Archivio Sonoro: SoundArtMuseum en

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Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => lentello [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:30 [post_modified_gmt] => 2015-01-09 16:03:30 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6609 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 600 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 6641 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => A Cute Picture of a Clown [post_excerpt] => Chris Bors was born in Ithaca, New York in 1971. He lives and works in Harlem in New York City. He received his BA from University at Albany in 1993 and his MFA from School of Visual Arts in 1998. He also studied at Rhode Island School of Design in 1995. His solo exhibitions in New York include Quest for Herb at Here Art and Beat Down at PS 122 Galley. His art has also been shown at PS1 MoMA, White Columns, and Ten in One Gallery in New York, and in Berlin, Cyprus, the Netherlands, and Zurich. His work has been reviewed in The New York Times, Time Out New York, Newsday and PAJ, A Journal of Performance and Art, as well as being featured in Razor and zingmagazine. He has curated exhibitions at Here Art in New York and Vox Populi in Philadelphia and written criticism for artnet.com. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-cute-picture-of-a-clown [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:24 [post_modified_gmt] => 2015-01-09 16:05:24 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6641 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 632 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6673 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Flame to Moth and Fish Gotta Swim [post_excerpt] => "ghost.dances/ on the event horizon": following up her retrospective anthology "Thank You For Flying American", visual, performance, and media artist, and audio-composer/producer Jacki Apple's second CD release is a sonic evocation of the clash between nature and culture in the modern world. It contains works from six major pieces that explore environmental issues - The Amazon (from "The Amazon, The Mekong, The Missouri and The Nile"), an excerpt from "Aviary of the Lost" plus "Flame to Moth & Fish Gotta Swim" and "Ghost Dancers for Birdland" from "The Culture of Disappearance", the full-length "One World at a Time" set in outer space, inner space, and cyber sapce, and "Fluctuations of the Fields" based on the writings of physicist avid Bohm. It includes music from Bruce Fowler, Ruben Garcia, and Kira Vollman & Joseph Berardi, as well as Apple's sound compositions and vocals. A Cactus Foundation/ Chronic Interactive production [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => flame-to-moth-and-fish-gotta-swim [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:27 [post_modified_gmt] => 2015-01-09 16:05:27 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6673 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 664 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 6733 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => you twain [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => you-twain [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:33 [post_modified_gmt] => 2015-01-09 16:05:33 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6733 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 724 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6765 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => dates: Twilight of Peryn - 1972, Street Music - 1966, Signals - 1992, String Play - 1980. And previous pieces: Little Music .. - 1999, Little Litany - 2002, Little Chronicles - 2005. [post_title] => Accusation against Diva [post_excerpt] => ZBIGNIEW PENHERSKI, composer, born January 26, 1935 in Warsaw, Poland. Studied composition with B. Poradowski at the State Academy of Music [PWSM] in Poznan (1955-56), followed by studies with Tadeusz Szeligowski in Warsaw (1956-59). Penherski has also studied conducting under Bohdan Wodiczko (1960-63). Holder of a Dutch government scholarship, studied at the Institute of Sonology in Utrecht (1969). Prize winner of composition competition such as: Grzegorz Fitelberg Competition (1964) for Musica humana; Artur Malawski Competition (1976) for Masurian Chronicles [Kroniki Mazurskie]; Composing Competition in Gdansk (1992) for Cantus; Polish Radio Competition (1995) for Genesis. Honorary citizen of Kragujevac in Yugoslavia, Russe in Bulgaria, and Ho-Chi-Minh in Vietnam. Awarded the Silver Cross of Merit (1975) and the Award of the Prime Minister of Poland, for works for children and youth (1982). Member of Stage Artist and Composers' Association [ZAIKS] since 1961, Polish Composers' Union [ZKP] since 1963, Polish Contemporary Music Association [PTMW], Warsaw Music Society [WTM]. Honorary member of the Scottish Society of Composers (1987). Penherski's music has been performed in Poland and abroad, including Austria, Belgium, Denmark, France, Germany, Great Britain, Italy, Korea, Mexico, the Netherlands, Norway, the Soviet Union and USA. LITERATURE: - Polish Opera and Ballet of the Twentieth Century, PWM, Kraków 1986 - Who is Who in Poland, Interpress, Warszawa 1989 - Chomiński Józef The Music of Polish People’s Republic [Muzyka Polski Ludowej], PWN, Warszawa 1968 - Hanuszewska Mieczysława, Schaeffer Bogusław Almanac of Present Polish Composers [Almanach polskich kompozytorów współczesnych], PWM, Kraków 1982 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => accusation-against-diva [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:05:36 [post_modified_gmt] => 2015-01-09 16:05:36 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6765 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 757 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6819 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch. 190.13 [post_title] => Idol [post_excerpt] => PlasticViolence Formati da Paolillo Fabrizio e Materazzi Francesca nel 1996, con l’idea di realizzare un progetto musicale con sonorità sperimentali e di chiara impostazione ed argomentazione politica di denuncia. Iniziato come progetto aperto all’ngresso eventuale di altri componenti, il duo si stabilizza definitivamente tale, data la forte affinità e la carenza di musicisti che aderissero ad un simile contesto. Con il primo CD “ufficiale” IMMATERIAL il sound è radicalmente cambiato passando a suoni minimalisti senza cantati, gelidi glitch e dai titoli dei brani che letti di seguito(inizia con “Ideal” e finisce con “Idol”) formano un percorso che mischia la contestazione della materia come forma di prodotto e quella nei confronti dell’arte istituzionalizzata. Per quanto riguarda le rare esibizioni live, i PV fanno da sottofondo con il loro contributo musicale a happening o sets multimediali claustrofobici, aiutati anche da altri collaboratori occasionali. Formed by Paolillo Fabrizio and Materazzi Francesca in 1996, with the idea to realize an experimental resonance musical project with a clear political argument of denunciation. Begun like open project for an eventual entrance of other components, the duet it is stabilized definitive such, given the strong affinity and the deficiency of musicians that adhered things like that context.With the first “official” CD IMMATERIAL the sound is radically changed to minimalist without sung, ice-cold glitches and the titles of the track that read to continue (begins with “Ideal” and ends with “Idol”) form a route that mixes the dispute of the matter like form of product and by comparisons with the istitutionalized art.As far as the rare exhibitions live-sets concerned, the PV does form a background with their musical contribution to happening or claustrophic multimedia sets, helped also by other occasional collaborators. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => idol [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:06:51 [post_modified_gmt] => 2015-01-09 16:06:51 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6819 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 812 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6851 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => The Liverpool Song Lines. From O to R [post_excerpt] => Benjamin (Ben) Patterson (born 1934 in Pittsburgh, PA.) graduated 1956, University of Michigan, Bachelor of Music. According to an old biography he was "proficient on the double-bass, knowledgeable in music theory and history and acquainted with the crafts of composition and conducting." After a brief career as a double-bassist with symphony orchestras in Canada he settled in Cologne in 1960. There, he was active in the contemporary music scene, performing in festivals in Cologne, Paris, Venice, Vienna and elsewhere. During this pre-Fluxus period he created and performed some of his early seminal works: - "Paper Piece", "Lemons" and "Variations for Double-Bass". Late in 1961 Patterson moved to Paris, where he collaborated with Robert Filliou ("puzzle poems") and where he published his "Methods and Processes". Commuting between Paris and West Germany, Patterson assisted George Maciunas in organizing the historic 1962 Fluxus Festival in Wiesbaden. His interview with Emmett Williams - for the opening of this festival - became the first article ever about Fluxus. Similarly, the first film documentation of Fluxus - news coverage by German Television - featured Patterson's performance of his "Variations for Double-Bass." After Wiesbaden Patterson and his works continued to be an important presence at Fluxus events around the world. In 1963 Patterson moved to New York, where he participated in Fluxus manifestations until the late 1960's - when he returned to pursue "an ordinary life". During the next two decades he successfully pursued a career in arts administration - managing a variety of music, theater and dance companies and serving as administrator or consultant to municipal, state and federal arts funding agencies. Although he remained outside the Fluxus scene during this period, he did occasionally surface with performances and new works for such events as the 20th Anniversary Fluxus Festival in Wiesbaden in 1982 and the 1983 Bienal de Sao Paulo, Brazil, and has been well represented in the various exhibitions throughout the USA of the Silverman Collection. In September 1988 Patterson returned from retirement with a solo exhibition of new assemblages and constructions at the Emily Harvey Gallery in New York. Since then, he has exhibited or performed widely in major or minor venues from Brisbane, Australia, to Prague, Czechoslovakia and from Winnipeg, Canada to Tusa, Sicily. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => the-liverpool-song-lines-from-o-to-r [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:06:54 [post_modified_gmt] => 2015-01-09 16:06:54 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6851 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 844 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6883 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CFR. n. Arch. 2.a; 184.18 [post_title] => I hope you get well [post_excerpt] => Paul Devens works as a visual artist who is concerned with social and architectural environments and the preoccupations and expectations of the spectator or public. He also makes soundworks without a direct visual elemnt. Various sources are used as material in the compositions: sound taken from his installations, from people in railway, stations or post offices, sounds from engines or traffic. Acoustic, electric and electronic instruments, sometimes home-made are also used. b. 1965. Lives and works in Maastricht, Netherlands 1984-1989 ABK Maastricht 1989-1991 Jan van Eyck Akademie (post-graduate) Maastricht 1994 Pepinieres Europeennes pour Jeunes Artistes, Grenoble. Soloexhibitions 2002 *Experimental Intermedia, Gent, B. *DSM, Sittard, NL 2000 *"On Hold", Marres, Maastricht. *"Oblique Nights", Le Lieu Unique, association crdc, Nantes, France. *"TAG" Luxus artfoundation, Den Haag. 1999 *Bonnefantenmuseum Maastricht. Casimir BV, Arnhem NL. 1998 *Lokaal 01, Breda, NL. 1996 *De Bank, artfoundation, Enschede, NL. 1995 *Bonnefantenmuseum, Maastricht. 1994 *Magasin, cnac, Grenoble, F. 1993 Apollohuis, Eindhoven, Nl 1992 *"Euregionale 1992", Provinciaal Museum, Hasselt,B. Group exhibitions 2004 “Switched on”, Klein Art works, Chicago 2003 “ctrl-alt-del”, Marres, Maastricht, Nl/ Babylon, Istanbul, TR. *“Bread and Circus”, Lokaal 01, Breda nl *Neuer Aachener Kunstverein, Aachen, D. 2002 *Film- and videofestival, Dulcinea Contemporary Art Gallery and Institut Francais, Istanbul. *"Mobile Phonics", Z33, Hasselt, B. *Videoscreening, SOX 36, Berlin. *Film- and videofestival, Hedah artfoundation, Maastricht 2001 *"Who Says Seeing Only Happens With The Eyes?", Galleri F15, Moss, Norway. *"Fricties" Museum van Bommel van Dam, Venlo, NL. *"Le detour vers la simplicite: experiences de l'absurde" Le Confort Moderne, Poitiers, FR. *Arti et Amicitiae, Amsterdam. 2000 *"Our House" festival, Genk, B. Videoscreening. *"Global Attic Festival", Rotterdam. 1999 *"De toekomst die ons toekomt", Fonds BKVB, Amsterdam. 1998 *Villa Oud Amelisweerd, Utrecht, NL. Stadsgalerij Heerlen, NL. *"The Eye and The Ear", Duende artfoundation, Rotterdam. 1997 *W139, Amsterdam. 1995 *Technical University, Architecturedept., Einhoven, NL. 1994 *Proton ICA, Amsterdam. *"Toucheprijs 1994" Arti et Amicitiae, Amsterdam. *"Nuldrieenveertig" Landbouwbelang, Maastricht. 1993 *"Sound and Vision" ICA, Amsterdam. Public Commissions 2002 *"Food 2" Amstenraderveld, Brunssum, NL. 2000 *"Moped" Universiteit Maastricht. 1997 *"Cone 8" Business and Sciencepark, Enschede, NL. Solo Concerts and Events 2003 * “Ctrl-alt-del” at Babylon, Istanbul 2002 *"Food 2" *"Mobile Phonics" Museum Z33, Hasselt. *"Blue Loft" Lokaal 01, Breda, NL. 2001 *"We'll See" (music for the choreography of Kosmas Kosmopoulos). *Neuer Aachener Kunstverein, D *MEX, Dortmund, D. *Release, Hedah Art Foundation, Maastricht. * "wssohwte", Galleri F15, Norway. * "Fricties", Museum van Bommel van Dam, Venlo. *Stedelijk Museum Amsterdam, concert and broadcast on national radio (VPRO) *Le Confort Moderne, Poitiers, F. 2000 *"Oblique Nights", Le Lieu Unique, Nantes. *"Le dejeuner sur l'herbe", Gothaer Kunstforum, Koln, D. *"Our House" festival, Winterslag, Genk, B. * "Global Attic Festival" Rotterdam. 1999 *"Blue Nail" concerseries in CBK Maastricht, De Parel, Amsterdam, Doornroosje, Nijmegen, Baudelopark, Gent, Boulevard, Den Bosch and Winterslag, Genk. Web 2003 *www.project-ctrl-alt-del.com 2001 *"Who Says Seeing Only Happens With The Eyes?" www.wssohwte.net 2000 *cooperation with Bert van den Bosch, private site Paul Devens: www.niew.nl/pauldevens *Release web-cd "-Fuck -It": www.mp3.com/pauldevens *"TAG" projectsite. Already off-line. www.luxus8days.nl *"Osaka Remix Project": www.fotonrecords.com *Various sites of museums and artfoundations like www.lelieuunique.fr www.confort-moderne.fr www.experimentalintermedia.be www.limburg.be/ z33 etc. Releases 2003 *production and soundpiece for CD “ctrl-alt-del”. 2002 *Contribution to compilation-cd "Music for difficult people" by Mangenerated, Moortsel, B. 2001 *Solo audio cd/ cd-rom "DJ Lait Russe", private release. 2000 "Dralt" audio cd. Cooperation with Los DQ. *Contribution to "Trace", an audio cd by the John Moore University, Liverpool.1999 *Contribution to "Hope", an audio cd by Scanner and the John Moore University, Liverpool.1998 *"Hedah 500 rpm", audio cd. production, participation and curation. *"Model (book)" fc book and audio cd. private release with texts from Mique Eggermont, Ranti Tjan, Frans Budé and Anna Hakkens.1996 *"Models" audiocassette, release by De Bank, Enschede. 1994 *"Belt 3" Folder and audio cd. release by the city of Grenoble, le Magasin and l'Ecole des Beaux Arts, Grenoble 1992 *"Signs Signals Tunes", audio cd. Released by the Jan van Eyck Akademie, Maastricht Side activities 2002 * ”Soundlab” artstudents ABK Maastricht working in public on soundart at Museum Het Domein, Sittard with lectures of Natasa Petersin, Jay Allen Yim and Marlena Novak, Jens Brand, Guy van Belle. * "Leefbaar Hedah" workshop with artstudents ABK Maastricht at the Hedah foundation. 2001 *Projectteacher at the ABK Maastricht (Akademy for fine arts) up to now. Committeemember of the foundation for Fine Art, Design and Architecture, Amsterdam. *Lecture "Cafe Sonore" CEM foundation Amsterdam. *Lecture "Cafe Sonore", CEM. Location: Den Bosch. *"H5" book and cd-rom release by Hedah. Cooperation in concept and design. 2000 *Design cd rom "Parkstad prijs 2000" in cooperation with Bert van den Bosch. 1999 *Lecture and workshop ABK Maastricht. 1996 *Lecture ABK Maastricht.1995 *co-foundation and co-programming Hedah foundation. Up to 1998. 1994 *Lecture at the Ecole des Beaux Arts, Grenoble. 1993 *Lecture at the AKI, Fine Arts Academy, Enschede. Benga! Went outside and started to turn things around. Bikes, benches, tins and all sorts of trash, street furniture, everything was turned around. He believed he could keep the soul of those things inside. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => i-hope-you-get-well [to_ping] => [pinged] => [post_modified] => 2019-08-13 11:43:45 [post_modified_gmt] => 2019-08-13 09:43:45 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6883 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 877 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6915 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch. 184.51 [post_title] => These sounds remain [post_excerpt] => Phil Mouldycliff is an artist and lecturer. Since completing his PhD at Liverpool School of Art and Design, Liverpool John Moores University in 2001, he has become increasingly interested in producing installations which place reliance on indeterminate systems for the articulation of their material. He has recently embarked on a series of pieces entitled Debris Fields. Prior to this his work has encompassed a number of areas related to the work of John Cage, Tom Phillips and AMM. He has performed at Tate Liverpool, ICA London and Mappin Art Gallery Sheffield. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => these-sounds-remain [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:01 [post_modified_gmt] => 2015-01-09 16:07:01 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6915 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 909 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6947 [post_author] => 2 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => CFR. n. Arch. 185.10 TRACE is a limited edition collection of two-minute pieces by international sound artists, experimental composers, noise makers and other audio creators. Each artist has produced an original recording of two-minute duration for the CD on the theme of TRACE. TRACE greated an opportunity for a selection of international sound artists to work thematically, as well as providing listeners with further insight into the artists work. By bringing together this calibre and range of contributions, TRACE aims to stimulate further interest in the practice, debate and dialogue surrounding sound art. The artista on TRACE range from well known world figures, to individuals and groups making their first wirks in this field. TRACE was published thanks to a research award from the Centre for Art International Research (CAIR). [post_title] => Records of Touching [post_excerpt] => Lauren Chasse is working on soundtracks for visual artists. He also performs and records with Thuja, The Knit Separates and id Battery. He has three solo records: "Siphon Glimmers", "Synthesis of Neglected Places", and forthcoming, "Exfolia Motors". He teaches special education and runs listening workshops in the San francisco school system. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => records-of-touching [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:07:04 [post_modified_gmt] => 2015-01-09 16:07:04 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6947 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 942 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 6609 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => lentello [post_excerpt] => Gianluca Codeghini Nato a Milano il 02.09.1968 Diplomato all’Accademia di Brera Milano al corso di Pittura. Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. 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