Archivio Sonoro: SoundArtMuseum en
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[post_content] => René Morgensen, Danish composer and musician, works across many musical areas, investigating a broad range of compositional possibilities in works for chamber ensembles and jazz ensembles, as well as creations in electroacoustic sound art, in an effort to go beyond idiomatic compartmentalism. In 2004 he completed his new Promenade Symfony for the Tivoli Promenade Orchestra, a 16 piece chamber orchestra in Copenhagen, Denmark for premiere in June of that year. His works for soloist with electronics including Five Seasons, and others for ensembles of various instrumentations with electroacoustics have been presented in various venues around New York City, and in Europe. Mogensen has completed several commissions for Danish Public Radio Program One (DR P1) in the past few years. He has recently created new works during residencies at DIEM, STEIM, Logos, and other music & technology research centers. Three recent scores for modern dance/theater have included Heaven or Cell and Terrror and Money and Air and Marble for productions in New York City with choreographer Renata Celichowska during 2002-2003. Mogensen’s electroacoustic works have been presented in radio programs and concerts in many places around the world. His works for chamber ensembles, as well as works for jazz groups, have been performed by various ensembles, including concerts by the Esbjerg Ensemble in Denmark, the Ensemble Rosario in Argentina, and by the NYU New Music Ensemble in New York City, as well as by René Mogensen’s Ensemble in New York. Recent releases include appearances on tenor saxophone on the Korean released cd Selfless Self by Woochang Lee, and the inclusion of Mogensen’s works News Clips Study 1 and Economics 102 on the Belgian KriKri 2002 cd. Mogensen was the composer in residence at the Center for Contemporary Music at Mills College, CA, in October of 1999, where his piece Spring Decomposition for wind trio and tape was premiered. During the summers 1996 and 1997, he was the composer and performer in residence in the NYU graduate music program in Pisa, Italy, where several of his works were premiered in concerts as part of the Strada Facendo performing arts festival. More information about concerts, recordings, and other news about Mogensen's work is listed on the web page: www.geocities.com/renemogensen Mogensen's work is recorded on various labels including: Capstone and Wassard in New York, AV-Art in Denmark, and Hwa-Eum Records and Notation Records in Korea. He is the recipient of awards for his work from various foundations including the Danish Institute for Electroacoustic Music, Meet the Composer USA, the John Anson Kittredge Fund, the Yvar Mikhashoff Trust for New Music, the Danish Music Council, the Eubie Blake Fund, and others. He holds an MA in music from New York University, and a BA from the University of Rochester, NY, USA.
[post_title] => Autumn Apparition
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[post_content] => RAMradioartemobile presenta
Nuit Blanche Parigi 2013
(Q.i Q.i) LES OISEAUX
Play list
22-David Cunningham/Paola Pivi (Irlanda, 1954, Italia, 1971) Peruvian Wren È un duetto improvvisato all’interno del progetto Grrr Jamming Squeak! di Paola Pivi che ha allestito uno studio di registrazione a ingresso libero, invitando i visitatori a suonare con l’accompagnamento dei suoni di 100 animali, messi a disposizione dal Cornell Lab of Ornithology.
05 ottobre 2013 - 06 ottobre 2013
La Gaîté Lyrique 3bis Rue Papin
75003 Parigi, Francia
I nostri ringraziamenti vanno a Chiara Parisi e Julie Pellegrin, direttore artistico delle Notti Bianche, Jerome Delormas, direttore delle Gaite Lyrique e le loro rispettive squadre. Ringraziamo in particolare Picnic Radio (Berlino) per la loro collaborazione. [post_title] => LES OISEAUX [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => les-oiseaux-3 [to_ping] => [pinged] => [post_modified] => 2015-01-08 13:06:24 [post_modified_gmt] => 2015-01-08 12:06:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7880 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 2038 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6225 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Larynx parlor [post_excerpt] => Georgina Lewis uses sound, sculpture, and drawing, to address the overlap between language, nature, and the scientific method as reinterpreted by a precocious eight year old. Her work has been presented at the University of Toledo, the Visual Study Workshop, "Pulsefield" at Georgia State Univerisity, and the 2004 CEAIT festival. She lives in Boston, MA where she attended ythe Museum School, and is currentlyan MFA candidate in the Sound/Music Departement at Bard College. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => larynx-parlor [to_ping] => [pinged] => [post_modified] => 2015-01-09 16:18:59 [post_modified_gmt] => 2015-01-09 15:18:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6225 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 212 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 6258 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "Cécile"; T.T. 60' 18". Copyright: Kaffe Matthews 1999 Edited, mixed and mastered by km at Annette Works, Top floor, 11-29 Fashion Street, London E1 6PX. [post_title] => My love gave me a blue plastic watch (track 6) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => my-love-gave-me-a-blue-plastic-watch-track-6 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:52 [post_modified_gmt] => 2015-01-09 16:00:52 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6258 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 245 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6290 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "Bea"; T.T. 69' 19". Copyright: Kaffe Matthews 1998 Remixed and produced by km at Annette Works, 47 Margetson House, Stamford Hill, London N16 5LE. R.G.: Kaffe Matthews “CD Bea” – archivio SAM n. 123/c 26 tracce, compl. 70’26” Lavoro strutturalmente molto simile al precedente (123.a), forse ancora più “musicale” che “concreto”. Stesso giudizio. [post_title] => Long thine room (track 19) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => long-thine-room-track-19 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:55 [post_modified_gmt] => 2015-01-09 16:00:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6290 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 277 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6321 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "dd"; T.T.67' 33". Copyright: Kaffe Matthews 2000. Mixed and edited by km at Annette Works. [post_title] => In search of a bun (track 7) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => in-search-of-a-bun-track-7 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:58 [post_modified_gmt] => 2015-01-09 16:00:58 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6321 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 308 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6353 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Copyright: Viv Corringham PRS London 2003. [post_title] => A walk by the River Lea [post_excerpt] => Viv Corringham is based in London and has performed internationally since the early 1980s, recording eleven albums. She works with improvisation, listening, Mediterranean music and soundscapes. Her solo project, Vocal Strolls, in which she sings live with the London soundscape, has been broadcast on radio and TV - BBC Radio 3's Mixing It, BBC Radio 4's Woman's Hour, weekly on London Resonance fm, and Channel 4's Richard and Judy Show. A Vocal Stroll piece performed by a construction site was selected for the 2003 Australian sound symposium, Hearing Place and is featured on the CD that promoted this event. Other pieces have been programmed for New Media Scotland's 2004 Drift festival and for the CD that accompanies the Spring 2004 issue of soundscape journal Earshot. An article about the artist and this work appears in the June 2003 edition of Musicworks magazine, published in Canada. Recent soundwalks, Urban Song Paths, have involved the collection of found objects and the creation of texts and photographs. Some of these were displayed in January 2004 at London Freeform's Hothouse studios, as part of a Landscape and Arts exhibition. Current collaborations include a longstanding performance duo with electronics/environmental sound musician Peter Cusack, explorations with sound sculptor Derek Shiels and phonographer Dallas Simpson, and performance/installation work using the resonant characteristics of drain-pipes with Dave Lawrence. Recent improvisation projects have involved Pat Thomas, Charles Hayward, Gino Robair, Torsten Muller and Paul Burwell. In 2003, work included a site-specific environmental sound project with children of Greenwich Millennium primary school, funded by London International Festival of Theatre, participation in the Leleg symposium of Live Art in Turkey, and residencies with Colourscape, the multi-chambered walk-in sculpture of colour and light, creating improvisations and electronic soundscapes with early years pupils. There were also performances and festivals in USA, Britain and Switzerland. Scheduled work for 2004 includes concerts in Sweden and North America, leading workshops on "The Listening Body" with dancer Rachel Gomme, and a seminar and residency for the Cork Soundworks festival, in which she will work with local inhabitants to create new sound pieces. She has an MA Sonic Art with Distinction, and is currently studying under American composer Pauline Oliveros for a certificate in "Deep Listening". She has received awards from the Arts Council, Jazz Services and Awards for All. Recordings: Urban song paths- A Walk by the River Lea Blue Camel Vocal Strolls- solo improvisations in location Blue Camel Around the room, out the door, down the stairs- solo Artship Glimpses of Recognition-with Rick Wilson Third Force Operet-with Peter Cusack NoMansLand Babaye Selam- Shimal ARC Music Avant Roots- with Mike Cooper MASH Popular Turkish Folk Songs- with George Hadjineophytou ARC Music Keep it Clean- National Gallery with Mike Cooper Rhiannon Talking to Charos; Rembetika ARC Music Where Africa Meets the Orient- Noor Shimaal ARC Music (+ on compilations by Move, Emanem, ARC Music, NoMansLand, Jungle Records and Slam). Selected recent work: 2004 Solo tour - North American West Coast 2003 San Francisco Alt festival 2003 Switzerland- tour with Stefan Wyler & Brigitte Meyer 2003 Freedom of the City festival, London 2003 Residencies for Colourscape and LIFT. with young people 2002-3 Jazz Services-funded UK tours with Pat Thomas and Peter Cusack 2002 Tours and CD recordings in US and Italy- solo and with Peter Cusack. 2002 -3 Weekly Resonance FM radio shows: Vocal Strolls, (improvisation on London streets) & All Ears 2001 Festivals & concerts in Prague, San Francisco and Switzerland 2001-2002 Projects in schools for the Haringey Music and Performing Arts Centre 2001,2 +3 Blue Camel concert series- curator and performer 2000 Queen Elizabeth Hall, LMC Annual Festival: The Viv Corringham Project. 2000 Pauline Oliveros' Lunar Opera, Lincoln Center, New York as a diva of "Diva Nation". 2000 US WFMU and WMSE radio stations: featured guest on "London Underground". [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-walk-by-the-river-lea [to_ping] => [pinged] => [post_modified] => 2019-07-16 11:43:59 [post_modified_gmt] => 2019-07-16 09:43:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6353 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 342 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6385 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Hamburg am Wasser - Ich hoere Bruecken [post_excerpt] => Il brano è il track 2 del cd: 1' 30" einsdesseig. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hamburg-am-wasser-ich-hoere-bruecken [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:04 [post_modified_gmt] => 2015-01-09 16:01:04 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6385 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 374 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6054 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Notte fonda [post_excerpt] => Mino Freda (Roma 1963), compositore,percussionista, ha svolto studi di composizione e direzione di coro presso il Conservatorio S. Cecilia di Roma. Dal 1986 al 1996 è impeganto come percussionista in complessi sinfonici e lirici, compiendo tournées in Italia e all'estero. Da qualche anno è interessato alla musica elettronica e al trattamento digitale delle fonti sonore. Nel dic.'99 ha realizzato musiche per il programma radiofonico "L'occhio magico" (Radio Rai3) dedicato a Anselm Kiefer.Ha pubblicato musiche pianistiche per la ed. musicali Domani Musica e scritto per la rivista di musica contemporanea Konsequenz aderendo a un'iniziativa promossa da Giuseppe Chiari. Ha collaborato alla realizzazione di installazioni sonore con alcuni dei più autorevoli istituti italiani di ricerca di musica elettronica come l'Istituto Gramma de L'Aquila e il CRM di Roma. Dopo gli studi in lettere, in qualità di storico dell'arte contemporanea, si è spesso interesato allo studio dei fenomeni musicali nell'ambito dell'arte contemporanea. Original music by Mino Freda; produced by Freda editing, sound engineer, mastering and mixed: Mino Freda Interventi solistici: trombone: Sergio Battista, violino: Monica Castorina, percussioni: Francesco Mendolia. Auto produzione a tiratura limitata: es. ristampa seconda serie in vendita con il catalogo della mostra da Silenzio-Distribuzione (www.silenzio-distribuzione.it) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => notte-fonda [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:58 [post_modified_gmt] => 2015-01-09 16:01:58 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6054 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 38 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6086 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => TRAM S ATLANTIK [post_excerpt] => Il brano è il track 1 del cd: 1' 30" einsdesseig. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => tram-s-atlantik [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:01 [post_modified_gmt] => 2015-01-09 16:02:01 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6086 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 70 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 11964 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => René Morgensen, Danish composer and musician, works across many musical areas, investigating a broad range of compositional possibilities in works for chamber ensembles and jazz ensembles, as well as creations in electroacoustic sound art, in an effort to go beyond idiomatic compartmentalism. In 2004 he completed his new Promenade Symfony for the Tivoli Promenade Orchestra, a 16 piece chamber orchestra in Copenhagen, Denmark for premiere in June of that year. His works for soloist with electronics including Five Seasons, and others for ensembles of various instrumentations with electroacoustics have been presented in various venues around New York City, and in Europe. Mogensen has completed several commissions for Danish Public Radio Program One (DR P1) in the past few years. He has recently created new works during residencies at DIEM, STEIM, Logos, and other music & technology research centers. Three recent scores for modern dance/theater have included Heaven or Cell and Terrror and Money and Air and Marble for productions in New York City with choreographer Renata Celichowska during 2002-2003. Mogensen’s electroacoustic works have been presented in radio programs and concerts in many places around the world. His works for chamber ensembles, as well as works for jazz groups, have been performed by various ensembles, including concerts by the Esbjerg Ensemble in Denmark, the Ensemble Rosario in Argentina, and by the NYU New Music Ensemble in New York City, as well as by René Mogensen’s Ensemble in New York. Recent releases include appearances on tenor saxophone on the Korean released cd Selfless Self by Woochang Lee, and the inclusion of Mogensen’s works News Clips Study 1 and Economics 102 on the Belgian KriKri 2002 cd. Mogensen was the composer in residence at the Center for Contemporary Music at Mills College, CA, in October of 1999, where his piece Spring Decomposition for wind trio and tape was premiered. During the summers 1996 and 1997, he was the composer and performer in residence in the NYU graduate music program in Pisa, Italy, where several of his works were premiered in concerts as part of the Strada Facendo performing arts festival. More information about concerts, recordings, and other news about Mogensen's work is listed on the web page: www.geocities.com/renemogensen Mogensen's work is recorded on various labels including: Capstone and Wassard in New York, AV-Art in Denmark, and Hwa-Eum Records and Notation Records in Korea. He is the recipient of awards for his work from various foundations including the Danish Institute for Electroacoustic Music, Meet the Composer USA, the John Anson Kittredge Fund, the Yvar Mikhashoff Trust for New Music, the Danish Music Council, the Eubie Blake Fund, and others. He holds an MA in music from New York University, and a BA from the University of Rochester, NY, USA. [post_title] => Autumn Apparition [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => autumn-apparition-2 [to_ping] => [pinged] => [post_modified] => 2017-03-07 13:29:45 [post_modified_gmt] => 2017-03-07 12:29:45 [post_content_filtered] => [post_parent] => 0 [guid] => http://www.radioartemobile.it/suoni/autumn-apparition-2/ [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 0 [post_it] => 0 ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1139 [max_num_pages] => 114 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => 1 [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => [is_embed] => [is_paged] => 1 [is_admin] => [is_attachment] => [is_singular] => [is_robots] => [is_favicon] => [is_posts_page] => [is_post_type_archive] => 1 [query_vars_hash:WP_Query:private] => 46807b4ca915dbb8cf25171242c39f7e [query_vars_changed:WP_Query:private] => 1 [thumbnails_cached] => [allow_query_attachment_by_filename:protected] => [stopwords:WP_Query:private] => [compat_fields:WP_Query:private] => Array ( [0] => query_vars_hash [1] => query_vars_changed ) [compat_methods:WP_Query:private] => Array ( [0] => init_query_flags [1] => parse_tax_query ) )
Nuit Blanche Parigi 2013
(Q.i Q.i) LES OISEAUX
Play list
22-David Cunningham/Paola Pivi (Irlanda, 1954, Italia, 1971) Peruvian Wren È un duetto improvvisato all’interno del progetto Grrr Jamming Squeak! di Paola Pivi che ha allestito uno studio di registrazione a ingresso libero, invitando i visitatori a suonare con l’accompagnamento dei suoni di 100 animali, messi a disposizione dal Cornell Lab of Ornithology.
05 ottobre 2013 - 06 ottobre 2013
La Gaîté Lyrique 3bis Rue Papin
75003 Parigi, Francia
I nostri ringraziamenti vanno a Chiara Parisi e Julie Pellegrin, direttore artistico delle Notti Bianche, Jerome Delormas, direttore delle Gaite Lyrique e le loro rispettive squadre. Ringraziamo in particolare Picnic Radio (Berlino) per la loro collaborazione. [post_title] => LES OISEAUX [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => les-oiseaux-3 [to_ping] => [pinged] => [post_modified] => 2015-01-08 13:06:24 [post_modified_gmt] => 2015-01-08 12:06:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=7880 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 2038 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6225 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Larynx parlor [post_excerpt] => Georgina Lewis uses sound, sculpture, and drawing, to address the overlap between language, nature, and the scientific method as reinterpreted by a precocious eight year old. Her work has been presented at the University of Toledo, the Visual Study Workshop, "Pulsefield" at Georgia State Univerisity, and the 2004 CEAIT festival. She lives in Boston, MA where she attended ythe Museum School, and is currentlyan MFA candidate in the Sound/Music Departement at Bard College. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => larynx-parlor [to_ping] => [pinged] => [post_modified] => 2015-01-09 16:18:59 [post_modified_gmt] => 2015-01-09 15:18:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6225 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 212 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 6258 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "Cécile"; T.T. 60' 18". Copyright: Kaffe Matthews 1999 Edited, mixed and mastered by km at Annette Works, Top floor, 11-29 Fashion Street, London E1 6PX. [post_title] => My love gave me a blue plastic watch (track 6) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => my-love-gave-me-a-blue-plastic-watch-track-6 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:52 [post_modified_gmt] => 2015-01-09 16:00:52 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6258 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 245 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6290 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "Bea"; T.T. 69' 19". Copyright: Kaffe Matthews 1998 Remixed and produced by km at Annette Works, 47 Margetson House, Stamford Hill, London N16 5LE. R.G.: Kaffe Matthews “CD Bea” – archivio SAM n. 123/c 26 tracce, compl. 70’26” Lavoro strutturalmente molto simile al precedente (123.a), forse ancora più “musicale” che “concreto”. Stesso giudizio. [post_title] => Long thine room (track 19) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => long-thine-room-track-19 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:55 [post_modified_gmt] => 2015-01-09 16:00:55 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6290 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 277 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6321 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "dd"; T.T.67' 33". Copyright: Kaffe Matthews 2000. Mixed and edited by km at Annette Works. [post_title] => In search of a bun (track 7) [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => in-search-of-a-bun-track-7 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:58 [post_modified_gmt] => 2015-01-09 16:00:58 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6321 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 308 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6353 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Copyright: Viv Corringham PRS London 2003. [post_title] => A walk by the River Lea [post_excerpt] => Viv Corringham is based in London and has performed internationally since the early 1980s, recording eleven albums. She works with improvisation, listening, Mediterranean music and soundscapes. Her solo project, Vocal Strolls, in which she sings live with the London soundscape, has been broadcast on radio and TV - BBC Radio 3's Mixing It, BBC Radio 4's Woman's Hour, weekly on London Resonance fm, and Channel 4's Richard and Judy Show. A Vocal Stroll piece performed by a construction site was selected for the 2003 Australian sound symposium, Hearing Place and is featured on the CD that promoted this event. Other pieces have been programmed for New Media Scotland's 2004 Drift festival and for the CD that accompanies the Spring 2004 issue of soundscape journal Earshot. An article about the artist and this work appears in the June 2003 edition of Musicworks magazine, published in Canada. Recent soundwalks, Urban Song Paths, have involved the collection of found objects and the creation of texts and photographs. Some of these were displayed in January 2004 at London Freeform's Hothouse studios, as part of a Landscape and Arts exhibition. Current collaborations include a longstanding performance duo with electronics/environmental sound musician Peter Cusack, explorations with sound sculptor Derek Shiels and phonographer Dallas Simpson, and performance/installation work using the resonant characteristics of drain-pipes with Dave Lawrence. Recent improvisation projects have involved Pat Thomas, Charles Hayward, Gino Robair, Torsten Muller and Paul Burwell. In 2003, work included a site-specific environmental sound project with children of Greenwich Millennium primary school, funded by London International Festival of Theatre, participation in the Leleg symposium of Live Art in Turkey, and residencies with Colourscape, the multi-chambered walk-in sculpture of colour and light, creating improvisations and electronic soundscapes with early years pupils. There were also performances and festivals in USA, Britain and Switzerland. Scheduled work for 2004 includes concerts in Sweden and North America, leading workshops on "The Listening Body" with dancer Rachel Gomme, and a seminar and residency for the Cork Soundworks festival, in which she will work with local inhabitants to create new sound pieces. She has an MA Sonic Art with Distinction, and is currently studying under American composer Pauline Oliveros for a certificate in "Deep Listening". She has received awards from the Arts Council, Jazz Services and Awards for All. Recordings: Urban song paths- A Walk by the River Lea Blue Camel Vocal Strolls- solo improvisations in location Blue Camel Around the room, out the door, down the stairs- solo Artship Glimpses of Recognition-with Rick Wilson Third Force Operet-with Peter Cusack NoMansLand Babaye Selam- Shimal ARC Music Avant Roots- with Mike Cooper MASH Popular Turkish Folk Songs- with George Hadjineophytou ARC Music Keep it Clean- National Gallery with Mike Cooper Rhiannon Talking to Charos; Rembetika ARC Music Where Africa Meets the Orient- Noor Shimaal ARC Music (+ on compilations by Move, Emanem, ARC Music, NoMansLand, Jungle Records and Slam). Selected recent work: 2004 Solo tour - North American West Coast 2003 San Francisco Alt festival 2003 Switzerland- tour with Stefan Wyler & Brigitte Meyer 2003 Freedom of the City festival, London 2003 Residencies for Colourscape and LIFT. with young people 2002-3 Jazz Services-funded UK tours with Pat Thomas and Peter Cusack 2002 Tours and CD recordings in US and Italy- solo and with Peter Cusack. 2002 -3 Weekly Resonance FM radio shows: Vocal Strolls, (improvisation on London streets) & All Ears 2001 Festivals & concerts in Prague, San Francisco and Switzerland 2001-2002 Projects in schools for the Haringey Music and Performing Arts Centre 2001,2 +3 Blue Camel concert series- curator and performer 2000 Queen Elizabeth Hall, LMC Annual Festival: The Viv Corringham Project. 2000 Pauline Oliveros' Lunar Opera, Lincoln Center, New York as a diva of "Diva Nation". 2000 US WFMU and WMSE radio stations: featured guest on "London Underground". [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-walk-by-the-river-lea [to_ping] => [pinged] => [post_modified] => 2019-07-16 11:43:59 [post_modified_gmt] => 2019-07-16 09:43:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6353 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 342 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6385 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Hamburg am Wasser - Ich hoere Bruecken [post_excerpt] => Il brano è il track 2 del cd: 1' 30" einsdesseig. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => hamburg-am-wasser-ich-hoere-bruecken [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:04 [post_modified_gmt] => 2015-01-09 16:01:04 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6385 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 374 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6054 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Notte fonda [post_excerpt] => Mino Freda (Roma 1963), compositore,percussionista, ha svolto studi di composizione e direzione di coro presso il Conservatorio S. Cecilia di Roma. Dal 1986 al 1996 è impeganto come percussionista in complessi sinfonici e lirici, compiendo tournées in Italia e all'estero. Da qualche anno è interessato alla musica elettronica e al trattamento digitale delle fonti sonore. Nel dic.'99 ha realizzato musiche per il programma radiofonico "L'occhio magico" (Radio Rai3) dedicato a Anselm Kiefer.Ha pubblicato musiche pianistiche per la ed. musicali Domani Musica e scritto per la rivista di musica contemporanea Konsequenz aderendo a un'iniziativa promossa da Giuseppe Chiari. Ha collaborato alla realizzazione di installazioni sonore con alcuni dei più autorevoli istituti italiani di ricerca di musica elettronica come l'Istituto Gramma de L'Aquila e il CRM di Roma. Dopo gli studi in lettere, in qualità di storico dell'arte contemporanea, si è spesso interesato allo studio dei fenomeni musicali nell'ambito dell'arte contemporanea. Original music by Mino Freda; produced by Freda editing, sound engineer, mastering and mixed: Mino Freda Interventi solistici: trombone: Sergio Battista, violino: Monica Castorina, percussioni: Francesco Mendolia. Auto produzione a tiratura limitata: es. ristampa seconda serie in vendita con il catalogo della mostra da Silenzio-Distribuzione (www.silenzio-distribuzione.it) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => notte-fonda [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:58 [post_modified_gmt] => 2015-01-09 16:01:58 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6054 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 38 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6086 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => TRAM S ATLANTIK [post_excerpt] => Il brano è il track 1 del cd: 1' 30" einsdesseig. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => tram-s-atlantik [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:01 [post_modified_gmt] => 2015-01-09 16:02:01 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6086 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 70 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 11964 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => René Morgensen, Danish composer and musician, works across many musical areas, investigating a broad range of compositional possibilities in works for chamber ensembles and jazz ensembles, as well as creations in electroacoustic sound art, in an effort to go beyond idiomatic compartmentalism. In 2004 he completed his new Promenade Symfony for the Tivoli Promenade Orchestra, a 16 piece chamber orchestra in Copenhagen, Denmark for premiere in June of that year. His works for soloist with electronics including Five Seasons, and others for ensembles of various instrumentations with electroacoustics have been presented in various venues around New York City, and in Europe. Mogensen has completed several commissions for Danish Public Radio Program One (DR P1) in the past few years. He has recently created new works during residencies at DIEM, STEIM, Logos, and other music & technology research centers. Three recent scores for modern dance/theater have included Heaven or Cell and Terrror and Money and Air and Marble for productions in New York City with choreographer Renata Celichowska during 2002-2003. Mogensen’s electroacoustic works have been presented in radio programs and concerts in many places around the world. His works for chamber ensembles, as well as works for jazz groups, have been performed by various ensembles, including concerts by the Esbjerg Ensemble in Denmark, the Ensemble Rosario in Argentina, and by the NYU New Music Ensemble in New York City, as well as by René Mogensen’s Ensemble in New York. Recent releases include appearances on tenor saxophone on the Korean released cd Selfless Self by Woochang Lee, and the inclusion of Mogensen’s works News Clips Study 1 and Economics 102 on the Belgian KriKri 2002 cd. Mogensen was the composer in residence at the Center for Contemporary Music at Mills College, CA, in October of 1999, where his piece Spring Decomposition for wind trio and tape was premiered. During the summers 1996 and 1997, he was the composer and performer in residence in the NYU graduate music program in Pisa, Italy, where several of his works were premiered in concerts as part of the Strada Facendo performing arts festival. More information about concerts, recordings, and other news about Mogensen's work is listed on the web page: www.geocities.com/renemogensen Mogensen's work is recorded on various labels including: Capstone and Wassard in New York, AV-Art in Denmark, and Hwa-Eum Records and Notation Records in Korea. He is the recipient of awards for his work from various foundations including the Danish Institute for Electroacoustic Music, Meet the Composer USA, the John Anson Kittredge Fund, the Yvar Mikhashoff Trust for New Music, the Danish Music Council, the Eubie Blake Fund, and others. He holds an MA in music from New York University, and a BA from the University of Rochester, NY, USA. 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Heinz Weber
Hamburg am Wasser – Ich hoere Bruecken
