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T. 46' 48": selected sound tracks from Stefano Cagol's videos (1997-2004). The sound tracks can be heard without the video images. Sound, editing, post-production by Stefano Cagol. Copyright 2005 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => horizon-4 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:17 [post_modified_gmt] => 2015-01-09 16:03:17 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6492 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 481 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6524 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Untitled [post_excerpt] => Born in 1956 in Boston, Rothenberg graduated from Oberlin College and studied at Oberlin Conservatory, Berklee School of Music, privately with Les Scott (saxophone & clarinet), and George Coleman (jazz improvisation). However, his trademark solo technique is self-taught. He has received grants and commissions from the New York Foundation for the Arts, New York State Arts Council, Cary Trust, Lila Wallace Foundation, Chamber Music America, Asian Cultural Council, Roulette, Jerome Foundation, Meet the Composer, Japan Society and ASCAP. Ned Rothenberg composes and performs on saxophones, clarinets, flute and shakuhachi (an end blown Japanese bamboo flute). He has been internationally acclaimed for his solo music which he has presented for the past 25 years in hundreds of concerts throughout North and South America, Europe and Japan. He has lead the ensembles Double Band, Power Lines and Sync (his most recent assemblage with Jerome Harris, acoustic guitar & acoustic bass guitar and Samir Chaterjee, tabla) and was a founding member of the cooperative group New Winds (now with Robert Dick, flutes and Herb Robertson, Trumpet). He has worked in other projects with Paul Dresher, Yuji Takahashi, Sainkho Namchylak, Masahiko Sato, Elliott Sharp, Samm Bennett, John Zorn, Katsuya Yokoyama, Evan Parker and Marc Ribot. He's lived and worked in New York City since 1978. Rothenberg's musical interests are numerous and his work varies widely in its sonic, emotive and stylistic profiles. A strong underlying element of his instrumental voice is the extension of the woodwind language to incorporate polyphony and accurate microtonal organization through the manipulation of multiphonics, circular breathing, and overtone control, not only using his horns in their standard melodic role but also as rhythmic and harmonic engines in both solo and ensemble contexts. As a composer he can move from "Jazz-funk in cubist perspective, dizzying, yet visceral" (J. Pareles, NY Times re Double Band) to a solo music that is "intense, slightly melancholic, rhapsodic without being sentimental (E. Rothstein, NY times), while avoiding the use of mere effect- "crafting distinct, evocative compositions that boast shape as well as texture" N. Tesser, (Chicago Reader). Rothenberg's frequent international travels have included a 6-month residency in Japan during which he performed his music and studied shakuhachi with two of the foremost masters of the instrument, Goro Yamaguchi and Katsuya Yokoyama. In the summer of '89 he toured the (then) Soviet Union with Tom Cora (cello), Peter Hollinger (drums) and Elliott Sharp (guitars). In October '92 he returned to Russia and the Baltics in duo with the Tuvan vocalist Sainkho Namchylak. In January 2002 he travelled to South Korea for the first time to work with saxophonist Kang Tae Hwan and percussionist Park Ji-Chun. These are just a few examples: international touring continues each year playing festivals, theatres and clubs as a leader or collaborator. This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => untitled-23 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:20 [post_modified_gmt] => 2015-01-09 16:03:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6524 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 513 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 6556 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_title] => Tudor Loops [post_excerpt] => My work often focuses on exploration of abject,invisible/inaudible, or ignored streams of information. I perform and present work regularly in Europe and North America. Recent projects include: a series of performance and installation works exploring radio silences (Diapason Gallery, New York; Sleeper Gallery, Edinburgh; SoundPlay Festival, Toronto) a commission from the Berliner Festspiele for a new version of John Cage's Fontana Mix performances of the music of Phill Niblock at the Barbican (London UK) / Mixtophonics series (Vancouver Canada) / Tone Deaf Festival (Kingston Canada) collaborative performances with violinist Jane Henry at Diapason Gallery (New York City) a series of collaborative exhibitions in the UK and Canada with UK artist Chloë Steele entitled Perfect Imperfect t he sound installation Auricle in Norwich Cathedral (UK) a tour of improvisational performances in the Netherlands and Germany with Anne La Berge and Anne Wellmer a sound installation entitled Digital to Analog Converter, making audible digital sources via tin-can telephones, for the touring exhibition Sound Machines (UK) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => tudor-loops [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:24 [post_modified_gmt] => 2015-01-09 16:03:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6556 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 546 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6588 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. nn. Arch. 158.a.2,4,5; 183.59; 186.a [post_title] => Milano Mix [post_excerpt] => Scanner - British artist Robin Rimbaud - traverses the experimental terrain between sound, space, image and form, creating absorbing, multi-layered sound pieces that twist technology in unconventional ways . From his early controversial work using found mobile phone conversations, through to his focus on trawling the hidden noise of the modern metropolis as the symbol of the place where hidden meanings and missed contacts emerge, his restless explorations of the experimental terrain have won him international admiration from amongst others, Bjork, Aphex Twin and Stockhausen. Scanner is committed to working with cutting edge practitioners and has collaborated with artists from every imaginable genre: musicians Bryan Ferry and Laurie Anderson, The Royal Ballet and Random Dance companies, composers Michael Nyman and Luc Ferrari, and artists Mike Kelley and Derek Jarman. As well as producing compositions and audio CDs, his diverse body of work includes soundtracks for films, performances, radio, and site-specific intermedia installations. He has performed and created works in many of the world's most prestigious spaces including SFMOMA USA, Hayward Gallery London, Pompidou Centre Paris, Kunsthalle Vienna, Bolshoi Theatre Moscow, Tate Modern London and the Royal Opera House London. Paul Farrington, AKA TONNE This prize-winning visual artist and designer has made visible the work of Scanner, Pole and Spring Heel Jack among others, linking sound with visuals that vary between elegantly simple lines to multiple layers of superimposed imagery. Tonne's interactive sound interfaces allow music to be produced as responses to the movement of graphics, and vice-versa. By manipulating sound utilities, Tonne builds toys, games, interactive environments and soundbanks. Developing and producing controlled systems for sound and image interaction, Tonne has performed live at Sonar (Barcelona 2000), FCMN (Montréal), Expanded Cinema (Milan), Lovebytes (Sheffield), and Steim (Amsterdam). Tonne was awarded Creative Review's Creative Futures Up-And-Coming Graphic Designer of 1999. Recently Tonne has been commissioned by the music label Meta to release recordings of his sound toys. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => milano-mix [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:27 [post_modified_gmt] => 2015-01-09 16:03:27 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6588 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 578 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6620 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => functional [post_excerpt] => Gianluca Codeghini Nato a Milano il 02.09.1968 Diplomato all’Accademia di Brera Milano al corso di Pittura. Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. 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(track 1) [post_excerpt] => WILLIAM ENGELEN, (1964, Weert, the Netherlands) lives and works in Rotterdam and Berlin. From 1989-1991 he studied at the Jan van Eyck Academy in Maastricht. Recently he participated in the exhibition Made in Berlin at the Artforum 2004 in Berlin. In 2003 he had a solo exhibition in the Neuer Aachener Kunstverein: Partitur. Music and visual art are interwoven in the work of William Engelen. For instance the artist writes scores for musical performances, which at the same time serve as drawings. His work Plu (2004) which can be seen in Projektraum Kastalia, was conceived as a choreography. It suggests dance, movement and sound in a silent, architectural sculpture. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => was-halten-sie-vom-loch-track-1 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:31 [post_modified_gmt] => 2015-01-09 16:05:31 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6712 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 703 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6744 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Music for the Air [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => music-for-the-air [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:34 [post_modified_gmt] => 2015-01-09 16:05:34 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6744 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 735 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6798 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => brrr [post_excerpt] => Liv Strand (b´71 Södertälje/Sweden) Lives and works in Stockholm/Sweden. Selected exhibitions/projects: Kapsel, Galleri Mia Sundberg, Stockholm/2003 Banderolltillverkning, BB/Galleri Lars Bohman, Stockholm/2003; Blinka lilla lampa där i din affär, i lampaffären Norrmalms Elektriska AB, Stockholm/2002 Liv Strand is an artist living and working in Stockholm, Sweden. She is mainly working with fragile and mobile sculptures, often with mechanical elements that make some kind of rattling sound. The sculptures are not made with an ekvilibristic attitude, rather cheap or found material joint together in a simple way, but nevertheless evoking humorstic and poetic notions. Liv Strand´s work often tends to put a twist to a real event aiming to make this event or similar fellow-events to appear refreshed as a fundamental situation. Her work considers life situations and stresses the power of fantasy in inexperienced thoughts. 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