1 2 - In Search of a Bun part 2 3 - In Search of a Bun part 3 4 - In Search of a Bun part 4 5 - In Search of a Bun part 5 6 - In Search of a Bun part 6 7 - In Search of a Bun part 7 8 - In Search of a Bun part 8 9 - The Last of the Violins part 1 10 - The Last of the Violins part 2 11 - The Last of the Violins part 3 12 - The Last of the Violins part 4 13 - The Last of the Violins part 5 14 - The Last of the Violins part 6 15 - Pool in the Basement

Copyright: Kaffe Matthews 2000. [post_title] => CD dd [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cd-dd [to_ping] => [pinged] => [post_modified] => 2019-07-15 12:19:56 [post_modified_gmt] => 2019-07-15 10:19:56 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.radioartemobile.it/?post_type=sounds&p=14429 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1139 [max_num_pages] => 114 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 4d99309bd50272a2251ad38ecdbdafa3 [query_vars_changed:WP_Query:private] => 1 [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )