Archivio Sonoro: SoundArtMuseum en

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Copyright: Kaffe Matthews 1999 Edited, mixed and mastered by km at Annette Works, Top floor, 11-29 Fashion Street, London E1 6PX. [post_title] => The air hostless [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => the-air-hostless [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:53 [post_modified_gmt] => 2015-01-09 16:00:53 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6269 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 256 [post_it] => 10 ) [1] => WP_Post Object ( [ID] => 6300 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "eb"; T.T. 51' 47". Copyright: Kaffe Matthews 2003 Mixed and produced by km at Annette Works. [post_title] => To a landing [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => to-a-landing [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:00:56 [post_modified_gmt] => 2015-01-09 16:00:56 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6300 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 287 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6332 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => wind study song [post_excerpt] => Aaron Acosta is a graduate from the College of Santa Fe with a BA in Sound Design in Media in 2002. This is a Self Designed major that consists of studies in Theatre, Film, and Music. He enjoys designing soundscapes for theatre and film and he has many skills as far as theatre and film production. What he loves most is sound. Sound helps us interpret the world in a unique way with frequency, amplitude and time: he chooses to explore these realms. He is involved with electro acoustic composition as well as more traditional composition. He is currently working as Technical Director/ Resident Designer for Santa Fe Performing Arts. FESTIVALS. - Wave under 60, Vox Novus, New York, november 2004. - Traffic, Lunel (France) June 6th 2004, The Electrolune performance. - Traffic under 60, 60x60 concert, Vox Novus, New York, november 2003. - Reflection on "Eye of God", (2002) featured in 2003 Electric Rainbow Coalition Festival and Sixth Annual Santa Fe International Festival of Electro-Acoustic Music. - Traffic and Nebulous, performed at a special tape music reception on sept. 25 at the Santa Cruz Cayuga Vault for local audience and members of the Woodstockhausen Staff. Music copyright Aaron Acosta; all artwork + design herein is the copyright of Leona Graham: www.home.earthlink.net/~leonamae/leona.html R.G.: Aaron Acosta “frequency, amplitude and time” – archivio SAM n. 124/b,13 tracce, compl. 59’18” Lavoro musicale. Fasce elettroniche, che spesso risolvono in ritmo. Timbriche interessanti ma un po’ datate. Uso di strumenti e voci campionate, afferenti soprattutto al mondo della musica indiana (sitar, tablas, solfeggio sillabico), ma anche pianoforte acustico, zampogna, ecc. Lavoro piuttosto vario, lungo, vagamente noioso e non particolarmente innovativo, eppure non privo di un suo fascinaccio: in particolare nei momenti più estatici e “immobili” (vedi traccia 11). 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T.: 49' 41" [post_title] => Canone pitagorico ø9 [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => canone-pitagorico-o9 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:02 [post_modified_gmt] => 2015-01-09 16:01:02 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6364 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 353 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6396 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => MEDIATIC SEA [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => mediatic-sea [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:05 [post_modified_gmt] => 2015-01-09 16:01:05 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6396 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 385 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6065 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Circular breathing#7 [post_excerpt] => email: maritfolstad@hotmail.com [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => circular-breathing7 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:01:59 [post_modified_gmt] => 2015-01-09 16:01:59 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6065 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 49 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6097 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Coca Cola Funeral March [post_excerpt] => 1975 born in Jamaica, Queens, NY EDUCATION 1996 BFA, Fine Arts, New York University 2000 Certificate, Surface Design, Fashion Institute of Technology EXHIBITIONS 2005 Fatal Love: South Asian American Art Now, Queens Museum of Art, Queens, NY New York Eviction Blues, Asian American Arts Center, NY Diversity Project, Momenta Gallery, Brooklyn, NY (May – June) Primary, Secondary: Contemporary Drawing, Brookdale Community College, Brookdale, NJ Sub-version, PS 122, NY 2004 The East Williamsburg Art Show, Tastes Like Chicken, Brooklyn, NY Territories 2004, SAWCC’s 7th Annual Visual Arts Exhibition, Gallery ArtsIndia, NY Founding Fathers, ABC No Rio, NY 2004 AIM24, Bronx Museum of the Arts, NY (April 14 - May 13) Eat Me, 65 Hope St., Brooklyn, NY (March 20 - May 9th) Ides of March, biennial, ABC No Rio, NY (March 19 - April 14) 2003 ELS-LES, LESX, NY COPS, ABC No Rio, NY Chop Suey Portraits, Freddy’s Backroom, Brooklyn, NY Disaster, ABC No Rio, NY Art of Resistance, Peacewilliamsburg, OfficeOps, Brooklyn, NY Shaping Wholeness, Asian American Arts Center, Elmhurst Hospital, Queens, NY 26th Annual Small Works Show, New York University, NY. Juried by Tatyana Okshteyn. 2002 Fear, Paranoia & Malevolence, ABC No Rio, NY Recent Multiples Projectsx5, Gallery 402, Organization of Independent Artists, NY Ladyfest East, Pratt Institute, Brooklyn, NY Ides of March, biennial, ABC No Rio, NY 2001 Strata, ABC No Rio, NY 2000 Thresholds, curated by Anjolie Ela Menon, Soulkurry.com Ides of March, biennial, ABC No Rio, NY 1998 Graven Images, ABC No Rio, NY 4th Independents’ Biennial, Charas/el Bohio, NY 1997 Night of a 1,000 Drawings, Artists’ Space, NY 1996 Soho Annual, 420 West Broadway, NY. Juried by Susan Hort, Robert Storr, and Michael Brenson. Senior Show, Rosenberg Gallery, New York University, NY AWARDS Artists in the Marketplace, Bronx Museum for the Arts PRESS Scott, Andrea K. “Brave New World,” Time Out New York, March 17-23, 2005, p. 88. Cotter, Holland. “Taking a Magical Flight Through Modern India,” New York Times, March 4, 2005, pE33. Herzberg, Julia P. “AIM24,” ArtNexus No. 54, September – December 2004, pg 176-177. Genocchio, Benjamin. “A Chance to Fill Up on Visual Treats,” New York Times, Apr 25, 2004. *Stillman, Nick. "Introducing..." NYFA Current, May 5, 2004. (online) Cotter, Holland. “Where Witty Meets Gritty,” New York Times, Nov 15, page E31. Smith, Roberta. New York Times, September 13, 1996, page C30. COLLECTIONS Harvard Business School Asian American Arts Center [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => coca-cola-funeral-march [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:02 [post_modified_gmt] => 2015-01-09 16:02:02 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6097 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 81 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6129 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Simple [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => simple [to_ping] => [pinged] => [post_modified] => 2019-07-02 14:59:26 [post_modified_gmt] => 2019-07-02 12:59:26 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6129 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 114 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6161 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Goodbye with Rain [post_excerpt] => cd name: Alcune Composizioni by e.g.o 2001-2004 [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => goodbye-with-rain [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:07 [post_modified_gmt] => 2015-01-09 16:02:07 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6161 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 146 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6193 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => 95a-b-c sono sullo stesso cd [post_title] => Xiulet boig [post_excerpt] => Tras una inicial experiencia formativa diversa en los años 90, en materias relacionadas con el arte, la creación, la música y la escucha ­tanto en entidades privadas de Barcelona como en proyectos formativos en el Comú de Andorra, Generalitat de Catalunya, escuelas de arte y conservatorio (realización de cine, improvisación, producción, aracterizacion, solfeo, pintura, grabado, edición de audio, realización de video y televisión, ilustración, tecnología y arte, voz), dio los primeros pasos en el campo de la Animación Sociocultural, profundizando progresivamente en la gestión de empresas culturales y la direccion y coordinación de trabajo en red, en proyectos locales y transnacionales. Durante toda su trayectoria, ha combinado el aprendizaje con una continuada labor profesional como animadora socio-cultural (creación del centro social Comú d'Andorra la Vella, El Llamp 92-94) y directora ejecutiva en proyectos locales (Gràcia Territori Sonor, Festival Internacional de Música Experimental LEM 1996-2005: http://www.gracia-territori.com) y europeos (Programa Caleidoscope de la Unión Europea). Como artista sonora y creadora, desde finales de los 80 ha desarrollado un amplio espectro de experimentación artística, en esecial en los campos de la edición, la escultura y la pintura. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => xiulet-boig [to_ping] => [pinged] => [post_modified] => 2019-07-08 14:29:11 [post_modified_gmt] => 2019-07-08 12:29:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6193 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 178 [post_it] => 10 ) ) [post_count] => 10 [current_post] => -1 [before_loop] => 1 [in_the_loop] => [post] => WP_Post Object ( [ID] => 6269 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Fa parte del CD "Cécile"; T.T. 60' 18". Copyright: Kaffe Matthews 1999 Edited, mixed and mastered by km at Annette Works, Top floor, 11-29 Fashion Street, London E1 6PX. [post_title] => The air hostless [post_excerpt] => Kaffe Matthews has been making and performing new electro-acoustic music since 1990. She is acknowledged as a leading figure and pioneer in the field of electronic improvisation and live composition making on average 50 performances a year worldwide. In 1997 she established the label Annette Works, releasing the best of these events on the six cd's, 'cd Ann', 'cd Bea' , 'cd cecile' ,'cd dd', 'cd eb and flo' presenting an annual document of ever developing sound worlds. Matthews makes site-specific sound works live, playing in the dark in the middle of the space, the audience surrounding her, the sounds moving around them. She uses self-designed software based matrices through which she pulls, pushes and reprocesses sounds live. Starting with an empty hard drive, a theremin, carefully located microphones and a four channel sound system, the room/gallery/concert hall/club/church/ship/audience/desert and its acoustic are also her instrument. It’s dangerous, but playing live on that fragile human boundary between success and failure is an essential aspect to her process. She also collaborates and has worked and performed with many artists worldwide including agf, Ryoko Kuwajima, Zeena Parkins, Sachiko M, Brian Duffy, Ikue Mori, Marina Rosenfeld, Pan-Sonic, O’Blaat, Oren Ambarchi, Alan Lamb, Christian Fennesz, and is now working on things Italian with Tarantata, an opera with 'the lappetites' and ongoing democractic stuggles with pan-European electronics orchestra ‘MIMEO’. She has also been making a growing body of composed works through collaborations with a variety of people, things and processes. From working with NASA astronauts researching the sonic experience of human and animal space travel making BAFTA awarded Weightless Animals, kites and the weather on an uninhabited Scottish island, (Weather Made', AWCDr01), taut wires in the Australian outback, mobile phone communication to a gallery in New York, and more recently “Touching Concrete Lightly” for MIMEO at the Serpentine Gallery Pavilion 2003, London designed by Oscar Niemeyer, now available as triple cd. Future commissions include sonic bed for 'Her Noise' (opening South London Gallery,September 2005), and a site specific work for the Mexican Sound Oasis Exhibition, Mexico City, February 2005 at Paseo de la Reforma. Background. Playing classical violin from the age of 7, singing badly in one band but getting further with bass and drums in another which recorded and toured for 4 years, in 1985 she discovered electricity and sound and with that, her current trajectory. Since then, acid house engineering, electrically reconstructing the violin, Distinction for a Masters in Music Technology, introducing and running a Performance Technology course at one of the leading Live Arts Colleges in the UK, and establishing the label Annette Works. She also set up a shop and did a Zoology degree along the way. 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