Contemporary art comes across problems that make it not only reflect on its role and criticise what has by now become an aged hedonistic dimension. New introductions see beauty as a solely collateral value, because it seems more important to generate new values of attention.
RAM voluntarily steps forward as an intermediary between artist and exhibition and makes an effort to create the best conditions for a dialogue with places and institutions. New operative forms are as such generated that, instead of referring to the personal, open up to previously unseen projects and unprecedented encounters.
Each event sees the identification of a specific project and a graphic line in tune with the artistic proposal. Each artist asks for a personal way in which to be presented.
