RAM has always been interested in working with similar structures. Working in a network strengthens mutual proposals.
Communication and circulation are the inevitable stage on which to verify creative production. Today, perception in art is ever more superimposed at the moment of circulation. Sound, and above all rock, is in constant confrontation with its ability to put on a show. A soundtrack involves a less specialised, oceanic, audience that art cannot aspire to. This determines a particular conformation of the language to be used, which is an excellent training ground also for verifying artistic messages. From this approach, the encounter with Gianna Nannini has brought new consequences.
