Archivio Sonoro: SoundArtMuseum en

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Caputi: text A. Rossetti: voice Michael Nyman: music [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => esordio-di-antigone [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:06 [post_modified_gmt] => 2015-01-09 16:02:06 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6151 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 136 [post_it] => 10 ) [2] => WP_Post Object ( [ID] => 6183 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => La Vida è un gioco [post_excerpt] => Interprete:Ida e gli altri vecchi a Venezia [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => la-vida-e-un-gioco [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:02:11 [post_modified_gmt] => 2015-01-09 16:02:11 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6183 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 168 [post_it] => 10 ) [3] => WP_Post Object ( [ID] => 6215 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => ee2 [post_excerpt] => Originally from rural New England, William Fowler Collins (b.1974) is an artist and musician who has been based in San Francisco, CA since 1992. His music explores and synthesizes both musical and extramusical elements. Improvisation, field recordings, electric guitar, laptop computer, processed recordings, microcassette tape recorders, and home-made electronic devices all play roles in the creating, performing, and recording of his music. Collins currently uses laptop computer and electric guitar in both solo and group contexts. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ee2 [to_ping] => [pinged] => [post_modified] => 2019-07-09 14:24:51 [post_modified_gmt] => 2019-07-09 12:24:51 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6215 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 201 [post_it] => 10 ) [4] => WP_Post Object ( [ID] => 6447 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Original music by Mino Freda; produced by Freda editing, sound engineer, mastering and mixed: Mino Freda. Interventi solistici: trombone: Sergio Battista, violino: Monica Castorina, percussioni: Francesco Mendolia. Auto produzione a tiratura limitata: es. ristampa seconda serie in vendita con il catalogo della mostra da Silenzio-Distribuzione (www.silenzio-distribuzione.it) [post_title] => Caosmo [post_excerpt] => Mino Freda (Roma 1963), compositore,percussionista, ha svolto studi di composizione e direzione di coro presso il Conservatorio S. Cecilia di Roma. Dal 1986 al 1996 è impeganto come percussionista in complessi sinfonici e lirici, compiendo tournées in Italia e all'estero. Da qualche anno è interessato alla musica elettronica e al trattamento digitale delle fonti sonore. Nel dic.'99 ha realizzato musiche per il programma radiofonico "L'occhio magico" (Radio Rai3) dedicato a Anselm Kiefer.Ha pubblicato musiche pianistiche per la ed. musicali Domani Musica e scritto per la rivista di musica contemporanea Konsequenz aderendo a un'iniziativa promossa da Giuseppe Chiari. Ha collaborato alla realizzazione di installazioni sonore con alcuni dei più autorevoli istituti italiani di ricerca di musica elettronica come l'Istituto Gramma de L'Aquila e il CRM di Roma. Dopo gli studi in lettere, in qualità di storico dell'arte contemporanea, si è spesso interesato allo studio dei fenomeni musicali nell'ambito dell'arte contemporanea. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => caosmo [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:13 [post_modified_gmt] => 2015-01-09 16:03:13 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6447 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 436 [post_it] => 10 ) [5] => WP_Post Object ( [ID] => 6480 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Ascoltami (track 7) [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ascoltami-track-7 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:16 [post_modified_gmt] => 2015-01-09 16:03:16 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6480 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 469 [post_it] => 10 ) [6] => WP_Post Object ( [ID] => 6512 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => Cfr. n. Arch. 190.21 Due cd-rom fuori catalogo degli stessi artisti: FC.5: Geluidskunst wich took polace through the internet, and was presented at HK Watertoren from nov. 16, 2003 until jan. 18, 2004. FC.6: CU 29CONTAINS VIDEO'S OF THE EXHIBITION THAT WE PRESENTED AT hk Watertoren, Vlissingen, fromnov. 16, 2003 until jan. 18, 2004. [post_title] => Ab [post_excerpt] => From 1994 we are working together as an artistic duo. The starting point for our artistic work is the notion, that movement and sound are identical; without movement (vibration) nothing can be heard. This idea is worked out by us in every thinkable form: installations, works in progress on location, performances, concerts, etc. Because of the temporary character of the media sound and movement, our works, up to now, have always been presented during a limited period of time. So there are no objects for sale. Besides using the media movement, sound and image, we also have an interest in using new media and technology, that are often realized especially for our projects. Selection of presentations: 2003: Organisation of a tour of 8 soundartists to Belgrade. Concert at April Meeting Festival, SKC, Belgrade. Concert at Ringring-festival, REX, Belgrade. Concert at Interzone 2003 festival, Novi Sad. Groupexhibition "Corporate Identity", NBKS, Breda. Installation "Geluidskunst", Synagogue at Palmovka, Prague. Concert, Synagogue at Palmovka, Prague. Concert, Festival Sound-Movement-Image, House of Art, Opava, Czech Rep. Concert, Sklenena Louka, Brno. Lecture at FAVU, University of Brno. Project "Cu 29", Watertoren HK, Vlissingen. Project consisting of a work in progress, 3 soundinstallations, and 3 performances. 2002: Concert, LOGOS Foundation, Ghent. Concert, Exposition of New Music, Brno, Czech Republic. Installation "Medeklinkers", de Witte Dame, Eindhoven Website "The Anonomous Serenade", Project 4x4x4, MAD Foundation, Eindhoven. (www.4x4x4.dse.nl). 2001: Installation "Interference", 2 concerts, IM Festival, Minebuilding, Waterschei,Belgium. Performance "Jestem ruchem", Fest. Castle of Imagination, BWA, Zielona Gora, Poland. Performance, i.c.w. Jirzi Kurovka, Sylvette Babin, Oskar Dawicki, Fumiko Takahashi; Castle of Imagination, BWA, Zielona Gora, Poland. Performance "Jestem ruchem", first version, gallery BWA, Ustka, Poland. Performance, "I am movement", performance festival, Piotrkow Trybunalski, Poland. Installation and concert, SKC, Belgrade. Installation and performance, REX, Belgrade. 2000: Installation, 'Hladilnica", Pekarna, Maribor, Slovenia. Installation "Shadow Play", 1may-festival, 2B, Eindhoven. CD "The Adventures of Toon Scales", Bake Records, Staalplaat, Amsterdam. Installation Ínterference', at the complex of NRE Powercompany, Eindhoven. Installation, concert, and presentation at Gallery 'de Overslag', Eindhoven. 1999: Participation in "Conjunction", CD/Internet-project, Triple-X-festival, Amsterdam. Performance "The Boxing-ring", performance-festival, Cuba Cultur, Muenster, Germany. Installation "The Gathering", Musikfestspiele Sanssouci, Potsdam, Germany. Participation on a performance of Jens Brand, Galery de Overslag, Eindhoven. 1998: "Global Mix", live-radiomix through Internet from the Goethe Institute, Krakow, Poland. Installation "Shadow Play", and concert; Bunkier Sztuki, Krakow, Poland Installation "DioN.Y.sus'Scales", and concert; Audio Art Festival, Ujazdowski Castle, Warsaw. Installation "The Gathering", festival Baitz mit Klang, Baitz, Germany. Concert, Kunstfabrik, Darmstadt, Germany. Performance "The Boxing-ring", Performance Art Festival, Cleveland,OH,USA. Performance and installation ÏnSight", Spritzenhaus, Hamburg, Germany. 1997: Installation "DioN.Y.sus'Scales", HK Watertoren, Vlissingen. Concert, Kulturzentrum BOA, Lucerne, Switzerland. Project 'Het Vogelbekkenstuk", with Moniek Darge, Logos Fnd. Ghent, Belgium. Concert, Kuenstlerhaus, Dortmund, Germany. Project "Het Vogelbekkenstuk", with Jim Dvorak, Vrijhof Theatre, University of Enschede. Project "Het Vogelbekkenstuk", with Cor Gout and Wilbert de Joode, Effenaar, Eindhoven. 1996: Installation Oorsmeer, de Singel, Antwerp, Belgium. Installation Oorsmeer, Center for the Arts "Vooruit", Ghent, Belgium. Concert, Untitled Festival, Willem II, Den Bosch. Installation Oorsmeer, Theater a/d Parade, Den Bosch. Installation "DioN.Y.sus'Scales", Triple X-festival, Westergasfabriek, Amsterdam. Installation "The LocoMotives", Central Railway Station, Eindhoven. "First Night Installation", with Dan Senn and David Means, 1048 Broadway, Tacoma,WA,USA 1995: Concert, Festival Experimental Music, Polytechnic University, Munich. Installation "The State of things", +concert, het Stroomhuis, Neerijnen, NL. Concert, "Belgie", Hasselt, Belgium. Groupexhibition "Rotterdam/Vladivostok, Railwaystation Schiedam and Gallery Artetage, Vladivostok. Installation and performance "Shadows", Islip Art Museum, Islip, NY, USA. Installation "FBI", de Unie, Rotterdam. 1994: The boxing-ring and concert, Experimental Intermedia, New York, NY, USA. Artist-in-residency, Harvestworks, New York,NY,USA. Installation "DioN.Y.sus'Scales", Gallery Art in General, New York,NY,USA. Installation "Pegasus", Museum School of Fine Arts, Boston,MA,USA. Installation "Donar's Chariot"and concert; Islip Art Museum, Islip, NY, USA. Installation "Donar's Chariot"and concert; Vooruit, Gent. 1993: Concert, Videcultura, Haarlem. Installation and concert; Hermit Festival, Plasy, Czech Republic. Installation "Donar's Chariot"and concert, het Apollohuis, Eindhoven. Concert, de Melkweg, Amsterdam. Concert, Stedelijk Museum, Amsterdam/ VPRO-radio. Performance "Black Box", Effenaar, Eindhoven. Performance+concert; Center for New Dance Development, Arnhem. [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => ab [to_ping] => [pinged] => [post_modified] => 2019-08-02 11:37:22 [post_modified_gmt] => 2019-08-02 09:37:22 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6512 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 501 [post_it] => 10 ) [7] => WP_Post Object ( [ID] => 6544 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Untitled [post_excerpt] => PIERRE BERTHET lives and works in Liège, Belgium. Musician, composer, inventor, craftsman he is working with Frédéric Le Junter, Pierre Bastien, DJ Low, Rudi Trouvé and Arnold Dreyblatt. He has created here two minimal explorations of his own musical instruments -- springs, tank, tubular drums, jerry can, wires sound installations, home-made instruments, found objects -- the two continuum process pieces -- purely acoustic, full of drones and natural percussions (1. Tubular Drums, Drops And Springs, 2. Cuve, Bidon Et Fils ) were composed and recorded during the 90' s by Pierre Berthet and Brigida Romano. Recorded at location with a mobile studio and an armada of mikes. This double CD-set is the companion to the final book reporting on the activities of Het Apollohuis. The recordings on these CDs give an idea of the music and the sound art presented in concerts at Het Apollohuis in the priod from 1980 through 1997. Out of a total of 500 performances I chose 38, from which exceprts of varying lenght have been included in this anthiology. These have been arranged in chronological order. The diversity of the selected pieces is characteristic of the programme of Het Apollohuis. Only limited number of composers and musicians who performed can be heard in brief fragments o these discs. Consequently a considerable number has been excluded. There simply was no way to include them all (this selection does not imply we value one above the other). The choice of the particular musicians has been my responsability (P: Panhuysen). liner notes: René van Peer sound selection: René Adriaans mastering: Frank Donkersgoed design: Tom Homburg, Marcel d'Anjou (Opera) [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => untitled-12 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:22 [post_modified_gmt] => 2015-01-09 16:03:22 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6544 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 534 [post_it] => 10 ) [8] => WP_Post Object ( [ID] => 6576 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => Concert in O.G.I. - track 7 [post_excerpt] => ALEXEI BORISOV: 1960 - born in Moscow 1983 - graduated from Moscow State University (History) 1980-1981 - guitarist of the first Russian new wave band "The Centre" 1981-1984 - vocalist/guitarist of mod band "Prospect" 1985 - organized (with Ivan Sokolovsky) the first Russian techno-industrial band “Notchnoi Prospect”, which is active until now Since 1989 - works periodically as a DJ, first primarily on different radio stations, after mid-90’s mostly in clubs Since 1992 - member of F.R.U.I.T.S. duo (with Pavel Jagun) Since 1994 - collaborates with Finnish experimental musician Anton Nikkila Since 1995 - music for the performances of Moscow art group “Sever” Since 1997 - collaborates with sax improviser Serguei Letov (as New Russian Alternative, Gosplan trio, playing live soundtracks to classic 1920's movies etc.) Since 1997 - producer of ethno-experimental project “Volga” 1998-2000 - one of the organizers of “Electric Future” (festival of electronic music in Moscow) Since 1999 - collaborates with Moscow multimedia artist A. Chernishov and V. Efimov. 1999-2000 - performances of the live soundtrack for FW Murnau’s “Faust” (1926) (with Serguei Letov, Richardas Norvila, Oleg Lipatov) 2000 - organised with Anton Nikkila the experimental label “N&B Research Digest” (www.nbresearchdigest.com) 2000-2003 – active touring in various lineups (solo, with Anton Nikkila, F.R.U.I.T.S., Notchnoi Prospekt, Sergui Letov and Volga) in Finland (Avanto Helsinki Media Art Festival and other events), Austria (Phonotaktik festival, Prototype festival, [d]vision festival, 4020.mehr als musik festival), Germany (Burg Herzberg Open Air 2000), France (Batofar), Belgium (Nova Cinema), Ukraine (Kiev Media Art Festival 2001), Spain (Sonar 2003 in Barcelona) etc. 2003 - Participation at “Finnexport 2003” tour in Russia (feat. Pan sonic, Pink Twins, Anton Nikkila) HUH Festival 2003 (Tallinn, Estonia) 2005 - Alexei Borisov - live in Chicago (2005), live at Le Placard headphone festival (MUTEK, Montreal 2005) F.R.U.I.T.S. - live at "Details of Sound" festival (Kiev, Ukrain 2005), "RADIUS" festival (Vienna, Austria 2005), "Noise and Fury" festival at DOM (Moscow 2005), "Garage" festival (Stralsund, Germany 2005) Alexei Borisov and Adam Ebringer (Australia) live at SKIF 9 (St. Petersburg 2005) SERGEY LETOV: Sergey Letov was born in Semipalatinsk, Eastern Kazakhstan, in 1956 and then lived in Omsk, Siberia, where still lives now his brother Egor Letov. Sergey Letov resides in Moscow since 1975. First public performance as a soloist with Percussion Ensemble of Mark Pekarsky took place in The Central House of Artist in 1982 in Moscow . 1983-1993 - collaboration with Sergey Kuryokhin (duo, combo and big band POP MECHANICS). Concerts with POP-MECHANICS and Sergey Kuryokhin - all over Soviet Union, Finland, Italy, France, Denmark. Since 1986 - collaboration with the Gypsy singer Valentina Ponomareva. Duo Ponomareva-Letov performed in USSR, Switzerland. In 1985 Sergey Letov has founded winds ensemble TRI-O (Arcady Shilkloper - French horn, Arcady Kiritchenko - tuba, euphonium, vocal, later - Alexander Alexandrov - bassoon, Youri Parfenov - trumpet). TRI-O performed at almost every jazz festival in USSR, since 1988 TRI-O played in Poland, Bulgaria, Switzerland, Lithuania (Vilnius Jazz Festival), Germany, Austria, Italy, Finland, Norway, the Netherlands, USA, including such clubs as Knitting Factory, Anyway (New York), Bimhuis (Amsterdam), Moods (Zurich), Sud des Alpes (Geneva), Blue Tomato (Vienna). Sergey Letov is interested in various projects, contacts, new partnerships. Among them - German World music band EMBRYO, Danish band NEW JUNGLE ORCHESTRA (concerts in Denmark, Germany and Russia), Italian composer and bass player Enrico Fazio (concert-performance in Noci Jazz Festival, 2 CDs), singer Sainkho Namchylak, American viola and violin player LaDonna Smith (concerts in USA and Russia), American guitar player and singer Misha Feigin, Lithuanian trombonist Vitautas Pilibavicius, German trombonist and dijeridoo player Heinz-Erich Goedecke. Sergey Letov participated in happenings and performances of Moscow conceptualists - Collective Actions, later with Andrei Monastyrsky, and TOTART since 1984, with Rea Nikonova since 1995, played at many art exhibitions in the galleries in Moscow, Bremen, Berlin, Smolensk. Sergey Letov performed also with modern poets and writers: Nina Iskrenko, Dmitry Alexandrovich Prigov, Lev Rubinstein, Gennady Katsov, Nina Sadur, Andrei Bitov, Vyacheslav Kupriyanov, Sergey Birjukow, Anna Alchuk, Vladimir Druk, Tatiana Scherbina, Nikolay Baitov and Svetlana Litvak, Yulia Skorodumova, Konstantin Kedrov, Elena Katsiuba, Liudmila Hodynskaia, Erkki Lappalainen (Finland -Sweden), Marina Kniazeva, Lesya Tyshkovska. In a duo with Alexander Alexandrov he participated in the international festival MILANOPOESIA-91 (Italy). Since 2002 Sergey Letov plays in Saxophone Quartet (or sometimes trio) Russian Sax Mafia. Since 1984 Sergey Letov plays with rock and alternative bands, such as Aquarium, Centre, DK, Alissa, DDT, Vesyolye Kartinki, Doctor, Nochnoi Prospect, Atonal Syndrom, Soft Animals and Ivan Sokolovsky,Grazhdanskaya Oborona. Since 1986 Sergey Letov collaborates with actress Nika Kossenkova. In the 1988-1989 he worked in Theatre of Improvisation in Moscow, in 1990-1991 in Moscow Creative Workshops (Mikhail Mokeev), in 1989-1992 and then since 1996 in the School of Dramatic Art of Anatoly Vassiliev, in 1991-1992 in Centro Sperimentale di Teatro a Roma (Sharoo and Reza Kheradmand), in 1991-1992 with clown company "Licedei-4" in France, Taganka Theatre since 1996 - "Moscow- Petushki" and "Marat/Sade", Kinetic Theatre of Sasha Pepelaev since 1997, Saumarkt Theater in Feldkirch, Austria in 1998, Moscow Art Academic Theatre (MKhAT by A.P.Chekhov) - 1999-2000, Theatre "Chelovek" in Moscow - since 2001 - "Entre Nous". Another form of Sergey Letov' activities is composing and playing music for cinema (Aleinikov brothers, Savva Kulish, Tatiana Chivikova, Yury Zmorovich a. o.), video, Radio and TV (more than 10 movies). Since 1996 Sergey Letov and Alexei Borisov play background music for the live performances of the German movie by Friedrich Wielhelm Murnau "Faust. Eine Folksage". Sergey Letov plays soprano, tenor, baritone saxophones, bass clarinet, flute, piccolo and alto flute, kuray. DIMITRII ALEKSANDROVICH PRIGOV: Dmitry Prigov (1940, Moscow, Russia) – poet, essay writer, artist, performer. Started his creative literary and artistic activities in the late 1950s. He is the author of numerous publications in magazines, literary miscellanies, catalogues and anthologies of contemporary poetry, as well as poetry books, essays and prose, issued by Russian and foreign publishing houses, including such as: Text Publishers, New Literary Review (Moscow), Limbach Publishing House (St.Petersburg), Michigan University Press (Chicago), Indiana University Press (Bloomington), Penguin (London), Iron Press (Culler Coats), Reclam Verlag, Oberbaum Verlag, Literarische Colloquium (Berlin), Space Umano (Milan), Triptyque Poesie, LRS-AMGA (Paris) and others. Among the recent poetry books are the following ones: 50 Drops of Blood (Moscow: Argo-Risk, 1994), Emergence of verse after its death (Moscow: Text, 1995), Militiaman and Others (Moscow: Obscuri Viri, 1996), Der Milizionär und die Anderen (Leipzig: Reclam Verlag, 1992), Les flauves de la vie (Paris: Triptyque, LRS-AMGA, 1994), Soviet texts – 1979-84 (St.Petersburg: Limbach Publishing House, 1997), Written since 1990 till 1994 (Moscow: NLO, 1998). He conducted a number of solo exhibitions at the Struve Gallery (Chicago), Contemporary Art Center (Saint Louis, 1989), Krings-Ernst Gallerie (Cologne, 1991), DAAD Gallery (Berlin, 1991), Guelman Gallery (Moscow, 1994), Russian Museum (St.Petersburg, 1994), Luedwig Museum (Budapest, 1995), Krings-Ernst Gallerie (Cologne, 1995), Muelcheim Museum (Muelcheim-on-Ruhr, 1995) and others, he also conducted a number of poetry readings and lectures on contemporary Russian art and literature at Harvard, Stanford, Columbia Universities, also at Berkeley, Los Angeles, and Ohio University College and so on (USA), London and Cambridge University colleges (Great Britain), as well as at the Universities of Munich, Frankfurt, Bochum, Bremen, Heidelberg (Germany) and others. Since the midst 1980s Prigov has participated in various festivals of contemporary poetry both in Russia and abroad, including such as: Novostroyka Avant-garde Festival (London, 1988), Festival of Avant-garde Classical Music (Moscow, 1990), Milanopoesia (Milan, 1991), Brighton Art Festival (Bridgetown, 1992), Rotterdam Poetry Festival (Rotterdam, 1993) and so on. In 1984-87 he performed as a vocalist and saxophone player with the group “Middle Russian Hills,” recorded several musical albums and solo poetry readings (MC, CD-format). Since 1989 till 1993 he hosted a program on the radio “Deutsche Welle.” In 1989 a documentary film was made about the poet’s creative activities, it was called “Dmitry Prigov: Poet and Rebel” (Moscow). He acted in the feature films “Taxi Blues”(1990), “Khrustalyov, Get into the Car!”(1995). Prigov participated in more than a hundred group exhibitions both in Russia and abroad. He is a laureate of various prizes, rewards and awards, including the Pushkin Prize for literature (Topfer-Foundation and Russian PEN Club, 1994), German Academy of Art Award (1991), also First Prize winner at the Paper Biennial (Duren, 1994). Dmitry Prigov lives and works in Moscow (Russia) and Cologne (Germany). [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => concert-in-o-g-i-track-7 [to_ping] => [pinged] => [post_modified] => 2015-01-09 17:03:26 [post_modified_gmt] => 2015-01-09 16:03:26 [post_content_filtered] => [post_parent] => 0 [guid] => http://orangepixel.it/zerynthia/?post_type=sounds&p=6576 [menu_order] => 0 [post_type] => sounds [post_mime_type] => [comment_count] => 0 [filter] => raw [old_id] => 566 [post_it] => 10 ) [9] => WP_Post Object ( [ID] => 6608 [post_author] => 1 [post_date] => 2014-08-22 10:38:39 [post_date_gmt] => 2014-08-22 08:38:39 [post_content] => [post_title] => terzo esercizio respiratorio [post_excerpt] => Gianluca Codeghini Nato a Milano il 02.09.1968 Diplomato all’Accademia di Brera Milano al corso di Pittura. Frequenta i corsi di Musica Elettronica e di Semiotica a Bologna e Milano. Le sue prime esperienze artistiche indagano nell’ambito della ricerca sonora e di una modalità per archivia-re e rigenerare il rumore a queste affianca performance e installazioni in ambiti urbani e in spazi espositivi, nel 1992 fonda laciecamateria edizioni. Alcune linee teoriche del suo lavoro vertono temi come il rumore, la luce e la cecità, la polvere, il gioco, l’intervallo, i sottofondi, svariate sono le collaborazioni. Espone in Italia e all’estero dal 1990 in spazi pubblici, musei, gallerie e spazi vir-tuali, in questo ultimo anno: “Lo sguardo ostinato” a cura di E. Grazioli, MAN Museo d’Arte Provincia di Nuoro; prosegue la ricerca sul suono e presenta “Noi se” a Milano presso A+M Bookstore e a Roma all’interno del progetto “InsideOUT”, a cura di M. Allicata e F. Ventrella presso la Red Bull Music Accademy; realizza la colonna sonora del video “Ada Negri” di Dario Bellini; è pubblicato in “La polvere nell’Arte” a cura di E. Grazioli, Bruno Mondadori; “Il gioco epistemico” conversazione con P. Braione in “La cultura politecnica” a cura di M. Bartoldini, Bruno Mondadori; prende forma il progetto “Warburghiana”. 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